Ralph Breaks the Internet
Mission: Impossible - Fallout
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All Critics (24)
| Top Critics (2)
| Fresh (15)
| Rotten (9)
| DVD (1)
It takes some getting used to, but be patient: Within the madness, there's definitely a method, and rewards for the reaping.
With no culture-clash cliché left unplundered, Andy DeEmmony sets his camera to autopilot for a film which never decides who or what it's about.
Khan-Din and DeEmmony don't seem to have gelled harmoniously on this project, as its message and its motives feel confused.
This film has no real purpose in and of itself, or none that I can think of, and simply exploits what residual affection you might have for the original.
Although the comedy feels as broad as the Atlantic initially, once the main characters are transplanted to Pakistan things look up as the script begins to properly probe the emotional flaws of the characters rather than just opting for cheap laughs.
Broad, evasive and oppressively feelgood in tone, an affair over which veils should be drawn.
Not a perfect film but still entertaining in its own right.
Once again, it is Puri's commanding presence that holds the film together, though as Sajid, young Aqib Khan has enough natural charm and confidence to make him an endearing scene-stealer.
Ekes some gentle yuks out of culture clashes and father-son strife.
It amounts to an amiable enough way to kill a couple of hours, but that's about it.
It may avoid politics, but something is stirring beneath the fart jokes and biracial blunders.
Perhaps it doesn't have the novelty of the first film, but it's refreshingly un-parochial, with charm and fun, and Bassett and Puri are reliably excellent.
Intriguing sequel to 'East is East', this film follows teenager Sajid, George, Ella, and Maneer in the homelands of the Khan patriarch. With Annie (Ella's best friend) in tow, Ella finds the countryside an entirely different world and a whole different life that George had left behind. Getting to know the first wife, Ella realizes there is more to this side of the family with their troubles as much as there is to deal with her own. In the meantime, Sajid and Maneer are striving to keep the family together while also having a round of skirmishes of their own.
Very cookie cutter in its approach. You could take any sentimental film from the last twenty years, replicate all the poignant scenes and come up with a film like this. Feels forced. The characters are taking unbelievable leaps of faith.
For those who aren't aware of the original film, East Is East, released twelve years ago, was the story of the Anglo-Pakistani Khan family living in early 1970's Salford headed by father, George (Om Puri), and his wife, Ella (Linda Bassett) and George's attempts to ensure that his children live in a respectful Pakistani tradition including comedic minefields such as potential arranged marriages to women who were not blessed in the looks department and a youngest son who required a circumcision, along with more serious issues such as the eldest son being declared "dead" to the family because he left his bride at the altar (I don't want to reveal the reason why in case anybody hasn't seen the film).
Well, four years have passed for the Khan family and the only child living with George and Ella is the aforementioned youngest son, Sajid (Aqib Khan).
Due to the regular racist bullying he receives, Sajid regularly skips school which leads to him being caught shoplifting.
When Sajid says that the only home he knows is England and does not acknowledge, or is proud of, his Pakistani heritage. George decides to take Sajid to his original home in Pakistan - which includes issues such as meeting a family and first wife who he hasn't seen for thirty years and re-introducing themselves to one of George and Ella's sons, Maneer (Emil Marwa), who isn't able to get married because he isn't seen as a viable choice.
Whoever commissioned West Is West must have known that they were taking a gamble to do a sequel for such a small scale yet critical success over ten years later. This film pulls off the "difficult second album" in great style with help from all departments.
Ayub Khan-Din's screenplay is very much in the mould of the original film with the viewer able to laugh with the culture clash humour facing George and Sajid rather than at any stereotypes. The film feels more like a theatre performance rather than a film, which works to it's benefit as it allows the viewer to relax and be able to feel the emotions of the characters involved.
Andy De Emmony's direction along with the cinematography is first class. On the one hand, you get the dull browns and grey's that tend to dominate the colour pallet of a film representing England in the early to mid 70's. When the viewer arrives in Pakistan, you do get a sense of Sajid's visual emotions with it's beautiful tones and landscape.
The acting is also of a very high standard, particularly by Puri, Bassett and Marwa - who is involved in nicely written sub plot along with Aqib Khan regarding Sajid's quest to find Maneer a wife who is willing to marry him.
But the real star of this film is Aqib Khan in the role of Sajid. He has to portray a teenager who is not only undergoing puberty, but is also facing a crisis of identity as to whether he is English, Pakistani or facing a constant tug-of-war between two distinct traditions. He manages to pull off a very clever trick by making Sajid's dilemma thought provoking, sympathetic and funny and his partnership with Nadim Sawalha, who plays a local guru who tries to get Sajid to think for himself, is very touching.
Ultimately, West Is West is a film that is definitely "Book 2" of the Khan family album and that is the film's Achilles Heel. You need to have watched the first film to gain an understanding of the relationships within the Khan family and how these relationships inform the family members' behaviours.
That said, this film is equal to, and in some area surpasses the original - notably in George's character development and I have no problem with recommending this film.
So, I'll give this film 80% - I've knocked off 20% for the fact that it is pretty much essential that the viewer has to watch the original film rather than being a film that the viewer could comfortably watch in it's own right.
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