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Cast

Yves Montand
as Deputy

Irene Papas
as Helene

Jean-Louis Trintignant
as Examining Magistrate

Jacques Perrin
as Photojournalist

Charles Denner
as Manuel

François Périer
as Prosecutor

Pierre Dux
as General

Julien Guiomar
as Colonel

Bernard Fresson
as Matt

Renato Salvatori
as Yago

Marcel Bozzuffi
as Vago

Jean Bouise
as Deputy Georges Pirou

Georges Géret
as Nick

Magali Noël
as Nick's Sister

Jean Daste
as Coste

Jean-Pierre Miquel
as Pierre

Guy Mairesse
as Dumas

Clotilde Joano
as Shoula

Maurice Baquet
as The Bald Man

Gérard Darrieu
as Baron

José Artur
as The Newspaper Editor

Van Doude
as The Hospital Director

Eva Simonet
as Niki

Hassan Hassani
as The General's Chauffeur

Gabriel Jabbour
as Bozzini

Jean-Francois Gobbi
as Jimmy the Boxer

Andree Tainsy
as Nick's Mother

Steve Gadler
as English Photographer

Bob de Bragelonne
as Undersecretary of State

Sid Ahmed Agoumi
as The General's

Allel El Mouhib

Habib Reda

Georges Rouquier

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Critic Reviews for Z

Audience Reviews for Z

• Sep 13, 2018

  Absolutely chilling. At the end, seriously, as I sat stunned while the credits rolled by, I felt like curling up in the fetal position. It's a powerful, powerful film, based on the real-life 1963 assassination of anti-war activist Grigoris Lambrakis in Greece by right-wing thugs, who were sponsored by the military dictatorship in power at the time. With corruption going to the highest level of government, one using dirty tricks, intimidation, spying, attacks on the free press, assault, and murder, you might feel enraged while watching it, or powerless. Jean-Louis Trintignant turns in a great performance as the magistrate who looks into what is stated to be a drunk driving accident by the police. We feel the tension as he tries to uncover the truth, coming across disturbing facts. He has to withstand coercion from a General (Pierre Dux), but at the same time, beware that politics on the other side weren't somehow involved. We feel for so many characters here - one that comes forward as a witness, only to be attacked, the activists demonstrating against nuclear arms, who are beaten up by the police, and the magistrate himself, whose career is threatened unless he 'plays ball'. The bravery required is humbling. The film and its direction from Costa-Gavras feels very much a product of its time, and yet also modern, and timeless. In little moments he lightens the tone, such as when a series of officers all try to exit out the wrong door as they're led out of the courtroom. Even there, aside from the humor, one could see it as commentary on human folly, and how we repeat the same mistakes with a rotating cast of characters over time. The American support of the dictatorship is barely referenced, and yet we feel it there, heavy in the background, and it's shameful - so shameful that the film was accused of being 'Anti-American' in politically charged 1969. It's so ironic that in defending against the evils of communism, governments often employ the very same totalitarian, heavy-handed tactics against their citizens. They're so busy generating propaganda and demonizing the enemy that they don't notice that they've started becoming like the enemy. It's not unlike decrying the cruelty of extremists in our own time, and then turning around and authorizing torture. What it really means is to be wary of anyone in power, for some will go to any lengths to hold on to it. I think of the quote "That which can be destroyed by the truth, should be," and thank goodness for films like this, which simply tell the truth, even if it is a punch in the gut.
  Antonius B Super Reviewer
• Aug 03, 2017

  The film's anti-fascism always reads as raw and angry but never unfocused. A remarkable thriller.
  

  Alec B Super Reviewer
• Jun 03, 2014

  One of the better political thrillers and certainly the best that France has produced in the genre.
  

  John B Super Reviewer
• May 06, 2013

  Quick cutting, understated characters, uniformly excellent acting and powerful themes are what make "Z" such a good political thriller. There are parts where the story drags, but those moments are far and few between, and for the most part, we're watching with a deep fascination at the underhandedness of the Greek government.
  Stephen E Super Reviewer

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