The Painter and the Thief
The Half of It
The Vast of Night
Stargirl
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All Critics (10) | Top Critics (6) | Fresh (4) | Rotten (6)
Rain strives for a Magnolia-type tapestry of quiet desperation. But after 90 unremitting minutes of badly acted, atrociously written histrionic misery, pic leaves one praying for frogs. July 20, 2006 | Full Review…
Rain strives for a Magnolia-type tapestry of quiet desperation. But after 90 unremitting minutes of badly acted, atrociously written histrionic misery, pic leaves one praying for frogs.
Ronnie Scheib
In the genre of interlocking stories about lonely lives, Three Days of Rain is only a sketch compared to the power of Rodrigo Garcia's Nine Lives, which continues to grow in my memory. December 8, 2005 | Rating: 2.5/4 | Full Review…
In the genre of interlocking stories about lonely lives, Three Days of Rain is only a sketch compared to the power of Rodrigo Garcia's Nine Lives, which continues to grow in my memory.
Roger Ebert
The ends of each story work beautifully, but getting there requires traveling some washed-out roads, despite the imprimatur of executive producer Wim Wenders. September 30, 2005 | Rating: 2/4
The ends of each story work beautifully, but getting there requires traveling some washed-out roads, despite the imprimatur of executive producer Wim Wenders.
Jami Bernard
A well-written and -acted drama that's also unrelentingly grim. September 30, 2005 | Rating: 2.5/4
A well-written and -acted drama that's also unrelentingly grim.
V.A. Musetto
Inspired by Chekhov's short stories, Three Days of Rain belongs to the now-familiar genre of overlapping tales of urban desperation. September 30, 2005 | Rating: 4.5/5 | Full Review…
Inspired by Chekhov's short stories, Three Days of Rain belongs to the now-familiar genre of overlapping tales of urban desperation.
Jeannette Catsoulis
The real subversion is director Michael Meredith's insistence on not capturing interactions between human beings in a frame; with some forethought he could have filmed the actors individually and spliced. September 27, 2005 | Full Review…
The real subversion is director Michael Meredith's insistence on not capturing interactions between human beings in a frame; with some forethought he could have filmed the actors individually and spliced.
Darren Reidy
Meredith has created a mood piece that avoids self-indulgence as it explores the self-indulgent nature of a handful of diverse people, caught up in the major and minor miseries of life's foolish ironies and genuine woes. July 21, 2006 | Rating: 3.5/5
Meredith has created a mood piece that avoids self-indulgence as it explores the self-indulgent nature of a handful of diverse people, caught up in the major and minor miseries of life's foolish ironies and genuine woes.
Bridget Byrne
A hypnotic mood piece -- where characters' blank existential stares are framed through rain-beaded car windows -- and a murky riff on urban Midwestern ennui (by way of the Russian steppes). July 20, 2006 | Full Review…
A hypnotic mood piece -- where characters' blank existential stares are framed through rain-beaded car windows -- and a murky riff on urban Midwestern ennui (by way of the Russian steppes).
Matthew Duersten
It's simply a pleasure watching these seasoned pros, a collection of recognizable faces, if not exactly household names, massage these characters and bring them and their stories to life. June 24, 2006 | Rating: 3.5/5 | Full Review…
It's simply a pleasure watching these seasoned pros, a collection of recognizable faces, if not exactly household names, massage these characters and bring them and their stories to life.
Merle Bertrand
As a filmmaker, Meredith has a strong, if derivative, visual sense, although his screenplay is packed with too many clichs and familiar riffs. March 11, 2006 | Rating: 2.5/5 | Full Review…
As a filmmaker, Meredith has a strong, if derivative, visual sense, although his screenplay is packed with too many clichs and familiar riffs.
Marjorie Baumgarten
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