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Todd Jorgenson

Tomatometer-approved critic
Official Website:

http://www.dentonrc.com/entertainment

Reviews

Movies TV Shows
Project Hail Mary (2026) 95% EDIT “Ryan Gosling’s fully committed performance galvanizes this science-fiction adventure, a throwback crowd-pleaser with humor and heart.” – Cinemalogue Mar 20, 2026 Full Review Tow (2025) 81% EDIT “... a compassionate true-life drama of blue-collar resilience against corporate greed and bureaucratic injustice that tugs at the heartstrings without turning heavy-handed.” – Cinemalogue Mar 20, 2026 Full Review The Well (2025) 41% EDIT “Depicting a near-future world where fresh water is a dwindling resource, the story runs dry in this bleak dystopian eco-drama, in which the lumbering pace yields muted emotional stakes.” – Cinemalogue Mar 20, 2026 Full Review Ready or Not 2: Here I Come (2026) 76% EDIT “Noteworthy more for its carnage than its cleverness, this follow-up lacks the freshness of its predecessor while falling into typical sequel trappings.” – Cinemalogue Mar 20, 2026 Full Review Miroirs No. 3 (2025) 94% EDIT “A slight yet haunting tale of grief and parental instincts, this character-driven German chamber drama builds a steady sense of intrigue around its strained family dynamics. ” – Cinemalogue Mar 20, 2026 Full Review Late Shift (2025) 96% EDIT “Despite some heavy-handed emotional swings down the stretch, the film mostly sidesteps contrivances in favor of intimate and unvarnished authenticity, galvanized by an expressive portrayal by Benesch.” – Cinemalogue Mar 20, 2026 Full Review Reminders of Him (2026) 56% EDIT “Straining for laughs and tears, it unfolds predictably without providing the same catharsis to audiences as it does for its characters.” – Cinemalogue Mar 14, 2026 Full Review undertone (2025) 72% EDIT “Technical achievement outweighs narrative proficiency in this unsettling yet hollow supernatural thriller, which amounts to an impressive experiment in sound design supporting a generic script.” – Cinemalogue Mar 14, 2026 Full Review Storm Rider: Legend of Hammerhead (2026) 45% EDIT “The ambition exceeds the grasp of this derivative thriller that borrows so liberally from other dystopian science-fiction sagas that you’d think it was a lampoon if it didn’t take itself so seriously.” – Cinemalogue Mar 14, 2026 Full Review Slanted (2025) 68% EDIT “Although it turns heavy-handed down the stretch, this sharply observed coming-of-age satire is a clever genre hybrid examining the immigrant experience with fresh relevance.” – Cinemalogue Mar 14, 2026 Full Review Saipan (2025) 93% EDIT “It might not provide much new insight for fans, but this retelling of the 2002 scandal that rocked the Irish national soccer team makes for a breezy and compelling time capsule.” – Cinemalogue Mar 14, 2026 Full Review Psycho Killer (2026) 10% EDIT “More concerned with amplifying serial-killer tropes than generating consistent suspense, this lurid cat-and-mouse thriller is dead on arrival.” – Cinemalogue Mar 8, 2026 Full Review Redux Redux (2025) 97% EDIT “The time-loop gimmick adds a layer of intrigue rather than frustration in this clever science-fiction thriller that keeps the pace lively to sustain its modest premise without turning overly convoluted.” – Cinemalogue Mar 8, 2026 Full Review THE BRIDE! (2026) 57% EDIT “Despite showcasing style and attitude to spare, the film doesn’t translate its bold vision into coherent execution. It's less than the sum of its stitched-together parts.” – Cinemalogue Mar 6, 2026 Full Review War Machine (2026) 69% EDIT “This testosterone-fueled throwback sci-fi action saga emphasizes brawn over brains while failing to cover any meaningful new territory.” – Cinemalogue Mar 6, 2026 Full Review Youngblood (2025) 71% EDIT “The game sequences are directed with gritty authenticity, although the script’s heartfelt intentions are compromised by final-act predictability.” – Cinemalogue Mar 6, 2026 Full Review Heel (The Good Boy) (2025) 86% EDIT “It’s intriguing to watch the scenario play out within its claustrophobic confines, although the film struggles to articulate what it all means or why we should care.” – Cinemalogue Mar 6, 2026 Full Review Protector (2025) 19% EDIT “Pretending to be a gritty examination of the horrors of human trafficking, this lackluster crime thriller instead just uses that backdrop for some assembly-line vigilante justice.” – Cinemalogue Mar 6, 2026 Full Review Pompei: Below the Clouds (2025) 97% EDIT “... alternates between comforting and unsettling as the deliberate pace yields a poetic, often powerful cumulative impact.” – Cinemalogue Mar 6, 2026 Full Review Dolly (2025) 62% EDIT “Many scenes are elongated to maximize the carnage without providing any suspense, psychological depth, or meaningful subtext. It’s just relentless brutality to satiate genre devotees.” – Cinemalogue Mar 6, 2026 Full Review André Is an Idiot (2025) 96% EDIT “... strikes a delicate emotional balance, both for Andre and for moviegoers, that makes it a powerful portrait.” – Cinemalogue Mar 6, 2026 Full Review In Cold Light (2025) 54% EDIT “Despite some stylish visual flourishes, the material offers more talk than action without anything new to say.” – Cinemalogue Mar 6, 2026 Full Review Undercard (2025) 47% EDIT “Strong performances fight against a pedestrian script in the latest underdog saga using boxing as a vehicle for redemption and reconciliation.” – Cinemalogue Feb 27, 2026 Full Review Operation Taco Gary's (2024) 60% EDIT “While you can admire its go-for-broke irreverence and even its goofy offbeat charms, this sketchy and sophomoric road-trip saga can’t sustain its comic momentum at feature length.” – Cinemalogue Feb 27, 2026 Full Review The Napa Boys (2025) 57% EDIT “Perhaps some heavy wine drinking would increase the enjoyment level of this loose collection of sophomoric gags that feels like one rambling inside joke. Some moviegoers might get it; others will find it excruciating.” – Cinemalogue Feb 27, 2026 Full Review
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