Things to Come (L'avenir) (2016) - Rotten Tomatoes

Things to Come (L'avenir) (2016)

TOMATOMETER

AUDIENCE SCORE

Critic Consensus: A union to cherish between a writer-director and star working at peak power, Things to Come offers quietly profound observations on life, love, and the irrevocable passage of time.

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Movie Info

Nathalie teaches philosophy at a high school in Paris. She is passionate about her job and particularly enjoys passing on the pleasure of thinking. Married with two children, she divides her time between her family, former students and her very possessive mother. One day, Nathalie's husband announces he is leaving her for another woman. With freedom thrust upon her, Nathalie must reinvent her life.

Cast

Isabelle Huppert
as Nathalie Chazeaux
Edith Scob
as Yvette, la mère

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Critic Reviews for Things to Come (L'avenir)

All Critics (99) | Top Critics (26)

Visually arresting, but never precious, it's filled with ideas that have relevance to actual life, ideas that are based on a moral conviction that a question well-posed is far more valuable than an easy answer.

January 25, 2017 | Rating: 3.5/4 | Full Review…
Philadelphia Inquirer
Top Critic

Following her triumph in Elle, French screen legend Isabelle Huppert scores another bullseye with this delicate tale of philosophy professor starting over

January 13, 2017 | Rating: 3.5/4 | Full Review…
Rolling Stone
Top Critic

OK, now Isabelle Huppert is just showing off.

January 5, 2017 | Rating: 4/5 | Full Review…
Arizona Republic
Top Critic

This French drama gives Huppert a brilliant, Rousseau-quoting character to play around with, and she saunters through the role, finding fresh moments in every scene.

December 28, 2016 | Full Review…
Chicago Reader
Top Critic

It has slow patches, but it has a cumulative effect, thanks equally to Hansen-Love and Huppert. We come away feeling enriched and expanded, without exactly knowing how or why.

December 21, 2016 | Rating: 3/4 | Full Review…
San Francisco Chronicle
Top Critic

Huppert is extraordinary-she reveals everything even when you think she's showing nothing-and she's the perfect actress, right now, for Hansen-Løve's fine-grained perceptiveness.

December 13, 2016 | Full Review…
TIME Magazine
Top Critic

Audience Reviews for Things to Come (L'avenir)

½

Isabelle Huppert, an icon of French cinema, has to engage all of her artistic power to give meaning and complexity to a screenplay that is not too far from a self-help paperback made with cut-out figures. The film analyses superficially how to handle divorce, career threats and family issues by being cool, calm and collected in the presence of the others involved. You can let go in private, and howl. It is an ironic reflection of the problems faced by Huppert's character, who writes complex academic books which her publisher wants to dumb down into glossy, primary-coloured, mass-market items; meanwhile, her husband of three decades announces flatly one day that he is moving in with someone else. Other family members, young and old, also have textbook problems. The shallowness is a fault of construction and direction in the film, since there is nothing wrong with the acting talent. Huppert, with her characteristically surgical style, attacks each situation forcefully in turn. When it is time for her character to let go, you see the emotional abandonment and devastation. But the film is not committed to her themes and wants to do other things. Huppert is frequently cast in French promotional cinema and this is no exception - there are travelogues in Paris, Brittany and the Pyrenees, elegant clothing styles, charming cottages, regional produce, and quotations from French philosophy, which is itself a national product. The resolutions to the various personal problems are conventional; but then, perhaps it is advertising traditional family values, too. By all means be impressed by what you see here, as that is the intention; and it is worth it just to watch Huppert wrangle an inferior cinematic product into some consequence.

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Super Reviewer

½

There is a certain intuitive feel to Mia Hansen-Løve's films, as though she prefers to always follow her heart in order to find a direction for her characters and narrative - which, in turn, ends up being a bit irregular and repetitive, even if lifted by Huppert's excellent performance.

Carlos Magalhães
Carlos Magalhães

Super Reviewer

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