A Woman of Paris: A Drama of Fate (1923)
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Critic Reviews for A Woman of Paris: A Drama of Fate
Chaplin's manner is deft and witty, but the depiction of unchecked wealth and the moral rot it breeds links this drawing-room romance to the fierce political comedies in which he stars.
For some years great groups of the illuminati have been proclaiming Charles S. Chaplin an artist. Yet our good old uncles and funny old aunts, who really knew about custard pies, demurred.
A Woman of Paris is a serious, sincere effort, with a bang story subtlety of idea-expression.
A moving and entertaining work, executed with high finesse by a master cineast.
Despite its wealth of detail and sharp observations about morality, the film remains curiously insubstantial with its refined dabbling in the elements of satire, sentiment and melodrama exploited with such panache in Chaplin's starring comedies.
Audience Reviews for A Woman of Paris: A Drama of Fate
This was a good movie, a sad, romantic, and sometimes a bit humourous story, with good actors. Just note that Chaplin only directs the movie, he doesn't act in it. Overall, it's a good movie, but there were a couple of boring scenes in the middle of the movie.
What distincts A Woman of Paris is the line between its overt melodrama and the glorious feature-film period in which Chaplin entered with The Kid.Here,he experimented without his beloved Charlot and yet,Menjou is stellar and so is the usually briosa Purviance. Predictable and sticking to the strictly condemned love affair,I can only applaud the effort,plus the ironic output,even if he isn't at his most magnificent.
Charles Chaplin is not the star of this, his first serious drama. It's a silent film but Chaplin's direction of actors is so good that they don't overact, all seems very natural. the story is full of controversial or indecent themes for the time it was made (rebellious children, sex outside matrimony, women's lib). A very subtle novelty, as Chaplin said "it's all about how men and women tend to hide their emotions"
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