Jordi Costa

Jordi Costa
Jordi Costa's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): El Pais (Spain) Fotogramas
Publications: El Pais (Spain), Fotogramas

Movie Reviews Only

T-Meter Title | Year
No Score Yet Barefoot (Po strnisti bos) (2017) The comic stylization of dreams and memories of others in Svĕrák's film does not fit well into the story. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted May 20, 2019
61% A Faithful Man (L'homme fidèle) (2018) With this concise film, Garrel plays with the multiplication of the point of view. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted May 20, 2019
100% The Load (Teret) (2018) The Load chooses to privilege the subjective experience of its protagonist, the truck driver Vlada. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted May 20, 2019
16% Hellboy (2019) Marshall's forms are coarser, but they manage to impress an overwhelming dynamism especially in the battle scene with the giants. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted May 19, 2019
No Score Yet El increíble finde menguante (2019) It's a shame that the film winds up telling a story about conformity through a character who is supposed to be a free spirit. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted May 10, 2019
66% Pokémon Detective Pikachu (2019) There aren't many surprises, but there is some imaginative spikes and above all, a certain artisan honesty. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted May 10, 2019
80% Ruben Brandt, Collector (2019) This unclassifiable animated jewel gathers cinephile and pictorial winks to tell an accelerated story that connects with the tradition of the cinematographic serial. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted May 10, 2019
67% The Extraordinary Journey of the Fakir (2018) There are very clear efforts for the film to land well, but they don't quite make the mark. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted May 10, 2019
88% The Vanishing (2019) The Vanishing, co-written by actors Joe Bone and Celyn Jones, incorporates some trace of pirate story, but contains every temptation to surrender to the sense of wonder intrinsic to the genre of adventure. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted May 3, 2019
No Score Yet A pesar de todo (2019) The greatest virtue of A pesar de todo is its ability to become an involuntary commentary on the arbitrary genesis of projects in the age of the insatiable VOD platforms. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted May 3, 2019
No Score Yet The First Memory (La primera cita) (2019) In The First Date, Jesús Ponce finds a simple visual solution to convey something complex. And he does it with the honesty of the illusionist who knows that his spectators will discover his magic trick. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted May 3, 2019
95% An Elephant Sitting Still (Da xiang xi di er zuo) (2019) An imposing film not only in the orchestration of its complex shots in continuity, but also in the precision of frames. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted May 3, 2019
100% Immersed Family (Familia sumergida) (2018) One could spend an eternity contemplating Mercedes Moran through the eyes of María Alche. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Apr 28, 2019
80% The Portuguese Woman (2019) Confirming herself as the most solid heir of Oliveira, Azevedo loses, however, something along the way: the subjectivity of the male character. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Apr 28, 2019
76% Leto (2019) The history of every counterculture seems punctuated by its martyrs, but the filmmaker Kirill Serebrennikov is not interested in officiating funerals. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Apr 28, 2019
94% Avengers: Endgame (2019) No one can dispute the Russo Brothers's competence in directing. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Apr 28, 2019
No Score Yet Bikes (2018) [A] conceptual and aesthetic catastrophe. [Full review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Apr 22, 2019
29% Red Joan (2019) Trevor Nunn's objective is to comfort, not pose questions, but, yes, its cutting and confection certify the presence of a good tailor, one unable to give a bad surprise to his lifelong clientele. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Apr 19, 2019
85% Mia and the White Lion (2019) Under its appearance of an adventure film, it shows the disturbing functionality of the cinema as a bleaching instrument. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Apr 12, 2019
89% I Want to Eat Your Pancreas (Kimi no Suizou wo Tabetai) (2019) The decorative elements aren't enough to impose a feeling that does not form. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Apr 12, 2019
91% The Kindergarten Teacher (2018) Sara Colangelo replaces the intricate planes in continuity of Navad Lapid by careful focus under an oppressive photography in claustrophobic spaces. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Apr 12, 2019
87% Non-Fiction (2019) A civilized comedy, transparent, and as steeped in culture as allergic to pedantry. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Apr 12, 2019
51% Destination Wedding (2018) The result is a lucid film elevated by perfect chemistry between the two actors. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Apr 5, 2019
No Score Yet 7 Reasons to Run Away (From Society) (7 razones para huir (de la sociedad)) (2019) The cast rescues the film from the occasional slips. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Apr 5, 2019
90% Shazam! (2019) A work that constantly strives to defend its own distinctive personality, but can not completely avoid the dangers. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Apr 5, 2019
No Score Yet Invisibles (Les Invisibles) (2018) The chronicle of a luminous civil disobedience that does not fall into the traps of sentimentality, or the conciliatory outcome. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Mar 29, 2019
No Score Yet Get Her... If You Can (Qué te juegas?) (2019) The accumulation of alleged sardonic phrases betrays the effort of a script team more concerned with the effect than with the naturalness of the whole. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Mar 29, 2019
73% Assassination Nation (2018) The film's final sentence synthesizes the zeitgeist in fewer characters than a tweet. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Mar 29, 2019
53% Across the Universe (2007) Imagine that an eminence of creative surgery kidnapped the love of his life to return it transformed into an exact replica of what they hate most. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Mar 27, 2019
No Score Yet Dove cadono le ombre (2017) Pedicini's effort to reach a partially tranquil ending ends up conditioning. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Mar 22, 2019
No Score Yet Zaniki (2018) The transmission of a culture in danger of extinction, which survived to the present in the fragile channels of popular orality. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Mar 22, 2019
100% Funan (2019) The filmmaker reconstructs the memory of the genocide retold to him by his mother, using synthetic character designs that sometimes recall the stroke of the great Yoshihiro Tatsumi. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Mar 22, 2019
72% Maya (2018) The story creates a solid illusion of the difficulty of that existing fact of scarring, loss and resignation. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Mar 18, 2019
95% Notes on Blindness (2016) It is not an odyssey about overcoming adversity, but rather the meticulous chronicle of the pulse that maintains an individual with the loss of his vision. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Mar 18, 2019
92% Mirai (2018) The fluid animation from Hosoda depicts various glorious moments where facial expressions tell us so much more. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Mar 15, 2019
90% The Kid Who Would Be King (2019) How long has it been since a family film had a true sense of adventure? [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Mar 15, 2019
78% Captain Marvel (2019) The film falls short in trying to reformulate the superhero discourse via a feminine outlook. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Mar 8, 2019
84% The Night Eats the World (La nuit a dévoré le monde) (2018) Rocher's film is unable to maintain its strength the whole way, but manages to create a new look at zombies. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Mar 8, 2019
No Score Yet The Queen's Corgi (2019) The film is an illustration of a problem in our times: The obsession with introducing incentives for adults in films meant for children. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Mar 8, 2019
No Score Yet Antonio López, Apuntes del natural (2019) The documentary ends up offering a complex portrait of a personality that does not seem to maintain any other commitment than that which artistic creation demands of it. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Mar 1, 2019
No Score Yet Feedback (2019) In its development, the doses of truculence have been as generous as they are improbable. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Mar 1, 2019
33% Welcome to Marwen (2018) Zemekis is especially skilled at the alchemy between digital entertainment and creating a portrait of a man struggling with his demons. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Mar 1, 2019
59% Please Stand By (2018) Dakota Fanning becomes the motor and heart of this road movie that, unfortunately, ends up taking the shortcuts of balsamic fiction. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Mar 1, 2019
73% On the Basis of Sex (2019) The film tells Ginsburg's story well, but Leder is only able to transmit and not transcend. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Feb 22, 2019
73% Destroyer (2018) Everything seems extremely calculated in Karyn Kusama's latest work. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Feb 22, 2019
91% How to Train Your Dragon: The Hidden World (2019) How To Train Your Dragon allows itself to be attentive to details and in an unusual move, it seems like the artist shines through instead of the corporation. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Feb 22, 2019
88% The Image Book (Le livre d'image) (2019) An overwhelmed and overwhelming film that invites you to stop turning your back on the East. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Feb 22, 2019
No Score Yet Perdiendo el este (2019) The true Aquilles heel lies in the visual humor that reeks of reluctance. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Feb 15, 2019
75% Bomb City (2018) Bomb City ends up being a film as angry as it is affected: its form compromises its reasons. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Feb 15, 2019
60% Alita: Battle Angel (2019) The result is a cold film that arises as a testimony of how a project born form passion can turn into an obligation that can erode originality. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Feb 15, 2019