Welcome to L.A. (1976)

TOMATOMETER

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AUDIENCE SCORE

Critic Consensus: No consensus yet.

Welcome to L.A. Photos

Movie Info

Alan Rudolph's first feature Welcome to L.A. displays his characteristic mood of romantic despair utilizing a La Ronde-like circle of sexual adventures and failed affairs centered around song-writer Carroll Barber (Keith Carradine) which spread out through the city. Barber is an aloof womanizer who cannot commit or love and is used by Rudolph to illustrate the loneliness inherent in big-city life. The film, featuring a haunting score by Richard Baskin, is a bit too ambitious for the beginning director. However, he gets good performances from Sally Kellerman as a lonely real estate agent, Geraldine Chaplin, as a Valley housewife addicted to taxi rides and Lauren Hutton as the mistress of a wealthy man.
Rating:
R
Genre:
Comedy , Drama
Directed By:
Written By:
In Theaters:
 limited
Runtime:
Studio:
United Artists

Cast

Keith Carradine
as Carroll Barber
Sally Kellerman
as Ann Goode
Geraldine Chaplin
as Karen Hood
Harvey Keitel
as Ken Hood
Lauren Hutton
as Nona Bruce
Viveca Lindfors
as Susan Moore
Sissy Spacek
as Linda Murray
Denver Pyle
as Carl Barber
John Considine
as Jack Goode
Richard Baskin
as Eric Wood
Allan F. Nicholls
as Dana Howard
Mike E. Kaplan
as Russell Linden
Diahnne Abbott
as Jeannette Ross
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Critic Reviews for Welcome to L.A.

All Critics (0)

No excerpt available.

Full Review… | February 22, 2012
Variety
Top Critic

Audience Reviews for Welcome to L.A.

sort of altman-lite, tho rudolph is a bit more of a romantic. this is altman's erstwhile assistant's debut feature, which seems like the continuing adventures of keith carradine's character in 'nashville'. he plays a writer of rather bad songs and son of a millionaire, who has a string of relationships with altman regulars sally kellerman, geraldine chaplin, sissy spacek, etc. even lauren hutton and harvey keitel are in this, harvey smoking a pipe and acting mostly uptight. some good performances and dialogues and structure similar to 'shortcuts', this was the first of a trilogy that ended with the far superior 'choose me'. rudolph seems to use distinctive music in each of his films, and the biggest problem here was the terrible folk-rock singer, richard baskin, whose performances throughout provide a running commentary on the characters' lonely lives. it was all i could do not to fast forward through these parts, but the film was interesting enough to finish

Stella Dallas
Stella Dallas

Super Reviewer

½

Must see for Sissy Spacek's wallpaper matching-pants, Harvey Keitel as a husband who can't cheat with Lauren Hutton, or a zillion other odd things from this Robert Altman produced movie

Jeff Schultz
Jeff Schultz

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