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Ángel Luis Inurria
Ángel Luis Inurria's reviews only count toward the Tomatometer® when published at the following Tomatometer-approved publication(s):
El Pais (Spain)
Movies reviews only
| Rating | T-Meter | Title | Year | Review |
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The Easy Life (1962) |
Dino Risi offers a vital portrait. [Full Review in Spanish] - El Pais (Spain)
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| Posted Sep 28, 2022
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Deadly Friend (1986) |
The closed ending is unconvincing and distorts the promising tone of the beginning. [Full Review in Spanish] - El Pais (Spain)
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| Posted Jun 24, 2020
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Two English Girls (1971) |
This is one of the films that most embodies Truffaut's obsessions, and it is a true exercise in style. [Full Review in Spanish] - El Pais (Spain)
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| Posted Jun 24, 2020
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Il Camorrista (1986) |
It manages to entertain even though it feels like we've seen this before. [Full Review in Spanish] - El Pais (Spain)
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| Posted Jun 24, 2020
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A Flame In My Heart (Une flamme dans mon coeur) (1989) |
The honest script universalizes in a woman physical love as a vital necessity. [Full Review in Spanish] - El Pais (Spain)
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| Posted Jun 22, 2020
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A Prayer for the Dying (1987) |
Mickey Rourke's performance is key in buying the story, whose gestures and look are prolonged in his peculiar Irish intonation and accent. [Full Review in Spanish] - El Pais (Spain)
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| Posted Jun 22, 2020
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The Retaliator (1987) |
Despite its 90 minute run-time and the existence of multiple bursts of gunshots, the interest doesn't increase as the movie advances toward its predictable ending. [Full Review in Spanish] - El Pais (Spain)
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| Posted Jun 22, 2020
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Day of the Dead (1985) |
Less successful than its predecessors... Day of the Dead can work as an example of voyeuristic masochism. [Full Review in Spanish] - El Pais (Spain)
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| Posted Jun 17, 2020
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(undefined) |
The love story of Claudia and Cornelio is as gratuitous as it is absurd. [Full Review in Spanish] - El Pais (Spain)
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| Posted Jun 17, 2020
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The Last Emperor (1987) |
Brilliant and intimate. [Full Review in Spanish] - El Pais (Spain)
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| Posted Jun 17, 2020
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Masters of the Universe (1987) |
The movie, whose only contribution to the genre is its recreation of famous characters, goes by unnoticed in front of our eyes without even provoking outright rejection. [Full Review in Spanish] - El Pais (Spain)
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| Posted Jun 16, 2020
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Radio Days (1987) |
A light, complacent, and evocative comedy whose vision leaves us with a sweet aftertaste. [Full Review in Spanish] - El Pais (Spain)
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| Posted Jun 16, 2020
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Ishtar (1987) |
It seems too many people participated to save the unsalvageable. [Full Review in Spanish] - El Pais (Spain)
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| Posted Jun 16, 2020
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Jaws the Revenge (1987) |
Jaws: The Revenge epitomizes the obstinate insistence of American cinema to continue exploiting its past commercial hits. [Full Review in Spanish] - El Pais (Spain)
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| Posted Jun 16, 2020
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Innerspace (1987) |
It's entertaining and pleasing. [Full Review in Spanish] - El Pais (Spain)
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| Posted Jun 15, 2020
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Harry and the Hendersons (1987) |
The movie feels heavy and repetitive. [Full Review in Spanish] - El Pais (Spain)
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| Posted Jun 15, 2020
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The Boy Who Could Fly (1986) |
Its vision is light and full of personality. [Full Review in Spanish] - El Pais (Spain)
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| Posted Jun 05, 2020
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Miracles (1986) |
The actors are incapable of saving this nonsensical movie from drowning. [Full Review in Spanish] - El Pais (Spain)
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| Posted Jun 03, 2020
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The Princess Bride (1987) |
Its well-developed characters and situations take us back to the literary myths of the genre as well as the language of classic cinema. [Full Review in Spanish] - El Pais (Spain)
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| Posted Jun 03, 2020
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Nice Girls Don't Explode (1987) |
It's more interested in offering a sociological critique and an intellectual humor than immediate laughs. [Full Review in Spanish] - El Pais (Spain)
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| Posted Jun 03, 2020
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The Whistle Blower (1987) |
Michael Caine becomes the absolute protagonist of this story. [Full Review in Spanish] - El Pais (Spain)
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| Posted Apr 22, 2020
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The Gate (1987) |
The worst aspect is the scarcity of ideas. [Full Review in Spanish] - El Pais (Spain)
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| Posted Apr 22, 2020
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Stakeout (1987) |
The clever script has a mix of ingredients that include romance, male friendships, professional relationships, and chases. [Full Review in Spanish] - El Pais (Spain)
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| Posted Apr 22, 2020
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Jean de Florette (1986) |
Despite its aspects of humanity, the characters seem cold and distant, making one yearn for those that populated Renoir's rural universe. [Full Review in Spanish] - El Pais (Spain)
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| Posted Apr 22, 2020
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Roxanne (1987) |
It manages to entertain. [Full Review in Spanish] - El Pais (Spain)
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| Posted Apr 22, 2020
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Duet for One (1986) |
It establishes with greater clarity the sensibility and exquisite meticulousness of the filmmaker. [Full Review in Spanish] - El Pais (Spain)
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| Posted Apr 21, 2020
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The Shooting Party (1984) |
It features a solid script and performances... all of it framed in the notable technical tradition of British cinema. [Full Review in Spanish] - El Pais (Spain)
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| Posted Apr 21, 2020
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A Month in the Country (1987) |
A pleasant an enjoyable film, A Month in the Country gives the formal achievements of British cinema a certain spirituality, sensuality, and feeling. [Full Review in Spanish] - El Pais (Spain)
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| Posted Apr 21, 2020
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Baby Boom (1987) |
In addition to Diane Keaton's absolute presence, the film relies on the dialogue and cinematography to achieve its credibility. [Full Review in Spanish] - El Pais (Spain)
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| Posted Apr 21, 2020
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Manon of the Spring (1986) |
It makes a great mistake in its epilogue, accumulating and revealing surprises, giving it the feeling of a cheap melodrama. [Full Review in Spanish] - El Pais (Spain)
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| Posted Apr 21, 2020
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Personal Services (1987) |
In between emotion and laughter, and a dose of social criticism, Personal Services wanders aimlessly. [Full Review in Spanish] - El Pais (Spain)
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| Posted Apr 21, 2020
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The Kindred (1987) |
It's a minor movie with no large ambitions. It belongs to the category of movies that can entertain or not depending on an individual's inclinations. [Full Review in Spanish] - El Pais (Spain)
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| Posted Apr 21, 2020
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The Lost Boys (1987) |
It's not a fully realized product, but it brings new ideas, which, despite its limitations, is commendable. [Full Review in Spanish] - El Pais (Spain)
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| Posted Apr 20, 2020
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No Way Out (1987) |
The work of the cinematographer John Alcott, the actors, and the rhythm are qualities to appreciate in No Way Out. [Full Review in Spanish] - El Pais (Spain)
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| Posted Apr 10, 2020
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The Fourth Man (1983) |
Suggestive, provocative, and in a certain way disturbing. [Full Review in Spanish] - El Pais (Spain)
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| Posted Apr 09, 2020
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El Dorado (1987) |
Teo Escamilla's photography is always splendid and excellent. [Full Review in Spanish] - El Pais (Spain)
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| Posted Apr 09, 2020
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The Serpent and the Rainbow (1988) |
Between colorful folklore, romance, and political critique, the terrifying intrigue is at times interesting and at others surprising. [Full Review in Spanish] - El Pais (Spain)
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| Posted Apr 09, 2020
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Adventures in Babysitting (1987) |
It doesn't add anything to the genre and produces certain boredom. [Full Review in Spanish] - El Pais (Spain)
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| Posted Apr 07, 2020
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House II: The Second Story (1987) |
Between pastiche and parody, unable to find the right tone or rhythm... the result is a tremendously boring and bland film. [Full Review in Spanish] - El Pais (Spain)
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| Posted Apr 07, 2020
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Tin Men (1987) |
Despite having a lot of rich potential in its premise, it is closer to mediocrity. [Full Review in Spanish] - El Pais (Spain)
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| Posted Apr 07, 2020
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Overboard (1987) |
Overboard gives the impression of an all too familiar movie. [Full Review in Spanish] - El Pais (Spain)
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| Posted Apr 07, 2020
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Planes, Trains and Automobiles (1987) |
The movie falls into the trap of wimpy and bland sentimentality. [Full Review in Spanish] - El Pais (Spain)
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| Posted Apr 07, 2020
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Edge of the Axe (1988) |
A horror movie that is neither scary nor unsettling... it is as dumb as it is unsuccessful. [Full Review in Spanish] - El Pais (Spain)
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| Posted Apr 03, 2020
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The Belly of an Architect (1987) |
Presumptuous, cold, and distant. [Full Review in Spanish] - El Pais (Spain)
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| Posted Apr 03, 2020
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Bloodsport (1988) |
Bloodsport has zero cinematic merits and is an apology for violence. [Full Review in Spanish] - El Pais (Spain)
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| Posted Apr 03, 2020
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A Breed Apart (1984) |
This environmental and love adventure is directed with an uneven rhythm by Philippe Mora. [Full Review in Spanish] - El Pais (Spain)
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| Posted Apr 01, 2020
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Dirty Dancing (1987) |
Dirty Dancing is dull and charmless. The initial curiosity turns into disappointment and the only memorable aspect is the effort of the protagonist Jennifer Grey. [Full Review in Spanish] - El Pais (Spain)
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| Posted Apr 01, 2020
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Police Academy 5: Assignment Miami Beach (1988) |
The makers of this latest installment fail once again. [Full Review in Spanish] - El Pais (Spain)
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| Posted Mar 31, 2020
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Surrender (1987) |
A minor comedy with pleasant moments and seemingly original scenes. [Full Review in Spanish] - El Pais (Spain)
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| Posted Mar 31, 2020
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Benji the Hunted (1987) |
Joe Camp knows how to take advantage of the camera. [Full Review in Spanish] - El Pais (Spain)
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| Posted Mar 31, 2020
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