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Inkoo Kang

Tomatometer-approved critic

Reviews

Movies TV Shows
The Beauty: Season 1 (2026) 71% EDIT “Seasoned actors are replaced by newcomers with none of their predecessors’ gravitas. Murphy’s desperate bid for attention has reduced him to this: a show that puts an expiration date on its own appeal.” – The New Yorker Jan 22, 2026 Full Review I Love LA: Season 1 (2025) 86% EDIT “The notion that all things must pass is both a comfort and a threat... I Love L.A.'s treatment of this anxiety is funny and, as the season progresses, sneakily humanizing.” – The New Yorker Dec 22, 2025 Full Review Pan y circo: Season 1 (2020) 100% EDIT “For non-Mexican viewers, Pan y Circo offers an invaluable perspective too seldom offered in mainstream English-language media: How do (largely left-leaning) Mexicans talk to each other about Mexican issues? ” – The Hollywood Reporter Dec 12, 2025 Full Review Pluribus: Season 1 (2025) 98% EDIT “Her one-note sullenness means that Seehorn, who was heartbreaking as the repressed Kim on “Saul,” is squandered as the lead of her own show.” – The New Yorker Nov 24, 2025 Full Review Death by Lightning: Season 1 (2025) 90% EDIT “Perhaps fittingly for a show about a bunch of forgotten names, “Death by Lightning” is a delightful showcase for undersung character actors. ” – The New Yorker Nov 12, 2025 Full Review The Lowdown: Season 1 (2025) 98% EDIT “Harjo, with his eye for human eccentricities, lends a pulse to stock types... Gradually, as on “Reservation Dogs,” a crew of kooks, knuckleheads, ne’er-do-wells, and melancholics takes shape.” – The New Yorker Sep 23, 2025 Full Review The Paper: Season 1 (2025) 86% EDIT “I found myself distracted from its nostalgia for Watergate-era journalism by my own nostalgia for early-two-thousands network sitcoms... By contrast, The Paper’s torpor exemplifies the pacing crisis of the streaming era. ” – The New Yorker Sep 3, 2025 Full Review And Just Like That...: Season 3 (2025) 46% EDIT “Is “And Just Like That” bad enough to retroactively diminish its predecessor? I’d argue yes. ” – The New Yorker Aug 15, 2025 Full Review Landman: Season 1 (2024) 78% EDIT “If I’m not necessarily Sheridan’s target audience, it’s still fun to debate his hero in my head.” – The New Yorker Aug 8, 2025 Full Review King of the Hill: Season 14 (2025) 98% EDIT “In our polarized times, for every left-leaning fan comforted by Hank’s fundamental decency, another might see his brand of conservatism as a nostalgic gloss on an increasingly ugly movement.” – The New Yorker Aug 8, 2025 Full Review Too Much: Season 1 (2025) 79% EDIT “With its quicksilver shifts and sneaking sweetness, the experience of watching feels a lot like falling in love.” – The New Yorker Jul 10, 2025 Full Review The Gilded Age: Season 3 (2025) 95% EDIT “In this season, though, consequences arrive at last. It’s not a coincidence that it’s the series’ strongest. Seeds planted at the outset are coming to fruition.” – The New Yorker Jun 26, 2025 Full Review Your Friends & Neighbors: Season 1 (2025) 79% EDIT “Coop purports to disillusion viewers, but he is simultaneously creating a list of objects for us to covet... The overwhelming reaction that the series elicits, then, is not sympathy but cognitive dissonance.” – The New Yorker Jun 2, 2025 Full Review Overcompensating: Season 1 (2025) 93% EDIT ““Overcompensating” gradually shifts from a straightforward sex comedy to something emotionally richer. Much of that depth comes from an increasing focus on Carmen. ” – The New Yorker May 16, 2025 Full Review Hacks: Season 4 (2025) 98% EDIT “Female ambition is “Hacks” ’s object of obsession, and while the series’ portrayal of Hollywood feels timely, it’s used mostly in service of developing the central theme. ” – The New Yorker May 5, 2025 Full Review The Studio: Season 1 (2025) 92% EDIT “Like most Rogen projects, “The Studio” is proudly potty-mouthed but ultimately toothless. One gets the feeling that the actor-producer is too ensconced in the system to truly go for broke. ” – The New Yorker May 5, 2025 Full Review Dying for Sex: Season 1 (2025) 98% EDIT “[Dying for Sex] has a morbid, somewhat off-putting hook... But, in its second half, the series deepens wonderfully.” – The New Yorker Apr 8, 2025 Full Review Wolf Hall: Season 2 (2024) 100% EDIT “Season 2 is arguably greater than its acclaimed predecessor. Cromwell’s middle-aged regrets build poignantly, while brisker pacing and some levity lend the proceedings a teeming liveliness.” – The New Yorker Apr 1, 2025 Full Review Adolescence: Season 1 (2025) 97% EDIT “Unfortunately, Adolescence’s flashy, fragmentary approach undermines its attempts to illuminate. ” – The New Yorker Mar 17, 2025 Full Review The White Lotus: Season 3 (2025) 86% EDIT “There’s something similar at work in the third season, a promiscuous application of the formula that yields diminishing returns. It isn’t just the characters who seem a bit lost in Thailand; White does, too. ” – The New Yorker Feb 22, 2025 Full Review The Pitt: Season 1 (2025) 95% EDIT “It’s structured such that you know you’ll have your heart broken and mended several times per episode -- it’s just a matter of how.” – The New Yorker Feb 12, 2025 Full Review Mo: Season 2 (2025) 96% EDIT “The result is funny, kinetic, and unpredictable; it’s also a deft character study that reveals how the creaky bureaucracy of the asylum system can warp even good-natured men by deferring their hopes and shrinking their possibilities. ” – The New Yorker Jan 31, 2025 Full Review Severance: Season 2 (2025) 94% EDIT “If the show’s canvas has grown broader, the characters themselves have been reduced to mere archetypes. ” – The New Yorker Jan 10, 2025 Full Review Black Doves: Season 1 (2024) 92% EDIT “Black Doves is like a box of bonbons gifted around the holidays: pleasing, elegant, forgotten as soon as it’s consumed. Like so many spy tales, the show is driven by intricate plotting rather than by meaningful character development. ” – The New Yorker Dec 31, 2024 Full Review The Franchise: Season 1 (2024) 73% EDIT “The Franchise never stops lampooning the superhero stuff, but as the characters evolve their world starts to feel less insular. ” – The New Yorker Nov 25, 2024 Full Review
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