En Filme

Tomatometer-approved publication
Rating Title/Year Author
4.5/5 Once Upon a Time... in Hollywood (2019) Luis Fernando Galván Violence in the form of vengeance emerges abruptly at the end, but with a clarity befitting a director capable of capturing with love, nostalgia, and passion all his obsessions, games, and influences. [Full Review in Spanish] EDIT
Posted Aug 26, 2019
3.5/5 Le semeur (2017) Luis Fernando Galván A surprisingly effective love story that underlines how people can change depending on their circumstances. [Full Review in Spanish] EDIT
Posted Aug 23, 2019
3.5/5 Scary Stories to Tell in the Dark (2019) Luis Fernando Galván Scary Stories to Tell in the Dark exploits multiple ways of shocking the public... The variety of stories and creatures add intrigue, rhythm, and tension to the film. [Full Review in Spanish] EDIT
Posted Aug 16, 2019
3.5/5 L'homme fidèle (2018) Luis Fernando Galván The film retains the festive levity, the subtle mocking elegance, and the rhythmic texture of a vaudeville from another time. [Full Review in Spanish] EDIT
Posted Aug 16, 2019
3/5 The Secret Life of Pets 2 (2019) Luis Fernando Galván The film has an energetic rhythm and the animation is equally brilliant and playful. [Full Review in Spanish] EDIT
Posted Aug 9, 2019
4/5 Lemonade (2018) Luis Fernando Galván Lemonade is a meticulous examination of the political and social mechanisms [in the US], which end up being more upsetting than a thriller. [Full Review in Spanish] EDIT
Posted Aug 9, 2019
3.5/5 Teen Spirit (2018) Luis Fernando Galván The film often looks and feels like a music video -- in a good way. The energetic montages, neon lights, and sober choreographies express the passion and joy Violet experiences when she sings. [Full Review in Spanish] EDIT
Posted Aug 2, 2019
4.5/5 The Chambermaid (2018) Alfonso Flores-Durón y Martínez Constant details and symbols and even sparks of caustic humor are added up to consolidate a film that avoids the easy way out. The conclusion is simultaneously sad and liberating. [Full Review in Spanish] EDIT
Posted Aug 2, 2019
2.5/5 Fast & Furious Presents: Hobbs & Shaw (2019) Luis Fernando Galván The CGI technology at times works to the detriment of the general objective, making the missions and fights feel still and with very little soul. [Full Review in Spanish] EDIT
Posted Aug 2, 2019
3/5 Extremely Wicked, Shockingly Evil and Vile (2019) Luis Fernando Galván [Zac Efron] is capable of giving credibility to [Ted] Bundy's public persona on screen, exploiting his charm to deny the evidence of his crimes. Bundy is the classic and most disturbing example of how appearances can be deceiving. [Full Review in Spanish] EDIT
Posted Jul 26, 2019
3.5/5 Kusama: Infinity (2018) Luis Fernando Galván [Director Heather] Lenz is careful to not sugar-coat the admiration she feels for Kusama to achieve a documentary that works in two ways: it's inspiring and at the same time informative. [Full Review in Spanish] EDIT
Posted Jul 26, 2019
3/5 Love Me Not (2019) Luis Fernando Galván Love Me Not is a bleak story about human ambition that... pretends to work like an allegory of a nation going through an economic and moral crisis. [Full Review in Spanish] EDIT
Posted Jul 26, 2019
2.5/5 Stuber (2019) Luis Fernando Galván The film has the seeds of an action comedy that wants to use modern sensibilities to analyze the tropes of the past decades, but too often perpetuates the stereotypes that it seemingly deconstructs. [Full Review in Spanish] EDIT
Posted Jul 25, 2019
3/5 The Golem (2018) Luis Fernando Galván Hanna's growing maternal instincts... feel realistic and [Hani] Furstenberg performs her role in a convincing way. Even the relationship between creator and monster is unexpectedly nuanced. [Full Review in Spanish] EDIT
Posted Jul 25, 2019
4/5 The Wolf House (2018) Elizabeth Limón The film as a whole is made up of numerous layers of narratives and visuals that seek to show chaos and reconstruction. [Full Review in Spanish] EDIT
Posted Jul 25, 2019
4/5 Double Lives (2018) Elizabeth Limón Non-Fiction is an intelligent comedy directed by Olivier Assayas. From the very first minute of the film, the director inserts us into a fascinating conversation about writing. [Full Review in Spanish] EDIT
Posted Jul 25, 2019
4/5 Leto (2018) Luis Fernando Galván Shot splendidly in black and white, which underlines the somber atmosphere of the time, the movie lives in captivating images. [Full Review in Spanish] EDIT
Posted Jul 19, 2019
4/5 The Image Book (2018) Luis Fernando Galván The Image Book is an intellectual "game," a broken puzzle, a confusing labyrinth made up of over 100 years of movement... which doesn't search for any type of linearity or equilibrium... but has a fun charm to it. [Full Review in Spanish] EDIT
Posted Jul 19, 2019
2.5/5 The Lion King (2019) Luis Fernando Galván Eliminating the qualities of traditional animation results in disappointing musical numbers and silenced emotional reactions. [Full Review in Spanish] EDIT
Posted Jul 19, 2019
3/5 Child's Play (2019) Luis Fernando Galván The film avoids being a display of technophobia and instead fulfills its promise of a killer doll and truly entertaining. [Full Review in Spanish] EDIT
Posted Jul 17, 2019
2/5 Poms (2019) Luis Fernando Galván Despite its good intentions, Poms cannot sustain its predictable narrative. [Full Review in Spanish] EDIT
Posted Jul 17, 2019
3.5/5 Sorry Angel (2018) Luis Fernando Galván A piece of history and memory and a beautiful film about nostalgia. [Full review in Spanish] EDIT
Posted Jul 17, 2019
3.5/5 Spider-Man: Far From Home (2019) Luis Fernando Galván Jon Watts brings an exciting piece to the Marvel Universe. [Full Review in Spanish] EDIT
Posted Jul 5, 2019
4/5 Dolor y gloria (2019) Luis Fernando Galván The film is an obligation and necessity for all those viewers who throughout the years have learned to know and love Almodóvar. [Full Review in Spanish EDIT
Posted Jul 5, 2019
4.5/5 Se rokh (2018) Luis Fernando Galván Panahi uses the conversations with the inhabitants to explore tradition and the way in which gender and violence are linked in patriarchal societies. [Full review in Spanish] EDIT
Posted Jul 1, 2019
2.5/5 Chicuarotes (2019) Luis Fernando Galván Some of the more serious themes in the film are shown in an imprecise and impatient manner that gives the impression that the observer is uncomfortable looking at these issues directly. [Full review in Spanish] EDIT
Posted Jul 1, 2019
3/5 Annabelle Comes Home (2019) Luis Fernando Galván It does not offer a new perspective on the genre, but it has an instantaneous emotional impact because it is the first movie of the franchise that takes place over the course of a single night, and its pace is much more stable. [Full review in Spanish] EDIT
Posted Jul 1, 2019
3/5 Indian Horse (2017) Luis Fernando Galván Abuse and trauma can be masked, but they persist and follow families through generations, and Campanelli understands the importance of hearing their stories that have been buried. [Full review in Spanish] EDIT
Posted Jul 1, 2019
1.5/5 The Hustle (2019) Luis Fernando Galván The various twists and turns of The Hustle only end up confusing the genre themes that the film aims to address. [Full review in Spanish] EDIT
Posted Jul 1, 2019
4/5 Toy Story 4 (2019) Luis Fernando Galván The new film is a revelation because it does not pretend to imitate its predecessor, but manages to recover the spirit of the first film of 1995 to offer a new round of light comedy and vivid adventures. [Full review in Spanish] EDIT
Posted Jun 23, 2019
4/5 What You Gonna Do When The World's On Fire? (2018) Luis Fernando Galván From the first minutes, the director's gaze focuses on faces and words. [Full review in Spanish] EDIT
Posted Jun 23, 2019
2.5/5 I Still See You (2018) Luis Fernando Galván An imprecise script that is continually disconnected from its fundamental purpose and makes the way forward tortuous. [Full review in Spanish] EDIT
Posted Jun 23, 2019
3.5/5 El peluquero romántico (2016) Luis Fernando Galván Ultimately 'El peluquero romántico' pays a worthy tribute to one of those spaces that are in danger of extinction, and rescues the figure of one of those "old-fashioned lovers" of those who no longer abound. [Full review in Spanish] EDIT
Posted Jun 23, 2019
3.5/5 Gloria Bell (2018) Luis Fernando Galván Thanks to the strength of the cast and the intense and refined leadership of Lelio, who adapts to the new times with renewed energy and an attentive look at the feelings of this woman, is not less than its predecessor. [Full Review in Spanish] EDIT
Posted Jun 23, 2019
3/5 Tolkien (2019) Luis Fernando Galván Tolkien might not be as exciting as adventures in Middle Earth, but the film is more interested in the process that created that world. [Full Review in Spanish] EDIT
Posted Jun 17, 2019
3.5/5 Under the Silver Lake (2018) Luis Fernando Galván The film succumbs victim to its own ambition. [Full Review in Spanish] EDIT
Posted Jun 17, 2019
3/5 Greta (2018) Luis Fernando Galván Jordan's attempts to create moments of genuine tension and suspense tend to falter. [Full Review in Spanish] EDIT
Posted Jun 17, 2019
2.5/5 Men in Black: International (2019) Luis Fernando Galván The story really doesn't take advantage of the "International" in its title. [Full Review in Spanish] EDIT
Posted Jun 17, 2019
3.5/5 Claire Darling (La dernière folie de Claire Darling) (2018) Elizabeth Limón Bertuccelli builds complex female characters that make the scars of the past evident - on more than one occasion, he confronts them with their versions of yesterday. [Full Review in Spanish] EDIT
Posted Jun 10, 2019
2.5/5 Lupe Under the Sun (2016) Luis Fernando Galván Although Lupe Under the Sun is an intimate film, it lacks emotions and has an unconvincing outcome that does not offer any kind of catharsis. [Full Review in Spanish] EDIT
Posted Jun 10, 2019
2/5 Dark Phoenix (2019) Luis Fernando Galván Dark Phoenix is a reinterpretation of The Black Phoenix Saga that is superficial and simplified. [Full Review in Spanish] EDIT
Posted Jun 10, 2019
1.5/5 Between Worlds (2018) Luis Fernando Galván The film doesn't remain enigmatic and engaging for long. [Full Review in Spanish] EDIT
Posted Jun 10, 2019
3.5/5 Avengers: Endgame (2019) Luis Fernando Galván At the end of Endgame is the satisfaction that audiences are witness to an entertaining adventure. [Full Review in Spanish] EDIT
Posted Jun 5, 2019
3.5/5 Witkin & Witkin (2017) Luis Fernando Galván The film unearths the insidious tensions that put pressure on their relationship until it almost dissolved. [Full Review in Spanish] EDIT
Posted Jun 5, 2019
4/5 The Old Man & the Gun (2018) Luis Fernando Galván David Lowery celebrates his protagonist in an elegant and serene way. [Full Review in Spanish] EDIT
Posted Jun 5, 2019
4/5 Us (2019) Luis Fernando Galván A narrative of surrealist political horror whose terrifying effect and mysterious component, remarkably calibrated, accompany the spectator to the last frame - if not beyond. [Full Review in Spanish] EDIT
Posted Jun 5, 2019
3.5/5 Mid90s (2018) Luis Fernando Galván An eloquent and nostalgic film. [Full Review in Spanish] EDIT
Posted Jun 5, 2019
4/5 Sink or Swim (0000) Alejandro Salvador Bermejo Although the film does not have a set protagonist, the film falls on Mathieu Amalric who provides a lot of profundity and detail to the story. [Full Review in Spanish] EDIT
Posted Jun 5, 2019
2.5/5 The Sun Is Also a Star (2019) Luis Fernando Galván Russo-Young loses her way in charming jokes and exaggerated dialogues. [Full Review in Spanish] EDIT
Posted Jun 5, 2019
3/5 Endzeit (2018) Luis Fernando Galván The development of its characters is slow, but forceful and precise, and Kohlhof and Lehrer shine with surprisingly realistic representations in a film full of fantastic moments in a somber situation. [Full Review in Spanish] EDIT
Posted Jun 5, 2019