David Fincher - Rotten Tomatoes

David Fincher

Highest Rated:   96% Hitchcock/Truffaut (2015)
Lowest Rated:   20% Love and Other Disasters (2006)
Birthday:  
Birthplace:   Denver, Colorado, USA
With only a handful of credits tucked under his belt, wunderkind prodigy David Fincher became one of the most celebrated artists to scale the heights of Tinseltown during the late '90s and early 2000s. Although Fincher met with some derision early on, as the director of the critically excoriated Alien 3 in 1992, his work on Seven three years down the road won him critical approval and unanimous acceptance across the industry, and marked only the beginning of an influential, splashy career.Born on May 10, 1962, Fincher originally hailed from Denver. Like one of his predecessors, the infamous Kenneth Anger, he stepped behind a camera at the tender age of eight and, particularly inspired by the work of George Lucas, reeled in his first major industry job ten years later at Lucas' own Industrial Light and Magic. After his four-year stint at ILM, during which he worked on such productions as Return of the Jedi (1983) and Indiana Jones and the Temple of Doom (1984), Fincher helmed commercials and music videos for the likes of Aerosmith, Paula Abdul, and Madonna. Following the disappointment of Alien 3, his directorial debut, the filmmaker received Andrew Kevin Walker's screenplay for Seven, and almost immediately signed on to helm it; it reached cinemas in late 1995. A noirish, grimly atmospheric crime thriller starring Morgan Freeman and Brad Pitt as detectives following the gruesome trail of a serial killer (Kevin Spacey), innumerable critics hailed the picture as one of the most innovative and unsettling of the decade, and duly established its director as one of Hollywood's most exciting and unusual new talents. Relentlessly grim and oozing with rancid cynicism, this A-budget feature strayed so far from the escapist fare that typically primes a film for mainstream box-office success that many insiders anticipated limited appeal, but Fincher's stylistic panache and inhibition-defying gutsiness turned Seven into a runaway smash, on both commercial and critical fronts. Because the acclaim surrounding Seven made the relatively unknown Fincher one of Hollywood's hottest young directors, considerable anticipation and buzz surrounded his follow-up, The Game. Released in 1997 and starring Michael Douglas as a soulless attorney who becomes caught up in the sinister, Kafka-esque machinations of the titular scheme, the work boasted almost as much feel-bad cynicism as Seven, but failed to resonate with audiences or critics who found it hopelessly convoluted and shallow.The relative disappointment of The Game, however, did little to dim the excitement that accompanied Fincher's next project, a screen adaptation of Chuck Palahniuk's apocalyptic, of-the-moment novel Fight Club. Featuring a sterling cast that included Edward Norton, Helena Bonham Carter, and Seven collaborator Pitt, the 1999 film -- about a couple of depressed urban loners (Norton and Pitt), who vent their aggressions in ultra-violent street brawls -- was easily one of the most publicized of the decade and no less dynamic than either of Fincher's prior films. Fueled in equal measure by stylistic audacity and the spirit of disenfranchised machismo, Fight Club failed to become the incendiary hit both its fans and detractors predicted, although its pre-millennial nihilism influenced directors for years to come and garnered a passionate cult fan base. In spite (or perhaps because) of Fight Club, expectations were high for Fincher's next project, Panic Room, a thriller starring Jodie Foster, Jared Leto, Forest Whitaker, and Dwight Yoakam, and penned by the prolific David Koepp (Bad Influence, Carlito's Way). As pure an exercise in suspense as could be expected from the director, the film ratcheted up tension as it told the tale of a newly single Manhattan mother (Foster) and her diabetic daughter (Kristen Stewart) who use a high-tech "safe space" to protect themselves from a particularly nasty trio of burglars. Calling to mind the brutality of Peckinpah, Panic Room was greeted by pos

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Highest Rated Movies

Filmography

MOVIES

RATING TITLE CREDIT BOX OFFICE YEAR
96% Hitchcock/Truffaut
  • Actor
$0.4M 2015
87% Gone Girl
  • Director
2014
52% Oblivion
  • Producer
$89.1M 2013
92% Side by Side
  • David Fincher
$29.1k 2012
No Score Yet King Of Clip
  • Director
2012
86% The Girl with the Dragon Tattoo
  • Director
$102.6M 2011
No Score Yet Reincarnation of Peter Proud
  • Director
2011
96% The Social Network
  • Director
$96.5M 2010
No Score Yet Logorama
  • Actor
2010
72% The Curious Case of Benjamin Button
  • Director
  • Producer
$127.5M 2008
89% Zodiac
  • Director
$33M 2007
No Score Yet Alien3 (Special Edition)
  • Director
2007
20% Love and Other Disasters
  • Producer
2006
55% Lords of Dogtown
  • Executive Producer
$11.1M 2005
38% Full Frontal
  • Film Director
2002
76% Panic Room
  • Director
$95.4M 2002
No Score Yet Star
  • Producer
2001
No Score Yet The Follow
  • Executive Producer
2001
No Score Yet Ambush
  • Executive Producer
2001
No Score Yet Chosen
  • Executive Producer
2001
79% Fight Club
  • Director
1999
72% The Game
  • Director
1997
80% Seven (Se7en)
  • Director
1995
46% Alien3
  • Director
1992
No Score Yet Rick Springfield - The Beat of the Live Drum
  • Director
1985
No Score Yet Alien Legacy
  • Director
1979

TV

RATING TITLE CREDIT YEAR
95% Mindhunter
2017
  • Executive Producer
  • 2017
81% House of Cards
2013
  • Producer
  • Executive Producer
  • Director
  • 2017
  • 2016
  • 2015
  • 2014
  • 2013
No Score Yet Charlie Rose
2013
  • Guest
  • 2014
No Score Yet House of Cards
  • Executive Producer
  • Director
No Score Yet Living on Video
2015
  • Producer
  • Executive Producer

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