The LEGO Movie 2: The Second Part
The Walking Dead
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Factors beyond Gibney's control prevent Zero Days from offering a comprehensive look at its subject, but the partial picture that emerges remains as frightening as it is impossible to ignore.
All Critics (70)
| Top Critics (19)
| Fresh (64)
| Rotten (6)
Gibney's movies are professional and solidly executed, informative if you go in underinformed but rarely surprising or aesthetically noteworthy.
Zero Days is ... under attack from little stylistic worms that threaten to turn an otherwise solid doc on the evil that 21st-century hackers do into a hack job.
Since no terrorist group or nation state has ever claimed credit for Stuxnet, Gibney can only hypothesize about its origins, but he makes an alarmingly lucid (if circumstantial) case for the culpability of the United States and Israel.
Don't be distracted by the ominous score, the layered displays of code, the juxtaposition of bursting balloon and mushrooming cloud; that's just (alarm) bells and whistles.
By necessity, far more questions than answers are raised in Zero Days. All of the questions and answers are troubling.
Easily the most important film anyone has released this year, it is a documentary that deserves to be seen by every sentient citizen of this country - and indeed the world.
A potent reminder of the unseen threats that face the world today. You'll need a stiff drink after, but that shouldn't discourage you from seeking out this sobering, powerful, and absolutely vital film.
Filled with juicy historical tidbits, it keeps expanding its frame of reference to reveal one of the looming, but invisible threats of the digital age.
... urgent, even necessary... [Full review in Spanish]
It's remarkable how Gibney packs complex, jargon-heavy ideas into a neat package.
Alex Gibney's powerful documentary looks closely at some recent examples of malware designed to wreak havoc worldwide.
Zero Days is more than just, as a source puts it, "a cool spy story". It is also a cautionary tale of the dangers of secrecy and a clarion call for an honest discussion on cyber weapons and their lethal potential.
Documentaries are rarely my cup of tea, considering that many are made about irrelevant or quirky subjects that only serve as an excuse for a filmmaker to dilute an already murky plethora of more deserving feature productions. "Zero Days" serves as an essential and elucidating exception to this trend, and as much as it uncovers, it is only the tip of the iceberg in regards to the subject of cyber crime and espionage. Focusing primarily on the Stuxnet virus (codename: Olympic Games), a malicious code crafted by none other than our National Security Agency and unleashed on the Iranian nuclear energy program by our Israeli buddies Mossad, Alex Gibney takes us on a digi-stylized tour up the tight-lipped echelons of the CIA, NSA, and office of the POTUS. Many of the interviewees invoke the almighty "it's classified" response to a system that has next to zero oversight and is held to little accountability. A program designed to sabotage Iran's nuclear centrifuges that started during the Bush administration and was fostered under Obama's direction led to the rise of Iran's cyber army and an even greater threat to our national security than what the program was intended to deter. One of the scariest take-away lessons from this is that until we acknowledge the white elephant of cyber warfare, the globe is on the edge of another threat to international peace on the level of mutually assured nuclear annihilation. The documentary does drag in places, and there is some ambiguity as to the breadth of who can and can't do anything about the problem, but the ramifications of the Natanz event are made explicitly clear by the whistle-blowers and implicitly daunting in the silence of our own leaders. Don't you feel safe?
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