En Filme

Tomatometer-approved publication
Rating Title/Year Author
3.5/5 South Terminal (2019) Luis Fernando Galván An eloquent and elegant abstraction. [Full review in Spanish] EDIT
Posted Oct 12, 2020
3/5 Two/One (2019) Luis Fernando Galván A solid and pertinent portrait of two men. [Full review in Spanish] EDIT
Posted Oct 12, 2020
4/5 Workforce (2019) Elizabeth Limón As in Luciérnagas (2018), Luis Alberti manages to envelop the character with an impressive duality. [Full review in Spanish] EDIT
Posted Oct 7, 2020
3.5/5 The Wild Goose Lake (2019) Luis Fernando Galván As a profound connoisseur of the history of cinema, the director Diao Yinan amalgamates atmospheres and suggestions... but the narration is confused and long-winded on several occasions. [Full review in Spanish] EDIT
Posted Aug 24, 2020
3/5 The Beast (1975) Luis Fernando Galván The director's meticulous work - the delightfully baroque music, for example - gives the erotic and dream sequences an undeniable artistic value. [Full review in Spanish] EDIT
Posted Aug 21, 2020
5/5 The Battle of Algiers (1966) Luis Fernando Galván [Director Gillo] Pontecorvo emerged during the "boom" of postwar Italian neorealism, but he was above all a documentary filmmaker. Both strains serve him well in this magnificent work. [Full review in Spanish] EDIT
Posted Aug 21, 2020
3.5/5 Giraffe (2019) Luis Fernando Galván Complex. [Full review in Spanish] EDIT
Posted Aug 14, 2020
4/5 Beanpole (2019) Luis Fernando Galván [A] powerful film. [Full review in Spanish] EDIT
Posted Aug 10, 2020
3.5/5 Once There Was Brasilia (2017) En Filme Staff A highly symbolic, disconcerting film that appeals to the viewer's critical capacity. [Full review in Spanish] EDIT
Posted Aug 6, 2020
3.5/5 Echo (2019) Luis Fernando Galván Ultimately, [filmmaker Rúnar] Rúnarsson offers an ambitious vision. [Full review in Spanish] EDIT
Posted Aug 6, 2020
3/5 Again Once Again (2019) Luis Fernando Galván An intimate, playful and introspective symbiosis between documentary and fiction. [Full review in Spanish] EDIT
Posted Jul 31, 2020
4/5 Hearts of Darkness: A Filmmaker's Apocalypse (1991) Luis Fernando Galván A fascinating, vivid and complex portrait of an obsessed artist. [Full review in Spanish] EDIT
Posted Jul 28, 2020
4/5 Dogs Don't Wear Pants (2019) Luis Fernando Galván Pietari Peltola's cinematography perfectly communicates the idea of two separate worlds that collapse on a visual level. [Full review in Spanish] EDIT
Posted Jul 27, 2020
4/5 The Whistlers (2019) Luis Fernando Galván A decidedly elegant operation. [Full review in Spanish] EDIT
Posted Jul 10, 2020
3.5/5 Cross My Heart (2017) Jesús Magaña Highlights the loss of faith and innocence experienced by young children overwhelmed by an overwhelming reality. [Full review in Spanish] EDIT
Posted Jul 2, 2020
4/5 The Platform (2019) Jesús Magaña Aránzazu Calleja's score manages to be an essential component in the rhythm, tone and atmosphere of the film. [Full review in Spanish] EDIT
Posted Jun 30, 2020
4/5 Ema (2019) Luis Fernando Galván The film confirms -- and even takes it to a new level -- Larraín's investigation about the image and its capacity to become a story. [Full Review in Spanish] EDIT
Posted Mar 16, 2020
4/5 Midnight Family (2019) Luis Fernando Galván Lorentzen's eye is very subtle and elegant that shows the serious healthcare issues in Mexico City. [Full Review in Spanish] EDIT
Posted Mar 9, 2020
4/5 Honey Boy (2019) Luis Fernando Galván It surprises precisely because of its universal outlook with which it deals with the relationship between father and teenage son. [Full Review in Spanish] EDIT
Posted Mar 9, 2020
3/5 Contagion (2011) Sofía Ochoa Rodríguez Although quite entertaining, the film feels like it isn't quite risking enough. [Full Review in Spanish] EDIT
Posted Mar 7, 2020
3.5/5 Avatar (2009) José Antonio Quiñones This is the evolution of entertainment. [Full Review in Spanish] EDIT
Posted Feb 21, 2020
4/5 Kraben rahu (2018) Luis Fernando Galván A captivating and intrepid mix of poetic lyricism and political criticism. [Full Review in Spanish] EDIT
Posted Feb 21, 2020
3/5 Love at Second Sight (1998) En Filme Staff A romantic comedy that moves between a tender energy and a timid frustration. [Full Review in Spanish] EDIT
Posted Feb 19, 2020
4/5 Les misérables (2019) Luis Fernando Galván Ladj Ly analyzes the tensions between the police and the poor population of the French capital, creating a street thriller with an attentive eye and an anxious and distressing rhythm. [Full Review in Spanish] EDIT
Posted Feb 18, 2020
3/5 The Gentlemen (2020) Luis Fernando Galván Ritchie offers an intelligent combination of humor and action. [Full Review in Spanish] EDIT
Posted Feb 18, 2020
3/5 Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) (2020) Luis Fernando Galván One of the best aspects of Birds of Prey is its extreme levity. [Full Review in Spanish] EDIT
Posted Feb 7, 2020
4/5 Jojo Rabbit (2019) Luis Fernando Galván A critique full of sarcasm that is extremely conscious, never offensive, always brilliant. [Full Review in Spanish] EDIT
Posted Jan 27, 2020
4/5 Little Women (2019) Luis Fernando Galván Weaving reality, memory, and literary narrative is one of the most notable and captivating aspects of Little Women. [Full Review in Spanish] EDIT
Posted Jan 27, 2020
2/5 The Hollow Child (2017) Luis Fernando Galván The Hollow Child is a horror movie that reproduces many clichés, formulas, and predictable strategies that alienate the viewer from the emotions and tribulations the protagonist experiences. [Full Review in Spanish] EDIT
Posted Jan 21, 2020
2.5/5 Judy (2019) Luis Fernando Galván The movie falls in the same trap as other music biopics and tries too hard to encapsulate the legacy of its subject. [Full Review in Spanish] EDIT
Posted Jan 21, 2020
3.5/5 1917 (2019) Luis Fernando Galván A hypnotic visual event. [Full Review in Spanish] EDIT
Posted Jan 21, 2020
3.5/5 () Alfonso Flores-Durón y Martínez Perdida achieves its aspirations and is a pleasant and entertaining proof that Mexico can make good thrillers. [Full Review in Spanish] EDIT
Posted Jan 14, 2020
3/5 The Current War (2019) Luis Fernando Galván Even if the plot is uneven at times... the personal drama, the impressive cinematography, and the historical focus make the movie an attractive project. [Full Review in Spanish] EDIT
Posted Jan 13, 2020
3/5 () Luis Fernando Galván It's pure suspense. [Full Review in Spanish] EDIT
Posted Jan 13, 2020
4/5 A Beautiful Day in the Neighborhood (2019) Luis Fernando Galván The movie is a poignant and humanist story about solidarity, friendship, and forgiveness that offers viewers a charming and honest experience. [Full Review in Spanish] EDIT
Posted Jan 13, 2020
4/5 Young Ahmed (2019) Luis Fernando Galván A relevant and necessary commentary about the times we are living in. [Full Review in Spanish] EDIT
Posted Jan 13, 2020
5/5 The Lighthouse (2019) Luis Fernando Galván The Lighthouse is a splendid and unsettling movie that evokes the superiority and power of the sea. [Full Review in Spanish] EDIT
Posted Jan 2, 2020
5/5 Parasite (2019) Luis Fernando Galván Bong is crude, direct, ruthless, and at the same time refined. The director doesn't deliver a moralizing discourse. On the contrary, he offers a crescendo where suspense and the grotesque come together. [Full Review in Spanish] EDIT
Posted Dec 27, 2019
3/5 Padre (2016) Luis Fernando Galván Despite some confusing and extremely long parts, the movie reaches its peak with a confident and serene look into mourning, family, and the ability to recover. [Full Review in Spanish] EDIT
Posted Dec 20, 2019
3/5 The Good Liar (2019) Luis Fernando Galván After the characters travel to Germany there's too much exposition and Condon cannot recover his movie, allowing The Good Liar to lose its perverse appeal. [Full Review in Spanish] EDIT
Posted Dec 20, 2019
2.5/5 Black Christmas (2019) Luis Fernando Galván The story becomes muddy in the third act, which adds a new element that feels completely unnecessary and is too close to the ridiculous territory of B films. [Full Review in Spanish] EDIT
Posted Dec 20, 2019
4.5/5 Varda by Agnès (2019) Luis Fernando Galván The metamorphic creature that is Varda offers a multiple experience that goes beyond any barrier, limit, or border, and that is the most surprising aspect of the movie. [Full Review in Spanish] EDIT
Posted Dec 12, 2019
4/5 By the Grace of God (2018) Luis Fernando Galván The film is not a visual spectacle... but it is the message that possesses the true power and purpose that Ozon evidently wishes to transmit. [Full Review in Spanish] EDIT
Posted Dec 12, 2019
3/5 Official Secrets (2019) Luis Fernando Galván Official Secrets offers a relevant and cautious story about the ramifications of going against an institution. [Full Review in Spanish] EDIT
Posted Dec 12, 2019
4/5 Esto no es Berlín (2019) Elizabeth Limón With this semi-autobiographical film, Hari Sama recreates the changes that emerge in such a transcendental moment for Mexican culture. [Full Review in Spanish] EDIT
Posted Dec 12, 2019
3.5/5 Luciérnagas (2018) Elizabeth Limón In her latest film, Bani Khoshnoudi continues to talk about the need for something intangible and indescribable but necessary. [Full Review in Spanish] EDIT
Posted Dec 9, 2019
3.5/5 Knives Out (2019) Luis Fernando Galván Blanc is an energetic scene-stealer. [Full review in Spanish] EDIT
Posted Dec 6, 2019
3.5/5 Harry Potter and the Deathly Hallows: Part 1 (2010) Mariana Tinoco Rivera David Yates successfully leaves fans excited for the last installment of the saga. [Full Review in Spanish] EDIT
Posted Nov 30, 2019
3/5 Motherless Brooklyn (2019) Luis Fernando Galván [Edward Norton] pays tribute to classic film noirs of the past, creating a stylistically rich work full of ruthless characters. [Full Review in Spanish] EDIT
Posted Nov 25, 2019
4.5/5 Border (2018) Luis Fernando Galván Border is a fascinating movie, irresistible and intriguing because of its marginalization. [Full Review in Spanish] EDIT
Posted Nov 25, 2019