Thou Wast Mild and Lovely (2014)
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Critic Reviews for Thou Wast Mild and Lovely
It's not uninteresting but too self-consciously arty to rank Decker as a mature filmmaking voice.
Ms. Decker especially likes to cut away from a shot just as or before it catches an actor's glance (or catches our eye). It's a device that risks growing mannered.
Traub's Sarah is fascinating, with an almost feral sexuality that makes her the most crucial component of the movie.
Our glimpses of what's already occurred and what will soon come are vivid and impressionistic, prophetic warnings about which everyone seems powerless to do anything other than silently observe.
Decker concocts a wholly enveloping vision of isolation told with a grimly poetic style that wanders all over the place but never stops playing by its own eerie rulebook.
Audience Reviews for Thou Wast Mild and Lovely
It suffers from all the directing problems of Decker's previous film (the same horrible framing and the image constantly going in and out of focus for no reason), but at least this time there is a script and no hideously improvised dialogue - even if most of it is hideous as well.
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