Wes Anderson

Wes Anderson

Highest Rated: 96% Hitchcock/Truffaut (2015)

Lowest Rated: 44% She's Funny That Way (2015)

Birthday: May 1, 1969

Birthplace: Houston, Texas, USA

Bolstered by the support of veteran director James L. Brooks and producer Polly Platt, Wes Anderson attained a status in the late 1990s that most young filmmakers only dream of achieving -- he proved that he could work within the Hollywood studio system and still create distinctive, willfully quirky films infused with an independent sensibility. Born and raised in Houston, Texas, Anderson was interested in filmmaking and performance from a young age, shooting crude Super-8 movies and staging elaborate school plays (including a hand-puppet adaptation of the 1980 Kenny Rogers vehicle The Gambler).As a philosophy student at the University of Texas at Austin, Anderson found a kindred spirit in classmate Owen Wilson, who shared the director's passion for playwriting and watching classic films of the '70s. The two became roommates and lingered at UT -- even after they had completed their degree requirements -- as Anderson honed his skills at a local public access television station and Wilson performed in local stage productions. The duo then set out to shoot a full-length script they wrote, titled Bottle Rocket, recruiting two of Wilson's brothers, Luke Wilson and Andrew Wilson, to perform. Despite Andrew's production connections in Austin, however, the team eventually ran out of film stock and funds, and they had to edit their footage into a 13-minute short. The black-and-white production eventually found its way to fellow Texan filmmaker L.M. Kit Carson, a family friend of the Wilsons who was so impressed with the work that he sent a copy to his colleague Platt and convinced Anderson to enter the film in the Sundance Film Festival. Before long, the film had also garnered the attention of Platt's partner, Brooks, and he orchestrated a deal for Anderson to shoot the full-length feature with Columbia Pictures.Billed as a botched-heist comedy, Bottle Rocket also made room for its characters' romantic neuroses and aimless slacker ennui. Though critics responded to such a mix -- likening the coming-of-age tale to everything from Easy Rider to Saturday Night Fever -- Columbia barely promoted the picture's early-1996 release, and it was quickly swept out of theaters. Luckily, positive word-of-mouth gave it a healthy life on video, and Anderson remained a noteworthy young talent, winning the Best New Filmmaker award at the MTV Movie Awards later that year. The director began to shop his second script around town with little success, until Disney chairman and Rocket fan Joe Roth signed on to Anderson's project, vowing to give him low-budget, hands-off support.The resulting film, Rushmore, was completed in 1998. Instead of test-marketing the film with focus groups (as had been done with Rocket), Roth and Anderson opted instead to take the feature to festivals. Critics gave the film an overwhelmingly enthusiastic reception: by the time it opened in wide release in February, 1999, Premiere magazine had called Rushmore the best film of the year, and co-star Bill Murray had already been named Best Supporting Actor by both the New York and Los Angeles Film Critics Associations, as well as the National Film Critics Society. A bittersweet coming-of-age tale about an underachieving but ambitious-to-a-fault teen, played with gusto by the unknown Jason Schwartzman, the film scored points for its wry, deadpan sense of humor and inventive visuals. Anderson drew from sources as disparate as Murmur of the Heart, Charles Schultz's Peanuts cartoons, and Meatballs, giving the proceedings a giddy absurdity without ever losing genuine compassion for his characters. Despite the orgy of positive reviews and Touchstone studios' aggressive marketing campaign, however, the director's second feature failed to resonate with audiences who may have been expecting a laugh-a-minute Murray vehicle. Worse yet, when Academy Awards nominations were announced in mid-February, Murray was passed over in favor of actors in more traditionally high-minded roles.Still, Anderson's


Highest Rated Movies



No Score Yet The French Dispatch Director Screenwriter 2020
85% Friedkin Uncut Actor 2019
58% Always at the Carlyle Actor 2018
90% Isle of Dogs Screenwriter Producer Director 2018
96% Hitchcock/Truffaut Actor $0.4M 2015
44% She's Funny That Way Producer 2015
91% The Grand Budapest Hotel Producer Screenwriter Director $57M 2014
No Score Yet Trespassing Bergman Actor 2013
93% Moonrise Kingdom Screenwriter Director Producer $45.6M 2012
92% Fantastic Mr. Fox Weasel Director Producer Screenwriter $21.1M 2009
No Score Yet Hotel Chevalier Director Screenwriter Producer 2007
68% The Darjeeling Limited Producer Director Screenwriter $12M 2007
92% The Squid and the Whale Producer $7.1M 2005
56% The Life Aquatic with Steve Zissou Screenwriter Director Producer $24M 2004
80% The Royal Tenenbaums Director Screenwriter Producer $52.4M 2002
89% Rushmore Screenwriter Executive Producer Director 1998
85% Bottle Rocket Screenwriter Director 1996
No Score Yet Bottle Rocket Director 1994


No Score Yet Charlie Rose
Guest 2014


Mr. Fox says: Weasel! Mustela nivalis! [shakes Stan]

Weasel says: Stop yelling!