Peter Travers Movie Reviews & Previews - Rotten Tomatoes

Peter Travers

Peter Travers
Peter Travers's reviews (from any publication) always count toward the Tomatometer because this critic is a Tomatometer-approved critic.

Movie Reviews Only

Rating T-Meter Title | Year Review
1/4 32% Fist Fight (2017) Day's the runt, Cube is the bully, and for a punishing 91 minutes of rank idiocy we wait in vain for something funny to happen. ‐ Rolling Stone
Read More | Posted Feb 17, 2017
1.5/4 35% The Great Wall (2017) What a bummer that all Chinese master Zhang Yimou and Hollywood star Matt Damon come up with is a B-level creature feature with delusions of grandeur. ‐ Rolling Stone
Read More | Posted Feb 17, 2017
3.5/4 84% A United Kingdom (2017) An interracial romance between a British clerk and African royalty highights a historical flashpoint and offers a primo acting showcase for Oyelowo and Pike. It's a defiant cry from the heart.‐ Rolling Stone
Read More | Posted Feb 9, 2017
0.5/4 9% Fifty Shades Darker (2017) Fifty Shades Dumber is more like it. The only conviction Johnson and Dornan bring to their roles comes in their mutual awkwardness. This softcore swill is hardcore awful.‐ Rolling Stone
Read More | Posted Feb 9, 2017
3/4 91% The Lego Batman Movie (2017) The Lego Batman Movie, animated with love and lunacy, is the funniest Caped Crusader movie ever.‐ Rolling Stone
Read More | Posted Feb 8, 2017
3.5/4 90% John Wick: Chapter 2 (2017) Chapter 2, with Keanu Reeves at his absolute best, is the real deal in action-movie fireworks - it's pure cinema, an adrenaline rocket of image and sound that explodes on contact. ‐ Rolling Stone
Read More | Posted Feb 7, 2017
0/4 7% Rings (2017) If crap movies carried penalties for inflicting torture on audiences, then Rings would merit a death sentence.‐ Rolling Stone
Read More | Posted Feb 4, 2017
3.5/4 98% I Am Not Your Negro (2017) This Oscar-nominated portrait of James Baldwin uses the author's words to bridge the civil-rights past with our racially incendiary present. It's unmissable and unforgettable.‐ Rolling Stone
Read More | Posted Feb 2, 2017
1.5/4 34% A Dog's Purpose (2017) A manipulative script about dog reincarnation that whacks your emotions like a piñata - that's forgivable. But no mercy for a film charged with canine abuse behind the scenes. It shouldn't happen to a dog. ‐ Rolling Stone
Read More | Posted Jan 27, 2017
3.5/4 98% The Salesman (Forushande) (2017) Fresh off its Oscar nomination for Best Foreign-Language film, Asghar Farhadi's The Salesman is a dazzling, darkly funny, quietly devastating human drama from Iran. You are in the hands of a major film artist. ‐ Rolling Stone
Read More | Posted Jan 27, 2017
2.5/4 41% Gold (2017) McConaughey deep dives into his role as a mad-dog prospector like a starving man sitting down to a feast. As a movie, Gold is slim pickings. But McConaughey keeps you riveted.‐ Rolling Stone
Read More | Posted Jan 27, 2017
1/4 43% xXx: Return of Xander Cage (2017) Action-movie franchise returns with more extreme-sports stunts, lunk-headed espionage and Vin Diesel selling stupid to audiences who are inexplicably eager to gobble it up. Damn shame. ‐ Rolling Stone
Read More | Posted Jan 20, 2017
3/4 75% Split (2017) M. Night Shyamalan's story of a kidnapper with serious identity issues is an acting showcase for James McAvoy - and first-rate creepfest.‐ Rolling Stone
Read More | Posted Jan 19, 2017
3.5/4 82% The Founder (2017) How is Michael Keaton's performance as McDonald's self-proclaimed founder Ray Kroc? I gotta say, I'm lovin' it. Keaton makes this electrifying take on the godfather of fast-food resonate for the scary here and now.‐ Rolling Stone
Read More | Posted Jan 19, 2017
3.5/4 100% Things to Come (L'avenir) (2016) Following her triumph in Elle, French screen legend Isabelle Huppert scores another bullseye with this delicate tale of philosophy professor starting over‐ Rolling Stone
Read More | Posted Jan 13, 2017
1/4 33% Monster Trucks (2017) Monster Trucks is a wreck, fueled by the crazy belief that noise and repetition can disguise the lack of credible writing, directing, acting and FX.‐ Rolling Stone
Read More | Posted Jan 13, 2017
3.5/4 93% I, Daniel Blake (2016) This new Ken Loach landmark sums up everything that has kept his muckraking motor running for decades. An old-school social realist, the 80-year-old filmmaker again speaks up for the exploited lower classes,‐ Rolling Stone
Read More | Posted Jan 6, 2017
0.5/4 17% Underworld: Blood Wars (2017) Like the four franchise fillers that preceded it, Underworld: Blood Wars is undoubtedly impervious to bad reviews. What it needs is a stake through the heart. ‐ Rolling Stone
Read More | Posted Jan 6, 2017
3.5/4 89% 20th Century Women (2017) A simply glorious Annette Bening (the Academy needs to that Best Actress nomination happen) leads a stellar cast in Mike Mills' semiautobiographical story about a bohemian women raising a teen in the age of 1970's feminism and punk rock.‐ Rolling Stone
Read More | Posted Dec 28, 2016
3/4 35% Live By Night (2017) The feeling persists that the material would have cut deeper as a miniseries. Still, Affleck shines as a director of actors and action. The man knows how to create a haunting gangster noir worth getting lost in. ‐ Rolling Stone
Read More | Posted Dec 28, 2016
3.5/4 93% Toni Erdmann (2016) If you're looking for the best and most beguiling foreign-language film of the year, you'll find it in Maren Ade's German father-daughter story that will leave you laughing and choking back tears, often simultaneously. ‐ Rolling Stone
Read More | Posted Dec 28, 2016
3.5/4 92% Hidden Figures (2017) This untold story of African-American females who helped NASA conquer the cosmos features three incredible performances. Corny at times, sure, but you'll still want to stand up and cheer.‐ Rolling Stone
Read More | Posted Dec 28, 2016
3.5/4 96% Paterson (2016) Adam Driver gives his loveliest, most lyrical performance in this Jim Jarmusch film-one of the year's best-that takes its good, sweet time working its way into your mind and heart. But when it does, you're a goner.‐ Rolling Stone
Read More | Posted Dec 28, 2016
2.5/4 73% Sing (2016) Sing doesn't have the grit or the grace notes of Zootopia.. No potent metaphors here about predators and victims - the film slides by simply by shaking its sillies out. You could do worse.‐ Rolling Stone
Read More | Posted Dec 21, 2016
2.5/4 18% Assassin's Creed (2016) So what if philosophical depths are out of the film's reach, there's a seed of ambition in this one that suggests the transfer of a video game to the screen doesn't always have to be a suicide mission. And that's something.‐ Rolling Stone
Read More | Posted Dec 21, 2016
3.5/4 87% A Monster Calls (2017) Evocative, mysterious and shot through with bruising humor and heartbreak, A Monster Calls-with a deeply-felt performance from Felicity Jones- gets you where you live. There's real magic in it. ‐ Rolling Stone
Read More | Posted Dec 21, 2016
3/4 84% Julieta (2016) Almodóvar's admiration for the Alice Munro short stories he is adapting is not misplaced. Despite rough patches, Julieta morphs into a haunting and hypnotic tribute to both their talents. ‐ Rolling Stone
Read More | Posted Dec 21, 2016
3/4 80% Patriots Day (2017) Berg's unquestioning faith in law and order could have used, well, a little questioning. But this is a a raw, riveting, emotionally wrenching docudrama from Peter Berg and producer-star Mark Wahlberg. ‐ Rolling Stone
Read More | Posted Dec 21, 2016
1.5/4 31% Passengers (2016) The spectacle feels lifeless and what could have been a challenging moral provocation dissolves into sappy, feel-good pandering. Lawrence and Pratt deserve better. So do audiences. ‐ Rolling Stone
Read More | Posted Dec 21, 2016
3.5/4 84% Silence (2017) No one with a genuine belief in the possibilities and mysteries of cinema would think of missing Silence. It's essential filmmaking from the church of Scorsese, a modern master who lives and breathes in the images he puts on screen.‐ Rolling Stone
Read More | Posted Dec 21, 2016
0/4 12% Collateral Beauty (2016) It's near impossible to make a movie with no redeeming features - but this tearjerker hits the zero-stars jackpot, taking an all-star cast on a journey from absurd to zombified with frequent stops at pretentious.‐ Rolling Stone
Read More | Posted Dec 15, 2016
3.5/4 93% Fences (2016) In bringing August Wilson to the screen for the first time, director-star Washington does the playwright proud by refusing to slice Fences into small pieces and serve it to short attention spans‐ Rolling Stone
Read More | Posted Dec 15, 2016
3.5/4 85% Rogue One: A Star Wars Story (2016) This spin-off/prequel has the same primitive, lived-in, emotional, loopy, let's-put-on-a-show spirit that made us fall in love with the original trilogy.‐ Rolling Stone
Read More | Posted Dec 13, 2016
1/4 42% Office Christmas Party (2016) Talk about holiday buzzkill. This pooped party brings you down from all the jokes that don't land and the flop sweat pouring off good actors whose forced cheer is exhausting. ‐ Rolling Stone
Read More | Posted Dec 8, 2016
3.5/4 85% Harry Benson: Shoot First (2016) Iconic shutterbug Benson is captured in all his funny, feisty, gritty and graceful complexity in this spellbinder of a doc from Justin Bare and Matthew Miele with images that take the breath away.‐ Rolling Stone
Read More | Posted Dec 7, 2016
3.5/4 94% Best Worst Thing That Ever Could Have Happened... (2016) The story of a legendary, rare theatrical failure from Stephen Sondheim and Hal Prince doubles as an inspiring tale of ambition, youth and why we make art‐ Rolling Stone
Read More | Posted Dec 6, 2016
4/4 93% La La Land (2016) La La does nothing less than jolt the movie musical to life for the 21st century. You leave exhilarated by Damien Chazelle's nonstop inventiveness, dazzled by Emma Stone and Ryan Gosling, and thrilled how they made movies magic again.‐ Rolling Stone
Read More | Posted Dec 6, 2016
2/4 25% The Comedian (2017) De Niro gives it his all, but The Comedian is down for the count. It plays like an opportunity missed.‐ Rolling Stone
Read More | Posted Dec 1, 2016
3.5/4 89% Jackie (2016) A potent cinematic provocation. Powered by a transfixing Portman as Jackie, Larrain's film - one of the year's best - is appropriately hard to pin down and impossible to forget.‐ Rolling Stone
Read More | Posted Dec 1, 2016
2.5/4 55% Rules Don't Apply (2016) Warren Beatty plays Howard Hughes with seductive charm, sneaky intelligence and buggy eccentricity. Sadly, Beatty as writer and director has chosen to make Hughes a supporting role, teasing a much deeper portrait..‐ Rolling Stone
Read More | Posted Nov 25, 2016
3/4 70% Miss Sloane (2016) Chastain draws us in, making us see what her lobbyist character keeps inside by the sheer force of her fireball performance. ‐ Rolling Stone
Read More | Posted Nov 25, 2016
3/4 85% Lion (2016) Kudos to Kidman, whose unglam, unguarded take on the role is emotionally powerful and true; her scenes with Patel provide just the right blend of grit and grace. Lion is one from the heart. ‐ Rolling Stone
Read More | Posted Nov 25, 2016
2/4 61% Allied (2016) What a handsome empty shell of a movie Allied is. Despite the star power of Brad Pitt and Marion Cotillard, their scenes together fail to ignite even a glimmer of a spark. ‐ Rolling Stone
Read More | Posted Nov 25, 2016
3.5/4 95% Moana (2016) Story of Pacific Islander girl on a quest benefits from Dwayne Johnson's comic timing and a Lin-Manuel Miranda soundtrack‐ Rolling Stone
Read More | Posted Nov 25, 2016
4/4 96% Manchester by the Sea (2016) No film this year has moved me more with its humor, heart and humanity. Engrave the name Casey Affleck on the Oscar for Best Actor right now, so extraordinary and engulfing is his performance. ‐ Rolling Stone
Read More | Posted Nov 17, 2016
3.5/4 73% Nocturnal Animals (2016) Tom Ford hits it out of the park with a stunning film noir that resonates with ghostly, poetic terror. Don't overthink what Ford has so cunningly crafted. Surrender to it. ‐ Rolling Stone
Read More | Posted Nov 17, 2016
4/5 73% Fantastic Beasts and Where to Find Them (2016) Fantastic Beasts and Where To Find Them... is best at capturing a world out of balance and an unease that's as timely as today's tweets. ‐ Rolling Stone
Read More | Posted Nov 16, 2016
2.5/4 45% Billy Lynn's Long Halftime Walk (2016) Ang Lee's technical artistry is indisputable, but his experiment with visual hyperclarity comes off as artificial when we most need it to be natural, organic and whisper-close.‐ Rolling Stone
Read More | Posted Nov 11, 2016
3.5/4 89% Elle (2016) Verhoeven creates a bonfire of a movie that scrutinizes and satirizes the unholy alliance between sex and violence. You can't take your eyes off the fearless Isabelle Huppert.‐ Rolling Stone
Read More | Posted Nov 11, 2016
3.5/4 94% Arrival (2016) Amy Adams is a miracle worker-she makes us believe in this mesmerizing mindbender about alien communication, directed with searching mind and heart by Denis Villeneuve.‐ Rolling Stone
Read More | Posted Nov 11, 2016