Shirley
Da 5 Bloods
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I May Destroy You
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All Critics (15) | Top Critics (8) | Fresh (8) | Rotten (7)
The freewheeling narrative experimentation and cryptic social commentary recall 60s Godard, but the vibe is Bozon's own. March 19, 2015 | Full Review…
The freewheeling narrative experimentation and cryptic social commentary recall 60s Godard, but the vibe is Bozon's own.
Ben Sachs
Peculiar and abrasive ... December 11, 2014 | Full Review…
Peculiar and abrasive ...
Ben Kenigsberg
Confirms director and co-screenwriter Serge Bozon as one of French cinema's true oddballs. December 11, 2014 | Rating: C+ | Full Review…
Confirms director and co-screenwriter Serge Bozon as one of French cinema's true oddballs.
Mike D'Angelo
The resulting clash of tones initially seems jarring, but ultimately original and invigorating. December 9, 2014 | Full Review…
The resulting clash of tones initially seems jarring, but ultimately original and invigorating.
Scott Foundas
An overwrought experiment in cerebral slapstick that misses more targets than it hits. December 9, 2014 | Full Review…
An overwrought experiment in cerebral slapstick that misses more targets than it hits.
Stephen Dalton
Serge Bozon's smart, surprising, marvelously realized French crime-and-sex police drama/comedy distinguishes itself with trenchant plotting, inspired framing, and performances that honor true human feeling even as they lunge into the screwball. December 9, 2014 | Full Review…
Serge Bozon's smart, surprising, marvelously realized French crime-and-sex police drama/comedy distinguishes itself with trenchant plotting, inspired framing, and performances that honor true human feeling even as they lunge into the screwball.
Alan Scherstuhl
Bozon has created another strange hybrid of form with this blackly comedic, sexually perverse examination of racial inequality and notable political bigotry. September 19, 2019 | Rating: 4/5 | Full Review…
Bozon has created another strange hybrid of form with this blackly comedic, sexually perverse examination of racial inequality and notable political bigotry.
Nicholas Bell
As with the Golden Age American B-movies Bozon admires, Tip Top's primary concern is not with identifying the bad guy, but with smuggling in as much additional information as possible, including televised images of the unfolding Arab Spring. January 9, 2015 | Full Review…
As with the Golden Age American B-movies Bozon admires, Tip Top's primary concern is not with identifying the bad guy, but with smuggling in as much additional information as possible, including televised images of the unfolding Arab Spring.
Nicholas Elliott
This sui generis policier audaciously balances slapstick with a fiercely intelligent probing of the still-knotty legacy of France's colonialist past. December 12, 2014 | Full Review…
This sui generis policier audaciously balances slapstick with a fiercely intelligent probing of the still-knotty legacy of France's colonialist past.
Melissa Anderson
One minute a tense police procedural, the next a wacky Almodvarian sex farce, this schizophrenic enterprise is more wearying than entertaining. December 12, 2014 | Full Review…
One minute a tense police procedural, the next a wacky Almodvarian sex farce, this schizophrenic enterprise is more wearying than entertaining.
David Noh
Instead of finding one consistent tone and sticking to it, Serge Bozon allows the wildly hilarious and the grimly serious to uneasily coexist, exulting in the resultant clash. December 11, 2014 | Rating: 3/4 | Full Review…
Instead of finding one consistent tone and sticking to it, Serge Bozon allows the wildly hilarious and the grimly serious to uneasily coexist, exulting in the resultant clash.
Kenji Fujishima
Director Serge Bozon is not sure whether he intends a linear or non-linear sex rib-tickler or noir thriller, a female buddy cop caper or a social comment. Or all of them. December 10, 2014 | Full Review…
Director Serge Bozon is not sure whether he intends a linear or non-linear sex rib-tickler or noir thriller, a female buddy cop caper or a social comment. Or all of them.
Donald J. Levit
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