
Dariusz Wolski
Highest Rated: 91% The Martian (2015)
Lowest Rated: 10% Bad Company (2002)
Birthday: May 7, 1956
Birthplace: Warszawa, Poland
With an eye for grand-scale action, Polish-born cinematographer Dariusz Wolski first made his mark in the United States film industry with "Nightfall," a sci-fi epic based on Isaac Asimov's award-winning short story. His next big assignment came from director Tony Scott who let him work his cinematic magic on the submarine action-thriller "Crimson Tide." After the success of that big-budget film, Wolski was tapped to become director of photography for the visually elaborate "Pirates of the Caribbean" franchise, working behind the lens in the first three "Pirates" movies: "Pirates of the Caribbean: The Curse of the Black Pearl," "Pirates of the Caribbean: Dead Man's Chest," and "Pirates of the Caribbean: At World's End." After the final film wrapped, actor Johnny Depp introduced director Tim Burton to Wolski, and the two artists found that they shared a similar cinematic sensibility. Said Wolski of the meeting: "It felt like we'd known each other for years. We both loved black-and-white films, we both loved Fellini movies, and we both had a fear of making a musical. So we decided to try and find a new way of doing it." As a result of that fateful meeting, Burton hired Wolski as cinematographer for his kitschy mock-horror musical "Sweeney Todd: The Demon Barber of Fleet Street," which also starred Depp. Wolski collaborated again with Burton and Depp in the delectable fantasy "Alice in Wonderland."
Photos

Filmography
Movies
Credit | |||||
---|---|---|---|---|---|
No Score Yet | No Score Yet | Napoleon |
Cinematographer, Cinematographer |
- | 2023 |
61% | 83% | House of Gucci | Cinematographer | $53.8M | 2021 |
85% | 81% | The Last Duel | Cinematographer | $10.8M | 2021 |
88% | 89% | News of the World | Cinematographer | $12.7M | 2020 |
62% | 65% | Sicario: Day of the Soldado | Cinematographer | $50.1M | 2018 |
79% | 65% | All the Money in the World | Cinematographer | $24.8M | 2017 |
48% | 34% | War Machine | Cinematographer | - | 2017 |
65% | 55% | Alien: Covenant | Cinematographer | $74.2M | 2017 |
83% | 77% | The Walk | Cinematographer | $10.1M | 2015 |
91% | 91% | The Martian | Cinematographer | $228.4M | 2015 |
30% | 35% | Exodus: Gods and Kings | Cinematographer | $65.0M | 2014 |
34% | 24% | The Counselor | Cinematographer | $16.9M | 2013 |
73% | 68% | Prometheus | Cinematographer | $126.5M | 2012 |
51% | 36% | The Rum Diary | Cinematographer | $13.1M | 2011 |
33% | 54% | Pirates of the Caribbean: On Stranger Tides | Cinematographer | $241.1M | 2011 |
51% | 55% | Alice in Wonderland | Cinematographer | $334.2M | 2010 |
26% | 62% | Eagle Eye | Cinematographer | $101.1M | 2008 |
86% | 81% | Sweeney Todd: The Demon Barber of Fleet Street | Cinematographer | $52.9M | 2007 |
44% | 72% | Pirates of the Caribbean: At World's End | Cinematographer | $309.4M | 2007 |
53% | 72% | Pirates of the Caribbean: Dead Man's Chest | Cinematographer | $423.3M | 2006 |
12% | 50% | Hide and Seek | Cinematographer | $51.1M | 2005 |
80% | 86% | Pirates of the Caribbean: The Curse of the Black Pearl | Cinematographer | $305.4M | 2003 |
10% | 35% | Bad Company | Cinematographer | $30.2M | 2002 |
54% | 44% | The Mexican | Cinematographer | $66.8M | 2001 |
37% | 55% | Rules of Engagement | Cinematographer | $61.3M | 2000 |
76% | 85% | Dark City | Cinematographer | $14.3M | 1998 |
89% | 83% | Crimson Tide | Cinematographer | $91.4M | 1995 |
84% | 90% | The Crow | Cinematographer | $47.3M | 1994 |
27% | 61% | Romeo Is Bleeding | Cinematographer | $3.3M | 1993 |
No Score Yet | 12% | Nightfall | Cinematographer | - | 1988 |