Deborah Young Movie Reviews & Previews - Rotten Tomatoes

Deborah Young

Deborah Young
Deborah Young's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Film Comment Magazine, Hollywood Reporter, Variety

Movie Reviews Only

Rating T-Meter Title | Year Review
No Score Yet 24 Frames (2017) The ravishing "natural" beauty of the scenes has been masterfully contrived by the camera lens, aperture and framing.‐ Hollywood Reporter
Read More | Posted May 23, 2017
No Score Yet The Villainess (2017) A high-adrenaline tale of fighting, shooting, stabbing and killing interrupted by quiet stretches of backstory and character development.‐ Hollywood Reporter
Read More | Posted May 22, 2017
75% Happy End (2017) There seems to be something missing here.‐ Hollywood Reporter
Read More | Posted May 22, 2017
No Score Yet Claire's Camera (La caméra de Claire) (2017) A short and sweet divertissement with a few profound punchlines.‐ Hollywood Reporter
Read More | Posted May 22, 2017
No Score Yet Tehran Taboo (2017) An audacious, if somewhat didactic, debut.‐ Hollywood Reporter
Read More | Posted May 22, 2017
No Score Yet A Man of Integrity (Lerd) (2017) An uncompromising drama from one of Iran's most outspoken directors.‐ Hollywood Reporter
Read More | Posted May 22, 2017
No Score Yet Sicilian Ghost story (2016) If Grassadonia and Piazza had simply retold the story, it would have been gripping enough, but they deepen the intensity and widen the meaning by letting the tale unfold in a strange filmic space between cruel reality and ghostly fantasy.‐ Hollywood Reporter
Read More | Posted May 18, 2017
71% Sea Sorrow (2017) Shot with undeniable intensity but rather less technique, the film has an uneasy lack of structure as it circles around topics and returns to themes over and over.‐ Hollywood Reporter
Read More | Posted May 17, 2017
No Score Yet Tokyo Night Sky Is Always the Densest Shade of Blue (Yozora wa itsudemo saikô mitsudo no aoiro da) (2017) Some close observations redeem an uninspired tale of urban alienation.‐ Hollywood Reporter
Read More | Posted May 11, 2017
91% Indivisible (Indivisibili) (2016) [An] involving, fable-like drama.‐ Hollywood Reporter
Read More | Posted Apr 7, 2017
97% The Salesman (Forushande) (2017) The gears in The Salesman are not so hidden and a sense of contrived drama leads to some tedious sections. But all is forgiven when the final punches are delivered in a knock-out finale that leaves the viewer tense and breathless.‐ Hollywood Reporter
Read More | Posted Mar 3, 2017
No Score Yet Snow Woman (Yuki onna) (2016) Beautiful to look at and strangely haunting.‐ Hollywood Reporter
Read More | Posted Mar 1, 2017
90% On the Beach at Night Alone (Bamui haebyun-eoseo honja) (2017) A plotless but wryly likeable study of human emotions.‐ Hollywood Reporter
Read More | Posted Feb 16, 2017
No Score Yet Mr. Long (Ryu san) (2017) A relentless stylishness unifies the film, extending from the hard bright lights of upscale Taipei all the way to the sleaziest junkyard of rural Japan, where the action unfolds.‐ Hollywood Reporter
Read More | Posted Feb 14, 2017
No Score Yet Insyriated (2017) Gripping from start to finish.‐ Hollywood Reporter
Read More | Posted Feb 13, 2017
No Score Yet The Young Karl Marx (Le jeune Karl Marx) (2017) At once historically impeccable and a filmic disappointment.‐ Hollywood Reporter
Read More | Posted Feb 13, 2017
71% Spoor (Pokot) (2017) Holland, who had a hit a few years back with the HBO Europe spy series set during the Cold War, Burning Bush, is a mistress of spare, elegant shots that show just enough to advance the story.‐ Hollywood Reporter
Read More | Posted Feb 12, 2017
No Score Yet Tiger Girl (2017) An edgy mix of structured narrative and improv.‐ Hollywood Reporter
Read More | Posted Feb 12, 2017
100% Hedi (2016) Quiet but pungent and featuring vibrant performances, it offers further evidence that the rebirth of Tunisian cinema is underway, and after its bow in Berlin competition it should find welcoming art film slots.‐ Hollywood Reporter
Read More | Posted Feb 9, 2017
100% Clash (Eshtebak) (2016) Remarkably, the film doesn't take sides. This in itself raises it above a purely political discussion in favor of a sweeping criticism of prejudice and inhumanity. Yet it will be remembered as one of the most telling depictions of modern Egypt yet filmed.‐ Hollywood Reporter
Read More | Posted Feb 9, 2017
100% Starless Dreams (Royahaye dame sobh) (2017) Mehrdad Oskouei's reputation as one of Iran's finest documentary filmmakers grows film by film.‐ Hollywood Reporter
Read More | Posted Jan 17, 2017
83% The Brand New Testament (Le tout nouveau testament) (2016) Irresistibly laugh-out-loud and feel-good.‐ Hollywood Reporter
Read More | Posted Dec 27, 2016
No Score Yet Museum (Myûjiamu) (2016) Compared to some of the trashy Japanese slasher fare that passes as entertainment, Museum stands hair on edge without resorting to tons of fake blood or gruesomely realistic offenses to the body.‐ Hollywood Reporter
Read More | Posted Dec 7, 2016
96% Seasons (Les saisons) (2016) The film's strong point is the unquestionable beauty of the imagery, filmed over a four-year period in the national parks and animal reserves of Poland, Romania, Norway, Holland and Scotland.‐ Hollywood Reporter
Read More | Posted Nov 18, 2016
No Score Yet Land of the Little People (2016) Using just the right, understated dose of symbolism, the film takes on an especially frightening quality like in a fairy tale whose monster is invisible and invincible.‐ Hollywood Reporter
Read More | Posted Nov 4, 2016
98% Your Name. (Kimi No Na Wa.) (2017) First-rate Japanese anime is a taste that anyone can acquire in the time it takes to watch a film like this, and it should confirm Shinkai's reputation to genre-lovers around the world, who know his poetry-inspired The Garden of Words.‐ Hollywood Reporter
Read More | Posted Nov 2, 2016
80% Bilal: A New Breed of Hero (2016) Bilal is a grand-scale, fast-paced animated adaptation that is both empowering and inspiring in its call for social justice and equality.‐ Hollywood Reporter
Read More | Posted Oct 28, 2016
94% Creepy (Kuripi: Itsuwari no rinjin) (2016) Ambience also plays a major role, and Akiko Ashizawa's lighting keeps a cloud of gloom hanging over every shot.‐ Hollywood Reporter
Read More | Posted Oct 18, 2016
100% Wednesday, May 9 (Chaharshanbeh, 19 Ordibehesht) (2015) The humanism of the finest Iranian cinema shines through the clouds of sadness in Wednesday, May 9.‐ Hollywood Reporter
Read More | Posted Oct 6, 2016
92% Voyage of Time: The IMAX Experience (2016) After all the comparisons have been made, this is a magnificent documentary that is going to set the benchmark for history-of-the-universe films in the years to come.‐ Hollywood Reporter
Read More | Posted Sep 28, 2016
98% I Am Not Your Negro (2017) A stirring, stinging memorial.‐ Hollywood Reporter
Read More | Posted Sep 20, 2016
No Score Yet Tommaso (2016) Smacks of Nanni Moretti territory but doesn't go far enough in its self-analysis and frankly, isn't very funny or incisive.‐ Hollywood Reporter
Read More | Posted Sep 15, 2016
64% LBJ (2016) Absorbing if conventional.‐ Hollywood Reporter
Read More | Posted Sep 15, 2016
83% Denial (2016) A compelling, true courtroom drama touches on the lingering pain of the Holocaust.‐ Hollywood Reporter
Read More | Posted Sep 12, 2016
83% A United Kingdom (2017) A rousing true love story brings African history to life.‐ Hollywood Reporter
Read More | Posted Sep 10, 2016
85% I Am Not Madame Bovary (2016) Like the fighter she plays, Fan Bingbing holds her own against a big all-male cast who are all against her, and shows off her gifts as a comedienne in a surprisingly low-key role.‐ Hollywood Reporter
Read More | Posted Sep 9, 2016
64% Voyage of Time: Life's Journey (2016) A uniquely vivid work.‐ Hollywood Reporter
Read More | Posted Sep 6, 2016
No Score Yet Piuma (2016) Johnson's screenplay is smooth, fast-paced and persuasive. The protagonists are particularly well-cast.‐ Hollywood Reporter
Read More | Posted Sep 5, 2016
86% The Wedding Plan (2017) An independent female protag energizes a charming return to the world of Israel's Orthodox Hasidic Jews.‐ Hollywood Reporter
Read More | Posted Sep 5, 2016
No Score Yet Auf Safari (2016) Safari is a relatively simple, straightforward and presumably unstaged documentary, but it leaves the audience deeply shaken.‐ Hollywood Reporter
Read More | Posted Sep 4, 2016
77% Chuck (2017) Unpretentious but gently affecting ...‐ Hollywood Reporter
Read More | Posted Sep 2, 2016
88% The Childhood of a Leader (2016) This first feature by 27-year-old American director Brady Corbet combines a fine Euro cast, grandiose art direction and a thundering score by Scott Walker, but the result is an embarrassing hodgepodge that's very hard to follow.‐ Hollywood Reporter
Read More | Posted Jul 18, 2016
50% Cold War 2 (2016) A tepid rehash of inter-police wars complicated by obscure behind-the-scenes political machinations.‐ Hollywood Reporter
Read More | Posted Jul 11, 2016
30% Salt and Fire (2017) Too much salt, too little pepper in a silly eco fantasy.‐ Hollywood Reporter
Read More | Posted Jun 14, 2016
15% Caught in the Web (2013) In this fast-moving, densely plotted black dramedy, a faux scandal raised by an ambitious web TV editor comes close to destroying a number of lives, offering a masterful panorama on urban, middle class China.‐ Hollywood Reporter
Read More | Posted Jun 8, 2016
99% The Wailing (Goksung) (2016) The Wailing is long and involving, permeated by a tense, sickening sense of foreboding, yet finally registers on a slightly lower key than the director's acclaimed genre films The Chaser and The Yellow Sea.‐ Hollywood Reporter
Read More | Posted May 31, 2016
87% The President (2016) Many scenes seem designed to illustrate platitudes, at the expense of the narrative.‐ Hollywood Reporter
Read More | Posted May 31, 2016
100% Inversion (Varoonegi) (2016) The smog that envelopes the teeming metropolis of Tehran, graying out tall buildings and infecting people's lungs, becomes an ominous sign of the times in veteran director Behnam Behzadi's penetrating drama Inversion.‐ Hollywood Reporter
Read More | Posted May 20, 2016
86% Risk (2017) An insightful portrait.‐ Hollywood Reporter
Read More | Posted May 19, 2016
95% After the Storm (Umi yori mo mada fukaku) (2017) A classic Japanese family drama of gentle persuasion and staggering simplicity from Kore-eda Hirokazu.‐ Hollywood Reporter
Read More | Posted May 19, 2016