Who We Are Now (2018)
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Though similar in plot to the 2006 indie Sherrybaby, this Brooklyn-set drama owes more in tone and style to the searing character studies of John Cassavetes.
Superbly acted and confidently shot, "Who We Are Now" delivers substantial dramatic pleasures while posing pertinent questions.
Once again, [Newton] refuses to pretend that lives in disarray can be magically repaired by good intentions, while simultaneously avoiding the defeatist attitude that insists there's consequently no point in even trying.
While Nicholson's onscreen, it's impossible to pay heed to anything but her. She scorches the film with her barely bottled ferocity and vulnerability.
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