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We Have Always Lived in the Castle draws on Shirley Jackson's classic tale to deliver a skillfully crafted mystery that engrosses and unsettles in equal measure.
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All Critics (29) | Top Critics (6) | Fresh (25) | Rotten (4)
Emotionally high-stakes drama. May 17, 2019 | Full Review…
Emotionally high-stakes drama.
Justin Lowe
Passon makes the creepy stuff too low-key, less a case of building dread than growing impatience. May 16, 2019 | Full Review…
Passon makes the creepy stuff too low-key, less a case of building dread than growing impatience.
Andrew Lapin
Allows Passon to work with a larger, more complex canvas while still displaying her intuitive understanding of women seeking to overthrow repression and societal expectation. May 16, 2019 | Full Review…
Allows Passon to work with a larger, more complex canvas while still displaying her intuitive understanding of women seeking to overthrow repression and societal expectation.
Alonso Duralde
The movie, though, which was adapted by Mark Kruger, is all surface polish and play-acted oddness, from the cloying symmetry of the stalely composed shots to the cartoonish depiction of some awfully complicated - nigh perverse - family relationships. May 16, 2019 | Full Review…
The movie, though, which was adapted by Mark Kruger, is all surface polish and play-acted oddness, from the cloying symmetry of the stalely composed shots to the cartoonish depiction of some awfully complicated - nigh perverse - family relationships.
Robert Abele
Under Stacie Passon's precise direction, this gothic fable of isolation and violence expertly treads a fine line between tragedy and camp. May 16, 2019 | Full Review…
Under Stacie Passon's precise direction, this gothic fable of isolation and violence expertly treads a fine line between tragedy and camp.
Jennifer Szalai
Passon... sharply channels the author's atmosphere of dread, paranoia, and isolation, making the past feel prescient. September 25, 2018 | Full Review…
Passon... sharply channels the author's atmosphere of dread, paranoia, and isolation, making the past feel prescient.
Courtney Howard
Setting a story years after a murder trial and an acquittal is unusual, not all together engaging but thankfully the performances are enough to draw you in and watch patiently as a family descends further into chaos. February 1, 2020 | Rating: 3/5 | Full Review…
Setting a story years after a murder trial and an acquittal is unusual, not all together engaging but thankfully the performances are enough to draw you in and watch patiently as a family descends further into chaos.
Katie Hogan
More concerned with eccentricities and atmospherics than building genuine tension, this uneven adaptation winds up dreary and dull. December 27, 2019 | Full Review…
More concerned with eccentricities and atmospherics than building genuine tension, this uneven adaptation winds up dreary and dull.
Todd Jorgenson
A beautifully cast and polished production that still only manages to rise to "mildly chilling." September 25, 2019 | Rating: 2.5/4 | Full Review…
A beautifully cast and polished production that still only manages to rise to "mildly chilling."
Roger Moore
Director Stacie Passon buoys up what the writing and acting do to create very complicated people, each who might be more angel or more devil, more victim or more perpetrator. July 24, 2019 | Rating: 3.5/5 | Full Review…
Director Stacie Passon buoys up what the writing and acting do to create very complicated people, each who might be more angel or more devil, more victim or more perpetrator.
Leslie Combemale
Gothic spine-tingling mystery story. July 24, 2019 | Rating: B+ | Full Review…
Gothic spine-tingling mystery story.
Dennis Schwartz
The film has engaging performances and some fine costume work, in particular. As written, though, while the novel's events make the jump to the screen, the spirit of the eerie prose is lost in translation. July 8, 2019 | Rating: 3/5 | Full Review…
The film has engaging performances and some fine costume work, in particular. As written, though, while the novel's events make the jump to the screen, the spirit of the eerie prose is lost in translation.
Josh Slater-Williams
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