Zombi 2

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Sean E @EllissinemaPodcast 4 days ago Some movies begin with a story. Lucio Fulci’s Zombie begins like somebody kicked open a crypt and forgot to shut the goddamn door. Released in Italy as Zombi 2 and in the UK as Zombie Flesh Eaters, this is a filthy, beautiful monument to Italian horror insanity. Watching it now feels especially surreal because I’m two days removed from seeing Fabio Frizzi perform in Detroit. Hearing that sinister, pounding music live and then returning to Fulci’s rotting Caribbean nightmare makes the film hit differently. Frizzi and Giorgio Tucci give the dead a heartbeat while Sergio Salvati’s photography makes paradise feel diseased. Giannetto De Rossi’s practical makeup effects remain magnificent. These zombies don’t look recently dead—they look ancient, muddy and genuinely rotten. And Fulci never looks away, especially during Olga Karlatos’ legendary splinter sequence. Then there’s the immortal moment: a zombie fights a real shark. See more Trav J @TJ_at_the_drive-in Aug 15, 2026 Classic flesh eating extravaganza See more Herman M. @BigPoppaBear Apr 4, 2026 As a pioneer of splatter effects in Italy, Lucio Fulci presents a masterpiece of gore and horror. With the now infamous splinter in the eyeball to the entertaining zombie vs shark battle, this movie delivers the goods for any true gore hound. See more Lex L @lexlerman Feb 17, 2026 Fulci's greatest flick See more Col B @aclockworkpomegranate Jan 25, 2026 The film is a classic art film. Zombie is visceral film that draws elements from the zeitgeist of the 1970s. Gore scenes are brutal, and dissonant sounds score scenes thematically. The pace is somewhat slow but, it is not the driving element. Pacing is the only bad element to the film. The core of this film is a handful of well crafted scenes with obscene amounts of gore scored to an unhinged background causing near bouts of mania for both the audience and actor alike. Fact About the Title: The film was directly influenced by Romero's Dawn of the Dead. Originally titled "Zombi" in Italy. Thus this film is called "Zombi 2" as a related tag to Romero's film as it was perceived in Italy. See more Hector I @Hector1184BC Jan 17, 2026 Originally a director of solid Gialli, Fulci made this commissioned film in 1979. A sailboat arrives in New York empty, and the owner’s daughter, having heard nothing from her father, travels to a mysterious island. Accompanied by a journalist and a couple of adventurers, she faces dangers including underwater attacks and a decomposing man. On the island, they find a doctor experimenting to cure locals afflicted by a mysterious illness. Fulci begins his series of pure horror films here, leaving Giallo behind. His trademarks remain: emphasized sexuality, unsettling underwater scenes, and striking, frightening gore — eyes and worms, my God. The film focuses on survival against undead threats and shows affinities with closed-setting films like Carpenter’s Assault on Precinct 13, though less effective. It exemplifies Fulci’s shift toward visceral, unflinching horror. See more Read all reviews

Zombi 2

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