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Alonso Duralde

Tomatometer-approved critic

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Reminders of Him (2026) 55% EDIT “Thankfully, this latest adaptation of a Colleen Hoover best-seller has a secret weapon: actress Maika Monroe, whose film-noir eyes radiate the loss, hurt, and disappointment that Reminders of Him is otherwise all too eager to paper over.” – The Film Verdict Mar 11, 2026 Full Review Project Hail Mary (2026) 95% EDIT “Like a box of ready-to-make macaroni and cheese, Project Hail Mary is satisfying if not substantial, and the less you think about the science behind it, the more you’ll enjoy it.” – The Film Verdict Mar 10, 2026 Full Review THE BRIDE! (2026) 57% EDIT “Veers off in so many exhausting directions that it ultimately amounts to little more than sound and fury. She’s alive, alive, but she can’t maintain this pace.” – The Film Verdict Mar 4, 2026 Full Review Hoppers (2026) 93% EDIT “Kudos to Andrews for avoiding two clichéd tropes that Pixar seems to love: there’s no seemingly-benign authority figure who later turns out to be evil, and the two best-friend protagonists don’t have a falling-out just to prompt the final act.” – The Film Verdict Mar 4, 2026 Full Review Scream 7 (2026) 31% EDIT “Unfortunately, the earlier, better Screams could handle both carnage and characterization, and the latter is sorely missing here.” – The Film Verdict Feb 26, 2026 Full Review I Can Only Imagine 2 (2026) 63% EDIT “This sequel wants to examine how an artist moves forward after a breakthrough, but the directors find themselves in a similar bind as their protagonist, attempting to rekindle the heartfelt drama that made the movie I Can Only Imagine such a success.” – The Film Verdict Feb 15, 2026 Full Review Wuthering Heights (2026) 57% EDIT “There’s plenty of technique but very little artistry in Fennell’s storytelling; in her efforts to deliver serious cinema, she may be turning into one of this generation’s leading purveyors of camp.” – The Film Verdict Feb 9, 2026 Full Review Solo Mio (2026) 83% EDIT “Refuses to burrow beneath the surface: Obvious jokes, facile insights, and emotional Band-Aids are all that’s on the menu.” – The Film Verdict Feb 5, 2026 Full Review Send Help (2026) 93% EDIT “Continually toys with audience expectation; viewers might initially sympathize with poor Linda’s plight while finding Bradley to be an irredeemable corporate monster, but those initial impressions don’t necessarily last.” – The Film Verdict Jan 26, 2026 Full Review Mercy (2026) 25% EDIT “Purports to be a cautionary tale about putting legal justice into the hands of AI, but the movie’s real agenda is promoting the surveillance state as a way of fighting crime.” – The Film Verdict Jan 21, 2026 Full Review 28 Years Later: The Bone Temple (2026) 92% EDIT “DaCosta’s vision includes both hope and horror, the bleakness of solitude and the joy of music.” – The Film Verdict Jan 13, 2026 Full Review Greenland 2: Migration (2026) 49% EDIT “Seems more interested in contemplating mankind’s destiny than in crafting coherent action sequences. Whether or not that was the intent of director Ric Roman Waugh (Angel Has Fallen) is anyone’s guess.” – The Film Verdict Jan 9, 2026 Full Review Primate (2025) 78% EDIT “Doesn’t necessarily hold up to a lot of scrutiny, but for sheer horror pleasure and monster-movie squirms, this silly monkey movie delivers the goods.” – The Film Verdict Jan 8, 2026 Full Review Song Sung Blue (2025) 77% EDIT “Is Song Sung Blue shameless in its assault on audiences’ tear ducts and heart strings? Absolutely. Will those qualities make it a whipping boy for reviews like this one while also turning it into a classic in years to come? It’s entirely possible.” – The Film Verdict Dec 22, 2025 Full Review The SpongeBob Movie: Search for SquarePants (2025) 80% EDIT “SpongeBob SquarePants learns there’s more than derring-do involved in becoming a "big guy," and while that’s a wonderful idea in the era of toxic masculinity, the messaging never overwhelms the wacky comedy.” – The Film Verdict Dec 19, 2025 Full Review The Housemaid (2025) 73% EDIT “Feig isn’t afraid of glossy camp, and he knows that the old Hollywood masters, George Cukor included, knew how to use camp and excess to uncover truths about human behavior and systemic oppression.” – The Film Verdict Dec 17, 2025 Full Review Avatar: Fire and Ash (2025) 66% EDIT “As a sizzle reel for the next wave in CG-animation technology, Avatar: Fire and Ash delivers; as the third chapter of a story that is meant to be moving, or even engaging, this latest chapter once again falls short.” – The Film Verdict Dec 16, 2025 Full Review Five Nights at Freddy's 2 (2025) 16% EDIT “Viewers who aren’t thrilled by recognizing new characters from an old game, and who expect more from a movie than a handful of PG-13 jump scares, are advised to spend their night anywhere that Five Nights at Freddy’s 2 isn’t screening.” – The Film Verdict Dec 5, 2025 Full Review Zootopia 2 (2025) 91% EDIT “Finds ways to amuse adults — including a brilliant Stanley Kubrick shout-out — while tickling kids without, miraculously, resorting to fart jokes. ” – The Film Verdict Nov 26, 2025 Full Review Wicked: For Good (2025) 66% EDIT “Wicked fans can delight in one final visit to Oz, while those of us less enamored can hope that the yellow brick road ends here. For good.” – The Film Verdict Nov 18, 2025 Full Review The Running Man (2025) 62% EDIT “For all the targets that director and co-writer Edgar Wright hits with the story’s political and media satire, he allows the pacing to go slack, turning what should feel like an escalating set of stakes into an episodic series of vignettes.” – The Film Verdict Nov 11, 2025 Full Review Predator: Badlands (2025) 86% EDIT “Between the wise-cracking sidekick, the adorable non-verbal pet, and the protagonist who undergoes personal growth, Predator: Badlands often resembles the pilot of a vintage Saturday-morning cartoon — but that’s not necessarily a bad thing.” – The Film Verdict Nov 4, 2025 Full Review Springsteen: Deliver Me from Nowhere (2025) 61% EDIT “A heavy-handed saga burdened with the dogged earnestness that rarely surfaces in the musician’s work but is the cornerstone of the cinematic output of writer-director Scott Cooper.” – The Film Verdict Oct 23, 2025 Full Review Black Phone 2 (2025) 72% EDIT “It’s got fresh ideas, bold visuals, and resonant performances, but once it turns the first movie’s chilling villain, the Grabber (played indelibly by Ethan Hawke), into a rehashed Freddy Krueger, the thrill is very much gone.” – The Film Verdict Oct 16, 2025 Full Review Megadoc (2025) 98% 7.1/10 EDIT “Figgis, as a filmmaker himself, is really good at capturing the kaleidoscopic nature of filmmaking.” – Breakfast All Day Oct 8, 2025 Full Review
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