Violent Cop (Sono otoko, kyôbô ni tsuki)

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Total Count: 6


Audience Score

User Ratings: 5,855
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Movie Info

Television comedian, author of a number of books, and star in such films as Merry Christmas, Mr. Lawerence, Takeshi Kitano stepped behind the megaphone for this two-fisted crime thriller after yakuza flick auteur Kinji Fukasaka walked off the project. Police detective Azuma (Kitano) is loose cannon Dirty Harry-like cop who is constantly in hot water with his superiors. At the film's outset, Asuma encounters a group of high school kids beating up an old man. Later that night, he pays a visit to the ringleader's middle-class home and lands a fist square in the kid's face. When he discovers a man in bed with his mentally feeble sister, Akari (Maiko Kawakami), he thrashes the guy. Azuma's crime-world double is a yakuza assassin (Ryu Haku) who's running drugs. Later, Azuma learns that not only is his best friend and partner, Iwaki (Sei Hiraizumi), selling drugs to this gangland thug, but his sister has been kidnapped and coked up by the same creep.


as Kiyohiro
Shiro Sano
as Yoshinari
Takeshi Hiraizumi
as Detective Iwaki
Haku Ryu
as Kiyohiro
Hiroyuki Katsube
as Deputy Police Chief Higuchi
Noboru Hamada
as Chief Detective Araki
Yuuki Kawai
as Detective Honma
Tarô Ishida
as Detective Tomosato
Ritsuko Amano
as Honma's Financee
Kôichi Ueda
as Detective
Mikiko Otonashi
as Iwaki's wife
Yoshima Hara
as Detective
Katsuki Muramatsu
as Deputy Commissioner Anan
Ei Kawamaki
as Hashizume
Zhao Fanghao
as Psychiatrist Izumi
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Critic Reviews for Violent Cop (Sono otoko, kyôbô ni tsuki)

All Critics (6) | Top Critics (2) | Fresh (5) | Rotten (1)

Audience Reviews for Violent Cop (Sono otoko, kyôbô ni tsuki)

  • Jun 21, 2013
    Director Takeshi Kitano's unflinching début is a poignant practice in violence and nihilism. The plot (though initially slightly slow) follows the titular 'Violent Cop' Azuma as he commits elevating acts of brutality in a fashion similar to that of 'Dirty Harry' in order to solve a case. Where Azuma distinguishes himself from Harry Callaghan, however, is in his ethos, and the deep existentialism running throughout 'Violent Cop' allows it to become a more thought provoking character study then 'Dirty Harry' ever was. In a directorial sense 'VC' is poetically beautiful and minimalistic, with shots lingering on both small moments of beauty and extreme violence, reminding viewers that both inhabit the same existence and that (for our protagonist) neither one is more shocking then the other. Azuma's acts of violence are often linked to those of the film's primary antagonist and assassin Kiyohiro, with the two even sharing dialogue throughout. In a sense 'Violent Cop' presents itself as a study of oppressed, traditional masculinity in 20th century Japan, and the untameable nature of those men who haven't given in to the confinement of modern existence, Azuma's regard to the rules and those around him (his disabled sister especially) act as testament to this, and the outstanding final confrontation is a natural amalgamation of the brooding violence that preceded it. Outstanding.
    Cameron S Super Reviewer
  • Dec 29, 2011
    A face-punching introduction to the famous term "silent violence", a style that would influence several Asian directors in the following decades, from Chan-wook Park to Takashi Miike (watch Dead or Alive 1). Kitano brings a debut with breathtaking sequences of suspense and silence, broken moral laws, deception and pervasive gun shots, not to mention a melancholic score and wonderful excuses to compose long takes. 86/100
    Edgar C Super Reviewer
  • Mar 19, 2008
    Violent Cop. So, this was originally supposed to be filmed by Kinji Fukasaku (Battle Royale, Graveyard of Honor, Yakuza Papers) who dropped out, thankfully. Takeshi Kitano, who was only starring in the film, took over and japanese films haven't been the same for me since. Unlike other yakuza films, Kitano's violence is quick and cold-blooded. Different from American vigilante cops such as Dirty Harry, who care so much for their victims, Kitano's character Azuma doesn't seem to care about anything but personal revenge. If you're a fan of Beat Takeshi (and you should be) don't pass up this directorial debut.
    El Hombre I Super Reviewer
  • Mar 01, 2008
    Kitano beats the crap out of a kid almost right from the start of the film. That's all you need to know. Hard to believe this was Kitano's directorial debut. He already shows a great level of control of the medium.
    Tsubaki S Super Reviewer

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