Edward Everett Horton

Edward Everett Horton

Highest Rated: 100% The Gang's All Here (1943)

Lowest Rated: 44% Bluebeard's Eighth Wife (1938)

Birthday: Mar 18, 1886

Birthplace: Not Available

Few actors were more beloved of audiences across multiple generations -- and from more different fields of entertainment -- than Edward Everett Horton. For almost 70 years, his work delighted theatergoers on two coasts (and a lot of the real estate in between) and movie audiences, first in the silents and then in the talkies, where he quickly became a familiar supporting player and then a second lead, often essaying comically nervous "fuddy-duddy" parts, and transcended the seeming limitations of character acting to rival most of the leading men around him in popularity; he subsequently moved into television, both as an actor and narrator, and gained a whole new fandom for his work as the storyteller in the animated series "Fractured Fairy Tales." Edward Everett Horton was born in Brooklyn, NY, in 1886 -- when it was a separate city from New York City -- the son of Edward Everett Horton and Isabella Diack Horton. His grandfather was Edward Everett Hale, the author of the story The Man Without a Country. He attended Boys High School and later studied at the Brooklyn Polytechnic Institute and at Oberlin College in Ohio, and Columbia University in Manhattan. His path to graduation was thwarted when he joined the university's drama club -- despite his 6'2" build, his first role had him cast as a woman. He never did graduate from Columbia, but he embarked on a performing career that was to keep him busy for more than six decades. In those days, he also sang -- in a baritone -- and joined the Staten Island-based Dempsey Light Opera Company for productions of Michael Balfe's The Bohemian Girl and Gilbert & Sullivan's The Mikado. His singing brought him to the Broadway stage as a chorus member, and he subsequently spent three years with the Louis Mann company honing his acting skills while playing in stock -- Horton made his professional acting debut in 1908 with a walk-on role in The Man Who Stood Still. By 1911, he was working steadily and regularly, and often delighting audiences with his comedic talents, and remained with the Mann company for another two years. He was a leading man in the Crescent Theatre stock company, based in Brooklyn, and spent the remainder of the teens playing leading roles in theater companies across the United States, eventually basing himself in Los Angeles. Horton entered movies in 1918, and became well known to screen audiences with his performance in the 1923 version of Ruggles of Red Gap. He was identified almost entirely with comedic work after that, and by the end of the '20s had starring roles in a string of comedic shorts. It was after the advent of sound, however, that he fully hit his stride on the big screen. Horton's first talking feature was The Front Page (1931), directed by Lewis Milestone, based on the hit play by Ben Hecht and Charles MacArthur, in which he played fidgety reporter Roy Bensinger. Starting in the early '20s, Horton based most of his stage work on the West Coast, producing as well as acting. He leased the Majestic Theater in Los Angeles and found success with works such as The Nervous Wreck, in which he worked with Franklin Pangborn, a character actor who would also -- like Horton -- specialize in nervous, fidgety roles (though Pangborn, unlike Horton, never rose beyond character actor and supporting player status in features). In 1932, he leased the Hollywood Playhouse, which he subsequently operated for a season starring in Benn Wolfe Levy's Springtime for Henry, in which he performed more than 3000 times, making enough money from that play alone to buy his summer home in the Adirondacks. Horton fit in his movie work in between productions of Springtime for Henry (which was filmed in 1934, without Horton), and was always in demand. Amid his many roles over the ensuing decade, Horton worked in a half-dozen of the Fred Astaire/Ginger Rogers musicals at RKO. His other notable roles onscreen during the 1930s included a portrayal of The Mad Hatter in the 1933 Alice in Wonderlan

Highest Rated Movies



No Score Yet Danger: Love At Work Actor 2012
57% Cold Turkey Hiram C. Grayson 1971
No Score Yet The Perils of Pauline Casper Coleman 1967
60% Sex and the Single Girl The Chief 1964
69% It's a Mad, Mad, Mad, Mad World Dinckler 1963
56% Pocketful of Miracles Hutchins, the Butler 1961
No Score Yet The Story of Mankind Sir Walter Raleigh 1957
No Score Yet Her Husband's Affairs J.B. Cruikshank 1947
No Score Yet Down to Earth Messenger 7013 1947
No Score Yet The Ghost Goes Wild Actor 1947
No Score Yet Earl Carroll Sketchbook Dr. Milo Edwards 1946
No Score Yet Faithful In My Fashion Actor 1946
71% Lady on a Train Mr. Haskell 1945
No Score Yet The Town Went Wild Everett Conway 1944
No Score Yet San Diego, I Love You Philip McCooley 1944
88% Arsenic and Old Lace Mr. Witherspoon 1944
No Score Yet Summer Storm Count Volsky 1944
100% The Gang's All Here Peyton Potter 1943
No Score Yet Thank Your Lucky Stars Farnsworth 1943
No Score Yet Forever and a Day Sir Anthony 1943
No Score Yet Springtime in the Rockies McTavish 1942
No Score Yet I Married an Angel Peter 1942
No Score Yet The Magnificent Dope Horace Hunter 1942
No Score Yet Weekend for Three (Week-End for Three) Fred Stonebraker 1941
No Score Yet Sunny Henry Bates 1941
No Score Yet Ziegfeld Girl Noble Sage 1941
100% Here Comes Mr. Jordan Messenger 7013 1941
No Score Yet The Body Disappears Prof. Reginald X. Shotesbury 1941
100% Holiday Nick Potter 1938
44% Bluebeard's Eighth Wife The Marquis De Loiselle 1938
No Score Yet College Swing Hubert Dash 1938
80% Angel Graham 1937
No Score Yet The Great Garrick Tubby 1937
93% Lost Horizon Alexander P. Lovett 1937
89% Shall We Dance Jeffrey Baird 1937
No Score Yet Oh, Doctor! Edward J. Billop 1937
No Score Yet The King and the Chorus Girl Count Humbert Evel Bruger 1937
No Score Yet The Perfect Specimen Mr. Grattan 1937
No Score Yet Man in the Mirror Jeremy Dike 1936
No Score Yet Hearts Divided John 1936
No Score Yet The Singing Kid Davenport Rogers 1936
No Score Yet Little Big Shot Mortimer Thompson 1935
100% Top Hat Horace Hardwick 1935
No Score Yet In Caliente Harold Brandon 1935
62% The Devil Is a Woman Don Paquito 1935
No Score Yet The Night Is Young Szereny 1935
No Score Yet Biography of a Bachelor Girl Nolan 1935
No Score Yet Going Highbrow Augie 1935
No Score Yet Private Secretary Rev. Robert Spalding 1935
No Score Yet All the King's Horses Count Josef 'Peppi' von Sclapstaat 1935
82% The Merry Widow Ambassador 1934
100% The Gay Divorcee Egbert Fitzgerald 1934
No Score Yet Kiss and Make-Up Marcel Caron 1934
No Score Yet It's a Boy Dudley Leake 1934
No Score Yet Smarty Vernon Thorpe 1934
No Score Yet Sing and Like It Adam Frink 1934
71% Design for Living Max Plunkett 1933
71% Alice in Wonderland Mad Hatter 1933
No Score Yet A Bedtime Story Victor 1933
92% Trouble in Paradise Francois Filiba 1932
No Score Yet Roar of the Dragon Busby 1932
No Score Yet But the Flesh Is Weak Sir George 1932
No Score Yet Smart Woman Billy Ross 1931
92% The Front Page Bensinger 1931
No Score Yet Lonely Wives Mr. Smith/Mr. Zero 1931
No Score Yet Reaching for the Moon (1930) Roger 1930
No Score Yet Holiday Nick Potter 1930
No Score Yet Wide Open Simon Haldane 1930
No Score Yet La Boheme Colline 1926
No Score Yet Beggar on Horseback Neil McRae 1925


93% Batman
Chicken 1966
No Score Yet I Love Lucy
Mr. Ritter 1952
100% Rocky and His Friends


Horace Hunter says: Dwight, this is terrible.

Dwight Dawson says: Shhh - out in the hall.

Horace Hunter says: I tell you he's sure to hear someone say something about you and Claire.

Dwight Dawson says: We can't let him. We've got to keep everybody from talking.

Horace Hunter says: Well my wife's here. She hasn't stopped talking in 20 years.

Dwight Dawson says: Well we can't let them get started. We've got to keep them all occupied. We'll entertain them.

Horace Hunter says: Want me to go home and get my mandolin?

Claire Harris says: What's the matter with him? He's so nervous, jumping all over the place.

Horace Hunter says: Is he? I, I, I, I hadn't noticed it.

Claire Harris says: Maybe that's because you're a couple jumps ahead of him.

Horace Hunter says: Yes....

Bates says: Where do you want it, sir?

Horace Hardwick says: Want what, Bates?

Bates says: The steak, sir.

Horace Hardwick says: On my eye.