Amil Niazi
Amil Niazi's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Book Club: The Next Chapter (2023)
46%
EDIT
“The best thing about Book Club: The Next Chapter is just seeing these remarkable actresses do what they do best. I hope Hollywood can make better use of them in the future.” –
Globe and Mail
May 8, 2023
Full Review
I Like Movies (2022)
98%
EDIT
“Levack has done a remarkable job with her feature-film debut, playing with tropes that have time-honoured traditions but are always in need of a refresh.” –
Globe and Mail
Mar 6, 2023
Full Review
Jesus Revolution (2023)
54%
EDIT
“It’s easy to be dismissive of the moviemaking, in what often feels like a church production of Hair. Other times it felt like watching an infomercial hawking something that already has billions of people buying what they’re selling.” –
Globe and Mail
Feb 22, 2023
Full Review
Close (2022)
91%
EDIT
“It’s clear from the beauty and rawness of Close that we’re long overdue for something exploring the closeness between young men.” –
Globe and Mail
Feb 2, 2023
Full Review
Rosie (2022)
93%
EDIT
“While quite a few films have grappled with this idea, few recent ones have done so with as much heart or charm as this one by Canadian writer-director Gail Maurice.” –
Globe and Mail
Nov 10, 2022
Full Review
Eternal Spring (2022)
79%
EDIT
“A thrilling, all-consuming film that challenges traditional documentary tropes and finds a way to tell a winding, difficult story with brilliant ease.” –
Globe and Mail
Sep 21, 2022
Full Review
Don't Worry Darling (2022)
38%
EDIT
“A richly shot but ultimately one-dimensional portrait of toxic masculinity, which never quite gets where it thinks it’s going.” –
Globe and Mail
Sep 21, 2022
Full Review
The Good Boss (2021)
92%
EDIT
“Bardem gives the kind of stately, anchoring performance that can just about make up for any shortcomings the film might otherwise face.” –
Globe and Mail
Aug 24, 2022
Full Review
The Territory (2022)
97%
EDIT
“A stunningly intimate look at the stakes surrounding this conflict, shot over three years with remarkable clarity and beauty by Pritz and Tangãi Uru-eu-wau-wau, a member of the tribe.” –
Globe and Mail
Aug 17, 2022
Full Review
Happening (2021)
99%
EDIT
“Poignant, pressing and important.” –
Globe and Mail
May 12, 2022
Full Review
Peace by Chocolate (2021)
86%
EDIT
“Although the film has a lot of charm and heartfelt, charismatic performances by Camacho and Ali (in one of his last roles), it’s not quite enough to overcome the slow-moving plot.” –
Globe and Mail
May 5, 2022
Full Review
¡Viva Maestro! (2022)
100%
EDIT
“It takes you on an emotional, uplifting journey across many countries and through civil unrest, with music ultimately winning out over dark forces that would otherwise challenge and limit free expression and art.” –
Globe and Mail
Apr 13, 2022
Full Review
Nitram (2021)
92%
EDIT
“It is the kind of work that presses on a nerve, begging you to stand up or tune out, but compelling you forward nonetheless – with its haunting portrayal of our all too boring capacity for inflicting pain.” –
Globe and Mail
Apr 13, 2022
Full Review
Kate (2021)
45%
EDIT
“Delivers just enough violence and panache to qualify for a late-night Netflix viewing.” –
Globe and Mail
Sep 10, 2021
Full Review
He's All That (2021)
29%
EDIT
“Rae and Buchanan never quite manage to create the kind of frisson needed to carry us, hopelessly enthralled, into the third act.” –
Globe and Mail
Aug 27, 2021
Full Review
The Corruption of Divine Providence (2020)
EDIT
“Ultimately the writer and director is trying to do too much within the confines of the film's 90 minutes and may have been better served simplifying the message.” –
Globe and Mail
May 21, 2021
Full Review
Drifting Snow (2021)
80%
EDIT
“Drifting Snow is almost a tribute to what the past year has been for so many of us, fumbling our way toward something less lonely and waiting for the snow to pass.” –
Globe and Mail
May 13, 2021
Full Review
Street Gang: How We Got to Sesame Street (2021)
95%
EDIT
“Street Gang highlights the enormity of what can be accomplished when many different sectors and interests come together with the success and well-being of children as their focus.” –
Globe and Mail
May 6, 2021
Full Review
Sugar Daddy (2020)
100%
EDIT
“Sugar Daddy will be gripping viewing for anyone who wonders what it takes to make it - and whether it's all worth it in the end.” –
Globe and Mail
Apr 8, 2021
Full Review
Invisible Life (2019)
94%
3/4
EDIT
“Through a richly layered lens of myth-building and melodrama, Ainouz manages to capture the heartbreak, solitude and resilience of women on the verge.” –
Globe and Mail
Dec 19, 2019
Full Review
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