Rex Reed Movie Reviews & Previews - Rotten Tomatoes

Rex Reed

Rex Reed
Rex Reed's reviews (from any publication) always count toward the Tomatometer because this critic is a Tomatometer-approved critic.

Movie Reviews Only

Rating T-Meter Title | Year Review
3/4 88% Obit (2017) Do something memorable, and do it fast. Obit implies that the obituary page, like everything else, is fast becoming a dying art.‐ New York Observer
Read More | Posted Apr 26, 2017
2.5/4 90% Norman (Norman: The Moderate Rise and Tragic Fall of a New York Fixer) (2017) Mr. Gere saves the day, investing Norman with sad, quirky mannerisms and a variety of desperate character revelations that make him tragic and lovable at the same time.‐ New York Observer
Read More | Posted Apr 20, 2017
3/4 89% The Lost City of Z (2017) A throwback to the good old days when adventure movies had riveting performances, gorgeous camerawork and the ability to tell stories that made sense, The Lost City of Z holds attention and keeps you fascinated.‐ New York Observer
Read More | Posted Apr 20, 2017
2/4 64% Gifted (2017) A formulaic and manipulative tearjerker that is really nothing more than a woman's picture from a man's point of view.‐ New York Observer
Read More | Posted Apr 12, 2017
4/4 86% Their Finest (2017) I was enchanted and overwhelmed by it and my prediction is that, if you care about filmmaking, you will be, too.‐ New York Observer
Read More | Posted Apr 7, 2017
0/4 79% Colossal (2017) I'd like to tell you how rabid, illogical, far-fetched and stupid Colossal is, but words fail me at last.‐ New York Observer
Read More | Posted Apr 7, 2017
2/4 62% Carrie Pilby (2017) What is the target audience for this particular brand of cotton candy? Teenage girls dreaming of first love while sipping cherry pop?‐ New York Observer
Read More | Posted Apr 5, 2017
3/4 58% The Zookeeper's Wife (2017) It doesn't burn through the conscience and haunt you forever like Schindler's List, but in spite of its laid-back reluctance to shock and horrify, it's never trivial or boring.‐ New York Observer
Read More | Posted Apr 5, 2017
0/4 73% The Blackcoat's Daughter (February) (2017) None of it makes one lick of sense and it quickly becomes clear that Mr. Perkins couldn't care less.‐ New York Observer
Read More | Posted Apr 5, 2017
1/4 0% All Nighter (2017) Despite J.K. Simmons' gruff charm and inarguable charisma, the movie is so slight it vanishes without a trace faster than the dislocated Ginnie.‐ New York Observer
Read More | Posted Mar 29, 2017
3/4 47% Bokeh (2017) Beautiful and challenging, Bokeh has a pristine look and chilling feel of its own that contributes enormously to the mood and tone of the whole film.‐ New York Observer
Read More | Posted Mar 29, 2017
3/4 68% Life (2017) If your craving for monsters from Mars needs immediate attention, Life passes the time painlessly.‐ New York Observer
Read More | Posted Mar 23, 2017
0/4 45% Song to Song (2017) Another lethal boring and relentlessly inert load of self-indulgent twaddle cut from the same maddening bolt of existential cloth as the Texas-based writer-director's other pseudo box-office bombs ...‐ New York Observer
Read More | Posted Mar 21, 2017
1/4 49% The Belko Experiment (2017) The unsatisfying result of all the berserk paranoia is predictable.Talk about a take-no-prisoners plot.‐ New York Observer
Read More | Posted Mar 21, 2017
3/4 81% Mean Dreams (2017) Not a great film in the same vein as Badlands and Pretty Poison, but a very good one that is well worth seeing.‐ New York Observer
Read More | Posted Mar 20, 2017
3.5/4 73% The Sense Of An Ending (2017) An exemplary work about the way we select and file our memories, conveniently editing what we choose to forget.‐ New York Observer
Read More | Posted Mar 15, 2017
3/4 71% This Beautiful Fantastic (2017) A charming, beautifully photographed modern fairy tale about love and gardening, This Beautiful Fantastic is worth seeing in spite of its dumb deterrent of a title.‐ New York Observer
Read More | Posted Mar 15, 2017
2/4 33% The Last Word (2017) Totally unconvincing, contrived, and phony as one of those reducing creams that promise to eliminate varicose veins but only give you hives.‐ New York Observer
Read More | Posted Mar 8, 2017
1/4 92% Logan (2017) Another expensive throwaway aimed at milking money out of people who still read comic books. Color it stupid.‐ New York Observer
Read More | Posted Mar 8, 2017
1/4 33% Lavender (2017) Boring, derivative, and infuriatingly illogical, Lavender is a ghost story with no thrills, no surprises, and no sense.‐ New York Observer
Read More | Posted Mar 8, 2017
3/4 92% From Nowhere (2017) As a film, it's uneven and clumsy, but as a responsible political statement about the chaos we live in now, it's both enlightening and troubling.‐ New York Observer
Read More | Posted Feb 22, 2017
4/4 88% Land of Mine (Under Sandet) (2017) It's a harrowing, sensitively realized study of cruelty, revenge and post-war retribution that ranks high among films about the cost of war and its continuing damage to humanity.‐ New York Observer
Read More | Posted Feb 19, 2017
3/4 83% A United Kingdom (2017) Asante resorts to a few corny clichés (spinning newspaper headlines to denote time, place and issues of the day), but she has a charming way with the actors and her leads are truly irresistible.‐ New York Observer
Read More | Posted Feb 16, 2017
1/4 9% Fifty Shades Darker (2017) Has even the target audience for this junk finally had enough?‐ New York Observer
Read More | Posted Feb 13, 2017
2/4 45% Youth in Oregon (2017) The terrific cast is well worth watching, but everything else about this wayward movie mistake leaves you feeling just awful.‐ New York Observer
Read More | Posted Feb 8, 2017
3/4 60% Sophie and the Rising Sun (2017) Warm, heartfelt but decidedly wan.‐ New York Observer
Read More | Posted Feb 7, 2017
2/4 76% The Daughter (2017) The Daughter offers a good but sadly wasted cast, obscured in the eye-rubbing mist of a foggy Down Under countryside and struggling to rise above the sludge of a basic soap opera with literary pretensions.‐ New York Observer
Read More | Posted Feb 1, 2017
3/4 84% The Founder (2017) One of the must-see entertainments of the year.‐ New York Observer
Read More | Posted Jan 25, 2017
1/4 75% Split (2017) This is a filmmaker with almost no real talent for coherence, originality or purpose and in spite of his insistence on audience secrecy, his overly contrived plots are easy to figure out before the beginning of the second reel.‐ New York Observer
Read More | Posted Jan 25, 2017
2/4 57% Trespass Against Us (2017) The movie, lamely directed by first-timer Adam Smith, drifts from campground to fistfight, without much purpose or impact. The accents, thick as cold porridge, just drift.‐ New York Observer
Read More | Posted Jan 25, 2017
3/4 41% Alone in Berlin (2017) The splendid actors ... make up for the weaknesses with performances that radiate strength and integrity.‐ New York Observer
Read More | Posted Jan 18, 2017
2/4 40% 100 Streets (2017) The actors are fine, but the material doesn't give their talents much room to stretch.‐ New York Observer
Read More | Posted Jan 12, 2017
3/4 80% Patriots Day (2017) Patriots Day is the third Berg-Wahlberg collaboration and although it doesn't measure up to the chills and excitement of their first film, Lone Survivor, it does raise goose bumps with its accuracy, realism, and attention to detail.‐ New York Observer
Read More | Posted Dec 29, 2016
2/4 34% Live By Night (2017) The navy-blue cinematography of Boston is well lit, the Florida atmosphere looks like a commercial for Dade County orange juice, the actors all look like they are awaiting directions from Affleck by cell phone.‐ New York Observer
Read More | Posted Dec 22, 2016
4/4 93% Fences (2016) Fences is a labor of love and attention must be paid. You don't get writing or acting of this caliber every day, and in this particularly dreary year of second-rate everything, this movie is something special.‐ New York Observer
Read More | Posted Dec 20, 2016
3/4 93% La La Land (2016) The movie comes off as a well-intended tribute to the fabulous MGM musicals of the great Vincente Minnelli, made by people who have never seen one.‐ New York Observer
Read More | Posted Dec 15, 2016
1/4 66% Frank & Lola (2016) As an exercise in voyeurism, this is a movie that sleeps on its feet. Shannon is too good for this nonsense, and Poots has got to do something about that disastrous name.‐ New York Observer
Read More | Posted Dec 14, 2016
4/4 89% Jackie (2016) A carefully compiled dossier on the life of an ordinary woman in extraordinary times whose dignity and grace under pressure humbled the world at the time and influenced future generations without planning to.‐ New York Observer
Read More | Posted Dec 8, 2016
4/4 86% Lion (2016) See it and I promise your own heart will skip a beat with happiness and joy.‐ New York Observer
Read More | Posted Nov 30, 2016
4/4 61% Allied (2016) If you love classic movies and their potential to sweep you up into a world outside of your own experience, this one will rock your world.‐ New York Observer
Read More | Posted Nov 22, 2016
4/4 96% Manchester by the Sea (2016) An exemplary film of such exceptional wisdom, beauty, clarity, sensitivity and emotional depth that I had to rub my eyes to believe it.‐ New York Observer
Read More | Posted Nov 17, 2016
2/4 73% Nocturnal Animals (2016) Ford never finds the proper way to blend the complex narratives into a coherent and cohesive structure.‐ New York Observer
Read More | Posted Nov 16, 2016
0/4 6% Shut In (2016) There isn't one genuine thrill in the whole thing. I've had bigger scares from my goldfish bowl.‐ New York Observer
Read More | Posted Nov 16, 2016
1/4 94% Arrival (2016) Arrival is a weird flick, slow and tedious, too metaphysical for Rod Serling's The Twilight Zone and most likely to appeal to people who like to play video games and solve puzzles.‐ New York Observer
Read More | Posted Nov 9, 2016
3/4 90% Elle (2016) It's too twisted and implausible to be everybody's cup of tea, but it keeps you glued to the screen from beginning to end.‐ New York Observer
Read More | Posted Nov 9, 2016
3/4 9% USS Indianapolis: Men of Courage (2016) As a dramatic postscript to the factors that led to Japanese surrender, its power and importance are undeniable.‐ New York Observer
Read More | Posted Nov 9, 2016
1/4 90% Doctor Strange (2016) None of it makes any sense, but logic is the last thing any of the minds attracted to this kind of junk want or expect.‐ New York Observer
Read More | Posted Nov 2, 2016
4/4 87% Hacksaw Ridge (2016) It is violent, harrowing, heartbreaking and unforgettable. And yes, it was directed by Mel Gibson. He deserves a medal, too.‐ New York Observer
Read More | Posted Nov 2, 2016
3/4 71% Bleed For This (2016) It's so well made that Bleed for This won me over despite my aversion to timeworn sports pictures that tell basically the same story.‐ New York Observer
Read More | Posted Nov 2, 2016
3/4 80% By Sidney Lumet (2016) A fascinating exploration of how a great mind worked by allowing the quality of his scripts to determine the style of each film-including not only the inner life but the camera, the clothes, the entire visual approach.‐ New York Observer
Read More | Posted Oct 27, 2016