Slingshot (Tirador) (2010)




Critic Consensus: No consensus yet.

Movie Info

One of the most prolific and acclaimed directors of the Philippine New Wave, Brillante Mendoza has created another virtuoso exploration of the volatile Manila slums. The camerawork in this verité portrait of petty thieves and hustlers is fluid, sweeping, and seemingly untethered, as frantic as the overcrowded shacks and ditches it captures. Mendoza (2009 Cannes Winner, Best Director for "Kinatay") uses this hybrid fiction essay not to judge the questionable acts of his fringe-dwelling characters, but to subtly implicate political and religious institutions as a source of their problems.-- (C) Ignatius Films
Art House & International , Drama , Mystery & Suspense
Directed By:
Written By:
In Theaters:
Centerstage Productions


News & Interviews for Slingshot (Tirador)

Critic Reviews for Slingshot (Tirador)

All Critics (9) | Top Critics (4)

The mood of scrambling desperation can be exhausting, but the filmmaking is never less than exhilarating.

July 23, 2010
New York Times
Top Critic

It's all in good voyeuristic fun, even if Tirador's economic (and political/religious) critique plays a tad crudely.

Full Review… | July 20, 2010
Village Voice
Top Critic

One can maintain the energy and patience for donnybrooks and general insanity only so long before craving a grounding through line.

October 22, 2008
Time Out
Top Critic

With Mendoza averaging two features a year, if you don't like what you see now, just wait a few months.

Full Review… | October 22, 2008
Village Voice
Top Critic

If you'd like to get a load of what life is like in the slums of the Philippines, then you ought to check out this intimate peek at the intractable state of Third World poverty.

Full Review… | July 28, 2010

Hats off to Mendoza for delivering this intimate peek at the intractable state of Third World poverty.

Full Review… | July 28, 2010
Sly Fox

Audience Reviews for Slingshot (Tirador)

A visceral portrait of the urban poor and the political hypocrisy in the Philippines, told through a series of vignettes masterfully shot by Brillante Mendoza. The second half is very slow compared to the fast-paced, and comic-natured first. Brocka inspirations scattered throughout, including the musical score.

Ivan Descartin
Ivan Descartin

Super Reviewer

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