Mad Men: Season 7 (2014 - 2015)


Season 7
Mad Men

Critics Consensus

Just in time to rekindle viewers' interest, Mad Men gets back on track for one last season, revisiting its steady, deliberate pace and style on its way to a sure-to-be-compelling climax.



Critic Ratings: 59


Audience Score

User Ratings: 739

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Air date: Apr 13, 2014
Air date: Apr 20, 2014
Air date: Apr 27, 2014
Air date: May 4, 2014
Air date: May 11, 2014
Air date: May 18, 2014
Air date: May 25, 2014
Air date: Apr 5, 2015
Air date: Apr 12, 2015
Air date: Apr 19, 2015
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Mad Men: Season 7 Photos

Tv Season Info

The final series of the AMC period drama was originally split in half, with two sets of seven episodes each airing about a year apart. In the first half, Don (Jon Hamm) attempts to return to his advertising agency after being put on indefinite leave following a meltdown in the middle of a client meeting. Eventually, his status at the firm becomes the focus of a bitter power struggle between Roger (John Slattery) and Jim (Harry Hamlin), both of whom want to take Sterling Cooper & Partners in radically different directions. Elsewhere, Pete (Vincent Kartheiser) embraces life as a Californian, Dawn (Teyonah Parris) gets an unexpected promotion, and Peggy (Elisabeth Moss) clashes with the stodgy creative director (Allan Havey) who's replaced Don. The second half sees the series finally leave the 1960s behind as it picks up with the characters in 1970: The agency's partners are now all wealthy after accepting a buyout from a much-larger firm, but they seem as lost and frustrated as ever. While Joan, Roger, Peggy, and Ted (Kevin Rahm) all embark on new love affairs, Don responds to the pressure of working in a more-corporate environment by attempting to run away and reinvent himself once again.


Jon Hamm
as Don Draper
Elisabeth Moss
as Peggy Olson
Vincent Kartheiser
as Peter Campbell
January Jones
as Betty Francis
Christina Hendricks
as Joan Holloway
John Slattery
as Roger Sterling
Aaron Staton
as Ken Cosgrove
Rich Sommer
as Harry Crane
Robert Morse
as Bertram Cooper
Jessica Paré
as Megan Draper
Kiernan Shipka
as Sally Draper
Kevin Rahm
as Ted Chaough
Ben Feldman
as Michael Ginsberg
Allan Havey
as Lou Avery
Jessy Schram
as Bonnie Whiteside
Joel Murray
as Fred Rumsen
Talia Balsam
as Mona Sterling
Derek Ray
as Brooks Hargrove
Josh McDermitt
as George Payton
Caity Lotz
as Stephanie
James Wolk
as Bob Benson
Alison Brie
as Trudy Campbell
Anne Dudek
as Francine Hanson
Jerry O'Donnell
as Gerry Respola
Mary Grill
as Mrs. Minor
Kellie Martin
as Carolyn Glaspie
Pat Skipper
as Tom Pruitt
Elijah Nelson
as Neil Glapspie
Dan Byrd
as Wayne Barnes
Matthew Glave
as Bill Hartley
Mark Pinter
as Irwin Podolsky
Robert Baker
as Lloyd Hawley
Show More Cast

News & Interviews for Mad Men: Season 7

Critic Reviews for Mad Men Season 7

All Critics (59) | Top Critics (29)

Mad Men is beautifully shot as always, with the dialogue flowing naturally and meaningfully over alcohol... The pace hasn't quickened. Nor does the storyline congeal. Instead, Sunday's re-opener builds to a terrifically poignant finish.

Apr 10, 2014 | Rating: A- | Full Review…
Top Critic

AMC's much-acclaimed Mad Men feels like it's coming out of a pit stop, rechecking gears and reacclimating to the track.

Apr 8, 2014 | Rating: 5/5 | Full Review…

We won't be able to fully appreciate it from moment to moment, because we're so eager to learn what's coming next, to get to whatever the future holds. But that future is a world without Mad Men, so let's not get there too fast.

Apr 14, 2014 | Full Review…
Top Critic

Gone are the days of "Zou Bisou Bisou" and Don's Hawaiian mortality freak-out. Nope. This season premiere, all we got was a cold pastrami sandwich with coleslaw smeared on the bread.

Apr 14, 2014 | Full Review…

The hour delivers a series of lovely closing scenes that find Don feeling more honest intimacy than he has felt since the death of Anna, culminating in the kind of image and song choice that Mad Men fans find so powerful and moving.

Apr 15, 2014 | Full Review…

There are peaks and valleys, but mostly there's a lot of flat, ugly middle. The victories that you spend forever building end up being as ephemeral as fireworks, sparkling briefly before quickly fading back into the endless blackness of the nighttime sky.

Apr 15, 2014 | Full Review…

This series that launched a thousand Eames knock-offs looked a-mazing. Weiner's visual attention to period was evident to anyone who saw it and the subject of a TV industry fable...

May 7, 2019 | Full Review…

Mad Men smashes history, desires, dreams, and life's mundanity together like Douglas Sirk's Large Hadron Collider. It's a classic.

Oct 19, 2018 | Full Review…

It will cost a lot to fill the gap left by Mad Men. [Full Review in Spanish]

Jul 15, 2018 | Full Review…

Mad Men isn't back with its old saucy, sexy, 60s colour, but has ripened into something darker and more troubling.

Jun 28, 2018 | Full Review…

We have a few interesting threads to follow, and a warm welcome back into the contemplative, ambiguous world of Mad Men. It'll be interesting to see if it reflects its narrative split until 2015, but for the moment, consider us fully enamored.

Jun 13, 2018 | Full Review…

Weiner has said that each will be like a finale. The opening one has been a terrific beginning of the end.

Aug 14, 2017 | Full Review…

Audience Reviews for Mad Men: Season 7

  • Jan 04, 2020
    It's been years since the finale of this show came out. I recently rewatched the whole thing and in light of GOT I felt the need to give 5 stars to a TV show that was faithful to its characters. I love how these characters grew professionally and personally. This just proves that fans are not asking for elaborate endings with a twist but something that is faithful to the people you've grown to love.
  • Aug 22, 2019
    Love everything about this show! Please make a continuation or sequel series!
  • Aug 17, 2019
    I both loved and hated this show at different times throughout its seven seasons. There's a lot to love about it. I loved how flawed and interesting all the characters were and how all the different interwoven plots dealt with issues of the time like racism and sexism. I loved the glamour and I loved how true to the period it was in so many different ways, such as Betty's attitude toward Sally possibly getting fat and the initial stigma surrounding divorce. But there were also a few key things to hate about it. Firstly the show is absolutely *soaked* in misogyny. A lot of that is true to the time it was set, and it resulted in some really interesting stories for Peggy and Joan in particular. But a big chunk of that was used just for entertainment value. For example, there's no way every single man in that office happily cheated on his wife and thought nothing of it, and there's no way every single man in that office managed to do that with exceptionally beautiful women who were also almost always exceptionally stupid. Also, it has to be said that even though the stories for Peggy and Joan were usually really interesting and highlights of the show, you need a lot of stamina to make it through the constant misogyny they were dealing with. Secondly the show shied away from huge topics that should have been dealt with, since they had already been set up by the plot. Namely feminism - how did the fight for women's equality not come up at all? No wait, I lie - it came up once, in one of the last episodes of the seventh season. And what about the attitudes toward homosexuality? There was a really interesting plotline about that for a few seasons but then they just wrote the character out and forgot about it. After that, whenever we saw gay characters they were portrayed very, very negatively. Thirdly, I couldn't bring myself to like - and therefore, care much about - Don. The main character. He was selfish in everything he did, even when he was helping someone. He was constantly sleeping with someone new, even when he was seeing someone else. He was abusive towards Betty. He couldn't be bothered seeing his kids unless he felt like it. He lied whenever it suited him, particularly to get someone into bed. I could go on and on. And yet I felt like the show was constantly trying to get me to sympathise with him. It didn't work. His antics just grew very, very old. But despite all this, I still recommend watching the whole series. It's very well made and has excellent writing throughout. It's rightfully considered one of the best of all time.
  • Apr 12, 2019
    such a good show au revoir
  • Sep 06, 2018
    Puntaje Original: 7.5 Mad Men perdurará en los anales de la TV de los EE.UU.
  • Jan 10, 2018
    Just an awesome program.
  • Jan 03, 2018
    Love the show. One of the best character-based series I've watched. However, I did find the ending disappointing.
  • Dec 20, 2017
    I love all the characters in this fucking series
  • Mar 02, 2017
    When we last saw Don Draper (Jon Hamm), he was in complete meltdown mode in the pitch to Hershey, spilling the beans on his checkered past. As the Seventh Season opens, Don is on leave from the agency that he helped build, trying to put together the pieces of his life and figure out the next step. "Mad Men" is always at his best when it uses Draper as the central focus and have all the other characters working around him. In short, that is why these seven episodes work so well. All the other cast of characters are use superbly, but Don is at the center of everything. In terms of balance, these seven episodes are some of the best in show history. I won't go into the details here, but I got the distinct sense that no one gets the short shrift here. It truly is a testament to the writing of this show that they can have such a large ensemble cast and yet make every character interesting and always moving forward. The decision to break this final season into two seven-episode seasons? I don't like that one bit. I realize that AMC did not want to lose Breaking Bad AND Mad Men in consecutive seasons, but come episodes and then wait a year?! Just when things were getting into high gear, all of a sudden it is back to holding again. Overall, though, the first half of season seven is vintage Mad Men. By this point, the characters are so good and ingrained that even questionable choices (a Bert Cooper musical number?!) can be disregarded in favor of the overall narrative. I hate waiting so long to see how all of this will play out, but I sure will be excited when that time finally does roll around again. After the first seven episodes of this season aired, there was nearly a year gap until the final seven were unveiled. That's a low-down move by any standard, but from a marketing perspective I understand AMC's decision...not wanting to lose "Mad Men" and "Breaking Bad" in a single season. That being said, all the extra time did was build up a tremendous amount of hype...the kind of hype that such a wonderfully strange show like Mad Men does not thrive in. In this "review" of the final seven episodes, I am not going to give away any plot details. I want to save those for the end of your journey with this show. I would, however, like to take a moment to look at the "big picture" of what these final episodes mean in the overall context of the show. "Mad Men" is a show that always went off in different directions. It seems like every new season started in a completely different direction then what we thought as viewers. Show creator Matthew Weiner was definitely not afraid to take chances, nor would he dream about "selling out" in favor of popular opinion (of course, having a cable TV contract with an esteemed network like AMC doesn't hurt, either). What this meant for the show, of course, is that it always gave viewers something different. We may not always like "different", but usually it challenged us enough at first and then paid off in the end. In these episodes, however, Weiner pushes that concept to its absolute maximum. Part of the problem, of course, is that AMC's advertising can really get into one's head (in this case, it isn't much different from a "regular network", I guess). There is such a promo blitz and build up to the finale of a great show that even the greatest ones more often than not don't live up to the expectations. For "Mad Men", this issue is compounded by Weiner's storytelling formula. Right up to the finale itself, he is introducing new characters/concepts for viewers to chew on. Usually, a finale spate of episodes is about closure, but Weiner is loathe to give it. It happens, but parceled out here and there in subtle moments, not whiz-bang drama. I'm not quite sure how I feel about this yet, hence the 3-star rating for these seven episodes. On one hand, I like that Weiner didn't stray all that much from his formula all along. On the other hand, it seems like there was a rather large anti-climactic feel to the proceedings (again, though, I even caution myself that this could be because of advertising build-up...the same thing happened with "LOST"). I think it would take rapid-fire viewing of this entire season's episodes (not 14 in the span of two years) to better judge how they fit the context of the show. As it stands right now (just days after the finale's airing), though, I have very mixed feelings. I truly appreciate the deep ideas that the show represents about 1960s culture and human beings in general. I also think that perhaps...perhaps...Weiner got a bit caught up in those themes himself and let the art overshadow the "nuts and bolts" of the final product. I can definitively tell you this: I've never seen the finale spate of episodes of any show provoke this much deep thought. There is something to be said for that.
  • Sep 22, 2016
    My brother had to explain the very end to me, which helped me enjoy it better.

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