Uncle Boonmee Who Can Recall His Past Lives (2011)
Critic Consensus: Languorous and deeply enigmatic, Palme d'Or winner Uncle Boonmee represents an original take on the ghosts that haunt us.
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as Uncle Boonmee
as Huay (Boonmee's Wife)
as Boonsong (Boonmee's Son)
as Roong (Jen's Friend in Hotel)
as Jaai (Boonmee's Chief Worker)
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Critic Reviews for Uncle Boonmee Who Can Recall His Past Lives
Weerasethakul's sincerity is evident, though the film's meditative pace and vague philosophical undertones will not be for everyone.
This is a film that wants to be interesting, and it certainly is that. Whether you want to dine with the ghost and the monkey-man or not, they bring a new perspective to the table.
As is to be expected, Weerasethakul frequently abandons the story for trancelike contemplations of nature, but never before in his work has the device felt more purposeful.
While the result is pretty much the definition of a film that should be experienced, not explained, there's no sense here that Weerasethakul is being difficult for difficult's sake, or even attempting to conceal his mysteries.
It playfully invokes both the lifestyle and animistic beliefs of the Northeast country folk, and the primitive magic of early Thai cinema, relating both of these to his musings on reincarnation.
Audience Reviews for Uncle Boonmee Who Can Recall His Past Lives
I arrived puzzled at the end of this film wondering if Uncle Boonmee could really recall his past lives, and although the direction is tight and careful, the narrative is loose and sterile, allowing of infinite symbolic interpretations but for what seems to be a lifeless, empty fable.
[img]http://images.rottentomatoes.com/images/user/icons/icon14.gif[/img] A lot of people criticise Uncle Boonmee for it's lack of a solid narrative. Having one wasn't the film's primary focus anyway, but what it does have, simply cannot be explained in literal terms. This art house feature was created for spiritual enlightenment so naturally, it's not your average indie flick. Despite it's incredibly slow pacing, it's overwhelming. It doesn't let it's open minded surrealism disrupt the ideas and explanations of reincarnation, ghosts and the distances and borders between lives. Even in it's weirdest moments it's intelligent, enigmatic, and engaging and perfectly blends genres such as drama, comedy and horror. Visually outstanding, thought-provoking and delightfully otherworldly, it's one of the better films of 2010.
I don't mind dead wives showing up for dinner as uninvited guests but when a Sasquatch starts to browse your old photo albums THAT is where things get a little weird.
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