
John A. Alonzo
Highest Rated: 99% Chinatown (1974)
Lowest Rated: 3% Deuces Wild (2002)
Birthday: Jun 12, 1934
Birthplace: Dallas, Texas, USA
A versatile cinematographer, native Texan John A Alonzo began his career at a Dallas television station where he created the character of Senor Turtle for a local children's show. When he brought the tortoise to Hollywood, he found the West Coast inimical to the program and fell back on acting after its cancellation. Although he appeared in "The Magnificent Seven" (1960) and had bigger roles in lesser films like "The Long Rope" (1961) and "Terror at Black Falls" (1962), Alonzo soon found his acting taking a back seat to the still photography that was paying the bills in between parts. He began to devote himself to the study of cinematography, favoring the work of such standards of excellence as Walter Strenge, Floyd Crosby, Winton Hoch and James Wong Howe. In fact, it was Howe who gave him his big break as a camera operator on John Frankenheimer's "Seconds" (1966) as well as sponsoring him for union membership (seconded by Frankenheimer). In short order, Alonzo got his first job as director of photography on Roger Corman's "Bloody Mama" (1970).
Filmography
Movies
Credit | |||||
---|---|---|---|---|---|
3% | 51% | Deuces Wild | Cinematographer | $6.0M | 2002 |
No Score Yet | 33% | Letters From a Killer | Cinematographer | - | 1998 |
50% | 93% | The Grass Harp | Cinematographer | $511.6K | 1995 |
13% | 67% | Clifford | Cinematographer | $6.5M | 1994 |
48% | 57% | Star Trek Generations | Cinematographer | $74.6M | 1994 |
4% | 31% | Cool World | Cinematographer | $13.7M | 1992 |
27% | 32% | The Guardian | Cinematographer | $16.1M | 1990 |
81% | 59% | Internal Affairs | Cinematographer | $25.8M | 1990 |
18% | 42% | Navy SEALS | Cinematographer | $24.7M | 1990 |
68% | 89% | Steel Magnolias | Cinematographer | $79.4M | 1989 |
22% | 11% | Physical Evidence | Cinematographer | $3.5M | 1989 |
46% | 74% | Overboard | Cinematographer | $23.9M | 1987 |
48% | 32% | Runaway | Cinematographer | - | 1984 |
81% | 93% | Scarface | Cinematographer | $656.2K | 1983 |
40% | 35% | Back Roads | Cinematographer | - | 1981 |
No Score Yet | No Score Yet | Belle Starr | Director | - | 1980 |
No Score Yet | No Score Yet | Blinded by the Light | Director | - | 1980 |
No Score Yet | No Score Yet | Portrait of a Stripper | Director | - | 1979 |
No Score Yet | No Score Yet | Champions: A Love Story | Director | - | 1979 |
90% | 79% | Norma Rae | Cinematographer | - | 1979 |
20% | 62% | FM | Director | - | 1978 |
97% | 80% | The Bad News Bears | Cinematographer | - | 1976 |
67% | 72% | Farewell, My Lovely | Cinematographer | - | 1975 |
No Score Yet | 11% | Once Is Not Enough | Cinematographer | - | 1975 |
25% | 34% | The Fortune | Cinematographer | - | 1975 |
99% | 93% | Chinatown | Cinematographer | - | 1974 |
90% | 90% | Wattstax | Cinematographer | - | 1973 |
No Score Yet | 25% | The Voyage of the Yes | Cinematographer | - | 1972 |
68% | 86% | Lady Sings the Blues | Cinematographer | - | 1972 |
No Score Yet | 42% | Get to Know Your Rabbit | Cinematographer | - | 1972 |
79% | 81% | Vanishing Point | Cinematographer | - | 1971 |
86% | 93% | Harold and Maude | Cinematographer | - | 1971 |
No Score Yet | No Score Yet | Terror at Black Falls | Carlos Avila (Character) | - | 1962 |
TV
Credit | ||||
---|---|---|---|---|
No Score Yet | 20% | Bewitched | Guard (Guest Star) | 1967 |
No Score Yet | No Score Yet | Alfred Hitchcock Hour | Unknown (Character) | 1964 |
No Score Yet | No Score Yet | 77 Sunset Strip | Carlos Escheveria (Guest Star) | 1963 |
No Score Yet | No Score Yet | Cheyenne | Unknown (Guest Star) | 1961 |
No Score Yet | No Score Yet | Bronco | Unknown (Guest Star) | 1961 |
84% | 95% | The Twilight Zone | Luís Gallegos (Character) | 1961 |
No Score Yet | No Score Yet | The Thin Man | Bellboy (Guest Star) | 1959 |