Esther Muir - Rotten Tomatoes

Esther Muir

Highest Rated:   100% Three Comrades (1938)
Lowest Rated:   65% The Great Ziegfeld (1936)
Birthday:  
Birthplace:   Not Available
"Closer, hold me closer," Amazonian Esther Muir whispers seductively to Groucho Marx, whose reply comes fast and furious: "If I hold you any closer, I'll be in back of you." (Drum roll.) The amusing repartee comes from A Day at the Races, the comedy for which Esther Muir will always be remembered. Esther was the typical statuesque '30s vamp but with one difference: a keen sense of humor. And she certainly needed both humor and timing fending off all three Marx brothers and, before them, Wheeler and Woolsey. Yet despite her success in handling some of Hollywood's brightest farceurs, Muir was rarely appreciated as the gifted comedienne she obviously was. All too often she was wasted in stock assignments playing the garden-variety femme fatale with nary a smile in sight.A former model, Muir had made her theatrical bow in the chorus of the Greenwich Village Follies and later became a foil for comedian Charlie Ruggles in both Mr. Battling Butler (1923) and Queen High (1926). A starring role in the farce His Girl Friday brought her to the attention of Hollywood, where in 1931 she made her screen debut as a murderess in A Dangerous Affair and wed dance director Busby Berkeley. The union, it seems, was doomed from the outset and lasted less than a year. Berkeley, she later explained, "was a lovely person but a real mama's boy." Most of the time she was "more his keeper than his wife."As a screen performer, Esther Muir came into her own with So This Is Africa (1933), lampooning documentary filmmaker Osa Johnson on a back-lot expedition that included the zany Bert Wheeler and Robert Woolsey. The jaunt was filled with naughty double entendres and the Hays Organization took umbrage to the point where censorship was tightened considerably thereafter. Consequently, Muir's vamps became much tamer and she appeared mainly on Poverty Row. MGM cast her all too briefly in the gargantuan The Great Ziegfeld (1936), where she traded barbs with Fanny Brice; and she was at the top of her game attempting to seduce Groucho Marx in the aforementioned racetrack farce. But her subsequent performances were uniformly disappointing and she retired from the screen in 1942. Divorced from her second husband, lyricist Sam Coslow, Muir made a couple of stage comebacks but spent most of her energy on a real estate business, retiring a very wealthy woman.

Highest Rated Movies

Filmography

MOVIES

RATING TITLE CREDIT BOX OFFICE YEAR
No Score Yet X Marks the Spot
  • Bonnie
1942
No Score Yet The Mayor of 44th Street
  • Hilda
1942
No Score Yet Stolen Paradise
  • Mrs. Ellen Gordon
1941
No Score Yet Hollywood Murder Mystery
  • Lora Wynne
1941
No Score Yet Honky Tonk
  • Prostitute
1941
No Score Yet Misbehaving Husbands
  • Grace Norman
1940
67% The Story of Vernon and Irene Castle
  • Actor
1939
No Score Yet Western Jamboree
  • Duchess
1938
No Score Yet The Law West of Tombstone
  • Mme. Mustache
1938
No Score Yet Sunset Murder Case
  • Actor
1938
100% Three Comrades
  • Frau Schmidt
1938
100% A Day at the Races
  • "Flo"
1937
No Score Yet High Hat
  • Dixie Durkin
1937
100% Fury
  • Girl in Nightclub
1936
65% The Great Ziegfeld
  • Prima Donna
1936
No Score Yet The Gilded Lily
  • Divorcee
1935
No Score Yet Picture Brides
  • Flo
1934
No Score Yet Sailor's Luck
  • Minnie Broadhurst
1933
No Score Yet The Bowery
  • The Tart
1933

Quotes from Esther Muir's Characters