Jordi Costa Movie Reviews & Previews - Rotten Tomatoes

Jordi Costa

Jordi Costa
Jordi Costa's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): El Pais (Spain)

Movie Reviews Only

Rating T-Meter Title | Year Review
89% Claire's Camera (La caméra de Claire) (2018) Reluctant to film the great work, Sangsoo continues to explore the fusion of film and life camouflaging the complexity of lightness. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jul 13, 2018
60% Hotel Transylvania 3: Summer Vacation (2018) A film self-conscious of its insignificance, but constantly striking in its movements, textures and character designs.‐ El Pais (Spain)
Read More | Posted Jul 12, 2018
51% Skyscraper (2018) The cards are on the table and nobody should be irritated too much by the deficit of originality...‐ El Pais (Spain)
Read More | Posted Jul 12, 2018
No Score Yet Yo la busco (2018) A city as hidden as it is credible that allows the filmmaker to articulate a personal poetic and speak, deep down, of many things. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jul 6, 2018
92% Just to Be Sure (Ôtez-moi d'un doute) (2017) The film is a comedy, human and wise, raised on the territory where the potentiality of the tragedy lies. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jul 6, 2018
81% Don't Worry, He Won't Get Far on Foot (2018) And it is in the affirmation of both natures, that this film is defined, which has its classical axis in its dramatic arc of redemption and in the narrative appropriation of the therapy in twelve steps... [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jul 5, 2018
88% Whitney (2018) Through her constant swings between the public and the private, Whitney tears the icon and reveals a soul. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Jul 5, 2018
67% Ocean's 8 (2018) [Ocean's 8] has the beats of the musical more than the beats of a thriller. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jul 5, 2018
89% 78/52: Hitchcock's Shower Scene (2017) This film was able to fill 90 minutes with the dissection of one scene, but the road is as full of success as it is with imprudence. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jul 3, 2018
4/5 81% Don't Worry, He Won't Get Far on Foot (2018) Well-balanced. [Full Review in Spanish] ‐ Fotogramas
Read More | Posted Jul 2, 2018
91% See You Up There (Au revoir là-haut) (2017) Albert Dupontel knows that a black comedy doesn't only have to be cynical and his film finds its soul in the masks that communicate the emotions of one of his characters. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Jun 29, 2018
No Score Yet Formentera Lady (2018) The delicacy of José Sacristán when giving life to his character moving away from archetypes raises this work that fills an important gap. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 29, 2018
97% The Endless (2018) The search for feeling is declined in the form pf purgatory in the most discreet ways. Hopefully the blockbuster gods don't snatch these directors. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 29, 2018
87% Nobody's Watching (Nadie nos mira) (2017) [Nobody's Watching] is a magnificent character portrait. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 22, 2018
91% Love, Simon (2018) Love, Simon is one of those rare works in which its conventional aspects play to its favor due to the fact that its greatest virtue is normalizing the homosexual protagonist. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 22, 2018
100% Miss Kiet's Children (2017) Miss Kiet's Children is far more than an extraordinary feat in documentary filmmaking - it's uncontaminated observation. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 22, 2018
89% Hereditary (2018) As the story progresses, there is a perfect overture and poetic synthesis for a story about a family that lives trapped in something that surpasses it... [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 22, 2018
No Score Yet Wonders of the Sea 3D (2017) The beauty captured in its clear images even seems to transcend that of this world to suggest almost the possibility of an interplanetary voyage without leaving the bottom of the sea. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 18, 2018
95% Western (2018) With proverbial lucidity, Western expertly presents the contrasted weapons of black humor and border poetry. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 18, 2018
87% Transit (2018) Traversed by a tragic romanticism and punctuated by a narrative voice that reveals its identity in the outcome, In transit reformulates history as a timeless purgatory where collective guilt resounds. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 15, 2018
32% I Feel Pretty (2018) [I Feel Pretty] never manages to resolve its contradiction between the defense of being an authentic person and the slapstick. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 15, 2018
83% Memoir of War (La douleur) (2018) Memoir of War is a film that is aware of that its fabric is not that of history, but rather of a besieged subjectivity where reality becomes phantasmagoria. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 8, 2018
100% Salyut-7 (2017) Shipenko... is able to harmonize narrative clarity and sense of entertainment. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 8, 2018
100% The Big Bad Fox and Other Tales (Le grand méchant renard et autres contes) (2018) The Big Bad Fox and Other Tales is a delight from start to finish. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted May 31, 2018
50% Based on a True Story (D'après une histoire vraie) (2017) There is applied elegance where there should be, but the film develops so ambiguously that at this point it's as cliche as the last scare in a 70s horror flick. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted May 31, 2018
38% The Strangers: Prey At Night (2018) The ongoing slogan seems to be to give the viewer more for their money and Roberts delivers. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted May 31, 2018
99% Faces Places (Visages, villages) (2017) [Faces Places] is a travel log in which we see each stop transform into art pieces and are always at the service of a relevant theme. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted May 25, 2018
80% Playground (Plac zabaw) (2017) In his first fictional feature, Polish director Bartosz M. Kowalski is inspired by true events, but presents a film incapable of bringing anything to light. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted May 25, 2018
84% Disobedience (2018) Sebastian Lelio is consequent in his artistic discussion and especially meticulous on the description of this chilling environment. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted May 25, 2018
67% Downrange (2017) It's one of those films where the characters aren't much more than sacrifices servicing a super effective and creative purpose. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted May 24, 2018
4/5 No Score Yet Maria By Callas: In Her Own Words (2017) A feast for devotees. [Full Review in Spanish] ‐ Fotogramas
Read More | Posted May 18, 2018
92% Niñato (2017) Niñato demonstrates that to make a good film, all you have to do is know how to observe.‐ El Pais (Spain)
Read More | Posted May 17, 2018
44% The Hurricane Heist (2018) [Hurricane Heist] doesn't promise much more than ineffective shrapnel and produces an agitated session at the movies. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted May 16, 2018
No Score Yet Maria By Callas: In Her Own Words (2017) The documentary successfully articulates a solid discourse about the torment and ecstasy of being a monster, a unique identity. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted May 16, 2018
54% 12 Strong (2018) 12 Strong is a solid exercise of film propaganda that at least takes the liberty of creating actual characters and a real reflection over the future of this conflict. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted May 4, 2018
83% Lover For A Day (L'amant d'un jour) (2018) Garrel constructs a film that represses heavy exposition in order to deposit full confidence in its characters and their gestures and words. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted May 4, 2018
52% Roman J. Israel, Esq. (2017) The most memorable sequences involve the protagonist's debates with the new voices of activism that are worth their weight in gold. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted May 3, 2018
58% Lou Andreas-Salomé: The Audacity to Be Free (2018) With its debatable style and didactic purpose, the film seems to confirm that Andreas-Salome is still cursed to be seen in what happens from the waist down. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 27, 2018
25% 7 Days in Entebbe (2018) In [7 Days in Entebbe] the result is a film that is ideologically useless and executed in a futile competence. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 27, 2018
83% Avengers: Infinity War (2018) The outcome satisfyingly tops the trip and resonates long after you leave the theater. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 26, 2018
90% Isle of Dogs (2018) [Isle of Dogs] makes it clear that Anderson is still himself with a story that mixes dystopia with adventure. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 19, 2018
95% A Quiet Place (2018) This is a gem that is held together by two transparent Pilars: mise-en-scene and sound design. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 19, 2018
56% Crooked House (2017) In this case the hero does not possess any particular deductive skills and it adds some strangeness to this predictable film. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 19, 2018
85% Heartstone (Hjartasteinn) (2017) The ability to show the significant worth of a gentle caress amidst vital hell is an immense accomplishment. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 19, 2018
84% Ravenous (Les affamés) (2018) Where Ravenous reaches its greatness is in its formal set up and its capacity not only to create a unique atmosphere, but also in overstimulating shock for the audience managing to let the visual calligraphy work infallibly. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 19, 2018
96% The Death of Stalin (2018) I only wish the (functional) realization was at the level of its (dazzling) performers. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Apr 11, 2018
67% L'embarras du choix (2017) A frivolous and routine comedy. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Apr 11, 2018
14% Winchester (2018) The Spierig brothers [somehow] spoiled all possibilities of creating a disturbing space, despite it requiring almost no effort on their part to achieve. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Apr 11, 2018
75% Jeannette: The Childhood of Joan of Arc (Jeannette l'enfance de Jeanne d'Arc) (2018) Overflowing with ludic energy and loaded with stimuli for debate. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Apr 10, 2018
93% A Silent Voice (Koe no katachi) (2017) A Silent Voice proves Naoko Yamada is one to watch in the landscape of modern Japanese animation... [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Apr 10, 2018