Katie Walsh Movie Reviews & Previews - Rotten Tomatoes

Katie Walsh

Katie Walsh
Katie Walsh's reviews (from any publication) always count toward the Tomatometer because this critic is a Tomatometer-approved critic.

Movie Reviews Only

Rating T-Meter Title | Year Review
3.5/4 74% An Inconvenient Sequel: Truth To Power (2017) Surprising, vital, fascinating, edifying and absolutely crucial viewing for all of us who plan to continue inhabiting this planet for a while.‐ Tribune News Service
Read More | Posted Jul 25, 2017
2.5/4 73% Atomic Blonde (2017) After a brisk, efficient, uber-cool first hour, all New Wave tunes and sexy neon lighting, the second hour drags into dullness. ‐ Tribune News Service
Read More | Posted Jul 25, 2017
2.5/4 54% Valerian and the City of a Thousand Planets (2017) Richly, imaginatively rendered, deeply textured and almost overwhelming. This film drops you into an outer space world that knows no limits on space, time and dimensionality, and asks the viewer to go along for this deeply weird roller coaster ride.‐ Tribune News Service
Read More | Posted Jul 19, 2017
3/4 88% Girls Trip (2017) The girls of "Girls Trip" prove that women can be many things: powerful, naughty, gross, hilarious and sexy, while still lifting each other up.‐ Tribune News Service
Read More | Posted Jul 19, 2017
4/4 92% Dunkirk (2017) An instant war classic that finds its power in individual tales of heroism and renders them larger than life.‐ Tribune News Service
Read More | Posted Jul 19, 2017
53% The Skyjacker's Tale (2017) Shocking and powerfully absorbing‐ Los Angeles Times
Read More | Posted Jul 14, 2017
21% Wish Upon (2017) A spooky teen story that's not particularly heavy on the scares and over-delivers on the unintentional giggles, ‐ Los Angeles Times
Read More | Posted Jul 14, 2017
4/4 91% Lady Macbeth (2017) A haunting, angry vision of feminine rebellion.‐ Tribune News Service
Read More | Posted Jul 11, 2017
94% War for the Planet of the Apes (2017) With emotionally resonant stories, thrilling heroics, and trenchant cultural observations, the "Apes" franchise is a rare breed of blockbuster, where filmmakers have been given the freedom to tell the stories they want, the way they want.‐ Tribune News Service
Read More | Posted Jul 11, 2017
33% The Red Pill (2016) The Red Pill (the title is a reference to The Matrix) only exacerbates [the] divide with its uncritical, lopsided presentation and inability to craft a compelling argument regarding a topic this controversial.‐ Los Angeles Times
Read More | Posted Jul 11, 2017
3/4 89% A Ghost Story (2017) Their missed connection, divided by the void of human existence, is also a beautifully sad and poignant representation for the ways in which we all strive or fail to connect in the present.‐ Tribune News Service
Read More | Posted Jul 6, 2017
3/4 92% Spider-Man: Homecoming (2017) It delivers eye-popping spectacle in spades, but it's the characters that make it count.‐ Tribune News Service
Read More | Posted Jul 5, 2017
75% The Little Hours (2017) "The Little Hours" never really commits to being one thing or another. There aren't any written jokes, but it treats its own genre as a punchline. Ultimately, you're just left wondering what it is, and what the point of it all might be.‐ Los Angeles Times
Read More | Posted Jun 30, 2017
18% The House (2017) Instead of writing actual characters, they've hired a gaggle of beloved comedians to do bits based on stereotype and persona, and have concocted a cockamamie suburban crime story that manages to be both bizarre and incredibly thin.‐ Los Angeles Times
Read More | Posted Jun 30, 2017
3/4 72% 13 Minutes (Elser) (2017) The answer the film provides seems a bit easier than what the real story must have been. It's presented as a love story, first and foremost.‐ Tribune News Service
Read More | Posted Jun 28, 2017
1.5/4 61% Despicable Me 3 (2017) The whole thing might as well all be written in Minions chatter. It's wacky, but somehow dull.‐ Tribune News Service
Read More | Posted Jun 27, 2017
3/4 94% Baby Driver (2017) It's cute, to be sure, but is it anything more than that? Maybe it doesn't have to be.‐ Tribune News Service
Read More | Posted Jun 26, 2017
No Score Yet The House on Coco Road (2016) A remarkable document of how social forces affected the lives of Baker and his ancestors. ‐ Los Angeles Times
Read More | Posted Jun 22, 2017
4/4 98% The Big Sick (2017) It's an exceedingly high degree of difficulty to hit the perfect chord of humor and heart, plucking the heartstrings just so, blending laughter and tears, and "The Big Sick" strums them just right.‐ Tribune News Service
Read More | Posted Jun 21, 2017
78% The Beguiled (2017) Nicole Kidman is particularly, unsurprisingly excellent in her performance as the steely Miss Martha. She is controlled and in control, unflappable.‐ Tribune News Service
Read More | Posted Jun 21, 2017
15% Transformers: The Last Knight (2017) It's hard to imagine anyone reading, let alone writing, the script and believing that it made any sort of sense at all.‐ Tribune News Service
Read More | Posted Jun 20, 2017
2.5/4 48% Rough Night (2017) You almost wish that "Rough Night" had been given a second pass to sharpen some jokes and smooth the transitions and edges, but the bumps in the road are easy to overlook with this excellent cast.‐ Tribune News Service
Posted Jun 14, 2017
67% Miles (2017) At times Miles feels a bit rickety around the edges, but the character at the center is instantly relatable and has a relaxed charm that makes the story compelling.‐ Los Angeles Times
Read More | Posted Jun 14, 2017
1.5/4 67% Cars 3 (2017) The female empowerment subplot feels hollow because it's clearly just more brand extension -- little girls can be consumers of toy cars too! -- than any sort of story development with heartfelt meaning.‐ Tribune News Service
Read More | Posted Jun 13, 2017
3/4 76% My Cousin Rachel (2017) An operatic melodrama of hidden notes, stolen kisses, family jewels, and love's first blush, but it's also a film about the danger of one's own belief systems, being locked into one way of thinking.‐ Tribune News Service
Posted Jun 7, 2017
3/4 83% Megan Leavey (2017) "Megan Leavey," despite its story of wartime heroism, isn't a jingoistic, sentimental slice of pure patriotism. It's far more an intimate drama about a personal journey, a story about true love and companionship.‐ Tribune News Service
Read More | Posted Jun 7, 2017
3/4 88% It Comes At Night (2017) Once again, Shults demonstrates his extreme resourcefulness as a filmmaker, wringing blood-curdling tension out of controlled camera movements, creative practical lighting, and a red door. ‐ Tribune News Service
Read More | Posted Jun 7, 2017
2.5/4 15% The Mummy (2017) Falls apart at the end, rattling its bones through a series of shockingly violent clashes with Ahmanet. Ultimately, despite her awesome powers, this goddess is reduced to participating in a love triangle with mere mortals. How pedestrian. ‐ Tribune News Service
Read More | Posted Jun 7, 2017
87% Captain Underpants: The First Epic Movie (Captain Underpants) (2017) For a film that is almost entirely based on toilet humor of the fourth grade reading level, you may be surprised that there is some sage wisdom to be found in the saga of Captain Underpants. ‐ Los Angeles Times
Read More | Posted Jun 1, 2017
85% Band Aid (2017) A charming and profoundly affecting film that dives into the messy business of creation.‐ Los Angeles Times
Read More | Posted Jun 1, 2017
3.5/4 92% Wonder Woman (2017) Witnessing such feminine power is mind-boggling and awe-inspiring, but wistful, too. It's a shame that such instances are so rare to be exceptional.‐ Tribune News Service
Read More | Posted May 30, 2017
62% Buena Vista Social Club: Adios (2017) Despite any shackles, social or otherwise, music will always serve as a mode of liberation, an expression of love, and Buena Vista Social Club: Adios passionately asserts that idea.‐ Los Angeles Times
Read More | Posted May 26, 2017
29% Pirates of the Caribbean: Dead Men Tell No Tales (2017) There are no new treasures to be found in this installment, which is dragged down by the anchor of a prescribed franchise blueprint.‐ Los Angeles Times
Read More | Posted May 26, 2017
1.5/4 19% Baywatch (2017) This bombastic reboot, directed incompetently by Seth Gordon, is held together with nothing more than hopes, dreams and neoprene, and inevitably, all of those systems fail. ‐ Tribune News Service
Read More | Posted May 23, 2017
86% Sacred (2017) Abstract, yet moving... The film articulates a concept of universal humanity. No matter the religion or circumstances, we all have the same desires for peace and connection throughout life.‐ Los Angeles Times
Read More | Posted May 22, 2017
33% The Last Shaman (2017) a fascinating and sometimes terrifying introduction to ayahuasca.‐ Los Angeles Times
Read More | Posted May 22, 2017
20% Diary Of A Wimpy Kid: The Long Haul (2017) A dirge of unfunny scatological material, techno-anxiety and child endangerment masquerading as familial bonding. ‐ Los Angeles Times
Read More | Posted May 22, 2017
97% The Survivalist (2017) eerie and masterful ... as riveting as it is morally confounding.‐ Los Angeles Times
Read More | Posted May 22, 2017
48% Everything, Everything (2017) Stenberg's relaxed charisma carries what is a rather preposterous premise... Aside from its leading lady, what "Everything, Everything" has going for it is its light, fantastical aesthetic and unexpected sense of buoyancy. ‐ Los Angeles Times
Read More | Posted May 22, 2017
3.5/5 71% Alien: Covenant (2017) This desire for procreation and preservation of the self - human, alien or artificial - is what motivates every being in the Alien universe, and in Covenant, Scott sets up a thrilling thunderdome in which we can watch this bloody battle unfold.‐ Winnipeg Free Press
Read More | Posted May 19, 2017
3/4 71% Alien: Covenant (2017) "Covenant" rips through plot points and action set pieces with the speed of a xenomorph ripping through flesh. The story is a whirlwind smash-and-grab.‐ Tribune News Service
Read More | Posted May 16, 2017
1/4 20% Diary Of A Wimpy Kid: The Long Haul (2017) A dirge of unfunny scatological material, techno-anxiety and child endangerment masquerading as familial bonding. ‐ Tribune News Service
Read More | Posted May 16, 2017
86% The Lovers (2017) A cautionary tale that never passes judgment, an exploration of the way that love can be a many-splendored thing, with many people, some of them twice.‐ Tribune News Service
Read More | Posted May 11, 2017
2.5/4 50% The Dinner (2017) Although Moverman's cinematic style can be physically uncomfortable to experience, it's impossible to turn away from the quartet of incredible performances. ‐ Tribune News Service
Read More | Posted May 11, 2017
15% The Circle (2017) Floats many intriguing ideas, then lets them drop with a thud. ‐ Tribune News Service
Read More | Posted May 11, 2017
55% Lowriders (2017) Excels in its depiction of the Los Angeles of 2017... a fascinating cultural exposure, but lacks a truly impactful story. ‐ Tribune News Service
Read More | Posted May 11, 2017
48% Paris Can Wait (Bonjour Anne) (2017) Coppola deftly shifts the focus to the woman behind the great man and asks who she is, how she understands the world, what she cares about. It's fully her story and a rare perspective‐ Los Angeles Times
Read More | Posted May 11, 2017
1/4 35% Snatched (2017) Feels like a rough sketch of a movie rather than a fleshed-out joke-dense script. ‐ Tribune News Service
Read More | Posted May 11, 2017
2/4 28% King Arthur: Legend Of The Sword (2017) Unlike any other medieval warfare and sorcery movie ever committed to film, but that doesn't necessarily mean it's good. This King Arthur superhero origin story is strange, invigorating, often outright bad, confusing, and totally wild.‐ Tribune News Service
Read More | Posted May 11, 2017
86% Tomorrow Ever After (2017) Ultimately, Tomorrow Ever After, contains a hopeful message that somehow, the world just might end up a better place.‐ Los Angeles Times
Read More | Posted May 9, 2017