The Untouchables (1987) - Rotten Tomatoes

The Untouchables (1987)



Critic Consensus: Slick on the surface but loaded with artful touches, Brian DePalma's classical gangster thriller is a sharp look at period Chicago crime, featuring excellent performances from a top-notch cast.

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Like the TV series that shared the same title, The Untouchables (1987) was an account of the battle between gangster Al Capone and lawman Eliot Ness, this time in the form of a feature film boasting big stars, a big budget, and a script from respected playwright David Mamet. Kevin Costner stars as Ness, a federal agent who has come to Chicago during the Prohibition Era, when corruption in the local police department is rampant. His mission is to put crime lord Capone (Robert De Niro) out of business, but Capone is so powerful and popular that Ness is not taken seriously by the law or the press. One night, discouraged, he meets a veteran patrolman, Jimmy Malone (Sean Connery), and discovers that the acerbic Irishman is the one honest man he's been seeking. Malone has soon helped Ness recruit a gunslinger rookie, George Stone (Andy Garcia), and, joined by nebbish accountant Oscar Wallace (Charles Martin Smith), the men doggedly pursue Capone and his illegal interests. At first a laughingstock, Ness soon has Capone outraged over his and Malone's sometimes law-bending tactics, and the vain mobster strikes back in vicious style. Ultimately, it is the most unexpected and minor of crimes, tax evasion, which proves Capone's undoing. All of the credits for The Untouchables boasted big names, including music from Ennio Morricone and costumes by Giorgio Armani. Director Brian De Palma continued his tradition of including a homage to past masters of the cinema with a taut stairway shoot-out reminiscent of a similar sequence in Sergei Eisenstein's Battleship Potemkin (1925). ~ Karl Williams, Rovi

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Sean Connery
as Jim Malone
Kevin Costner
as Eliot Ness
Robert De Niro
as Al Capone
Andy Garcia
as George Stone
Charles Martin Smith
as Oscar Wallace
Billy Drago
as Frank Nitti
Vito D'Ambrosio
as Bowtie Driver
Peter Aylward
as Lt. Anderson
Don Harvey
as Preseuski
Robert Swan
as Mountie Captain
John J. Walsh
as Bartender
Del Close
as Alderman
Colleen Bade
as Mrs. Blackmer
Meldoy Rae
as Union Station Woman
Greg Noonan
as Rangemaster
Sean Grennan
as Cop Cousin
Mike Bacarella
as Overcoat Hood
Michael Byrne
as Ness's Clerk
Kaitlin Montgomery
as Ness's Daughter
Aditra Kohl
as Blackmer Girl
Chelcie Ross
as Reporter
Tim Gamble
as Reporter
Sam Smiley
as Bailiff
John Bracci
as Fat Man
Jennifer Anglim
as Woman in Elevator
Will Zahrn
as Defense Attorney
Vince Viverito Sr.
as Italian Waiter
Valentino Cimo
as Bodyguard
Clem Caserta
as Bodyguard
Bob Martana
as Bodyguard
George Spataro
as Bodyguard
Melody Rae
as Union Station Woman
Robert Miranda
as Gunned Head
James Guthrie
as Pagliacci
Basil Reale
as Hotel Clerk
Joe V. Greco
as Bodyguard
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News & Interviews for The Untouchables

Critic Reviews for The Untouchables

All Critics (55) | Top Critics (13)

A deeply satisfying and entertaining Prohibition gang-buster directed with a Tommy gun's rat-tat-tat.

June 25, 2013 | Rating: 3/4 | Full Review…
Philadelphia Inquirer
Top Critic

The Untouchables could be the breakthrough movie for Kevin Costner, a folksy, Gary Cooperish actor who holds center stage as Eliot Ness.

June 25, 2013 | Full Review…
Orlando Sentinel
Top Critic

Where, under his stainless-steel incorruptibility, was Ness' gnawing flaw? To Mamet and De Palma, goodness and dullness seem inseparable.

June 25, 2013 | Rating: 2.5/5 | Full Review…
Los Angeles Times
Top Critic

It's an action film without much personality or drive and without enough imaginative detail to make the action gripping or meaningful.

June 25, 2013 | Full Review…
Chicago Tribune
Top Critic

It goes to that place that all films aspiring to greatness must attain: the country of myth, where all the figures must be larger and more vivid than life.

June 25, 2013 | Full Review…
TIME Magazine
Top Critic

The results are watchable enough, with a particularly adept use of Sean Connery, Chicago locations, and period details.

May 21, 2008 | Full Review…
Chicago Reader
Top Critic

Audience Reviews for The Untouchables

Though there are certain historical liberties taken with the story of the Untouchables taking down Al Capone, this film is completely forgiven. It's a historical period piece, an action film, and a gangster crime film all rolled up into one. Whether or not Al Capone was justified in breaking the Volstead Act and bringing alcohol into the Chicago streets is history's burden, but the violence exacted upon his enemies was the same as a warlord, and for that the audience wants to see him go down. Seeing Eliot Ness (Costner) take Capone (De Niro) down was a sweet victory, in a film fraught with the deaths of many. The crusade that the Untouchables took on, risking their own lives to their detriment, was personal and heroic, and this film shows that. Not only that but every one of them is defined as an action hero, though some of them may be accountants, other beat cops. Every scene is artfully done, whether they're at the battle on the bridge, or the nod to "Battleship Potemkin" at the train station, or the rooftop chase, it's a sweetly crafted ode to these heroes, and the lives that they lived and lost. It's a really cool movie, and for a period piece, that's pretty difficult to pull off.

Spencer S.
Spencer S.

Super Reviewer

Written by David Mamet and directed by Brian De Palma, this is a flashy retelling of Eliot Ness and his quest to bring down Al Capone on the mean streets of Prohibition era Chicago. I used to be quite fond of this film, but time, re viewings, and some other factors have lead me to realize that this film isn't quite the gem I once thought it was. There are liberties with the history, and I expected that, but not only that, there's really not a whole lot of character development or that strong of a story here. Yeah, the pacing's tight, but I feel like things are perhaps a bit too rushed, and more time could be spent building the story instead of just jumping right in from event to event. The period details are quite good though, and the film nails the era fine. The historical errors just come with character, development, and the general plot/story. Ennio Morricone's music, while good (save for a track or two), is misused, with the cues showing up at inappropriate times, making for a jarring effect. The film feels really uneven, especially with the music, but in general too. It's like they were unsure what kind of tone they were shooting for. Okay, now for more praise. This film is stylish, and quite entertaining. There's a strong cast, and the performances are pretty decent. I don't know if Connery necessarily deserved the Oscar he got for this, but he is a joy to watch, even if I don't quite buy him as a veteran beat cop. Being a De Palma film, there's some great cinematography and camera work, complete with a few nice long take/tracking shots. Even though the film is kinda uneven, there are some quite suspenseful scenes throughout, with perhaps the highlight being the climax at the train station which features a loving tribute to the "Odessa steps" sequence from Battleship Potemkin. All in all, this film isn't nearly as good as people remember it to be. It's quite flawed, yet somehow I can't bring myself to rate it any lower, despite my gripes with it. Perhaps that's a bit hypocritical, but hell, even the cops took drinks while enforcing Prohibition, so yeah, nobody's perfect. In any case, I still recommend this, even though I knew it could have been a lot better, and I know what could have been done to get it that way.

Chris Weber
Chris Weber

Super Reviewer



Directors Cat
Directors Cat

Super Reviewer

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