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Angelo Muredda

Angelo Muredda's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies TV Shows
Father Mother Sister Brother (2025) 81% 2.5/4 EDIT “Once you settle into Father Mother Sister Brother‘s relaxed groove and get accustomed to the variations on the theme, there’s an easygoing allure to Jarmusch’s associative approach, as there so often is.” – Film Freak Central Jan 22, 2026 Full Review Peter Hujar's Day (2025) 92% 3/4 EDIT “Celebrated New York portrait photographer Peter Hujar becomes the subject of a distinctive portrait himself in Ira Sachs’s Peter Hujar’s Day, a gentle, minor-key experiment in memorializing the everyday. ” – Film Freak Central Dec 17, 2025 Full Review After the Hunt (2025) 37% 2/4 EDIT “Guadagnino and Garrett’s characterization of these scholars’ work is pitiful.” – Film Freak Central Oct 22, 2025 Full Review The Furious (2025) 100% 2.5/4 EDIT “Like Miao’s performance, The Furious does precisely what it’s asked to do and nothing more; who could complain? ” – Film Freak Central Oct 17, 2025 Full Review The Ugly (2024) 53% 1.5/4 EDIT “The Ugly is thrown into a full-blown panic attack by the aesthetic challenge posed by something as simple as depicting its disabled characters moving through the world.” – Film Freak Central Oct 17, 2025 Full Review Miroirs No. 3 (2025) 94% 3/4 EDIT “Like the song Max is obsessed with, the film is creepy, but it keeps you dreaming.” – Film Freak Central Oct 14, 2025 Full Review Blue Moon (2025) 91% 3.5/4 EDIT “There’s a genuine thematic weight to the moments where Hart’s height disparity from the people he admires puts him at a remove.” – Film Freak Central Sep 29, 2025 Full Review The Smashing Machine (2025) 70% 2/4 EDIT “The problem is that outside of the acute depiction of opiate addiction and recovery and this amusingly incongruous portrait of a strong yet sensitive and soft-spoken man there’s too little here to justify the project.” – Film Freak Central Sep 18, 2025 Full Review The Testament of Ann Lee (2025) 88% 3/4 EDIT “The Testament of Ann Lee is a pleasantly odd text.” – Film Freak Central Sep 15, 2025 Full Review The Fence (2025) 70% 3/4 EDIT “Though such pronouncements seem a little overwritten for Denis, The Fence still bears her unmistakable signature in everything from its moody ambiance to its shambling structure” – Film Freak Central Sep 10, 2025 Full Review The Secret Agent (2025) 98% 3.5/4 EDIT “The Secret Agent’s pleasures are numerous.” – Film Freak Central Sep 5, 2025 Full Review The Phoenician Scheme (2025) 77% 3.5/4 EDIT “Part daddy-daughter road movie, part international espionage thriller,... The Phoenician Scheme is also, improbably, Anderson’s tribute to living humbly without abandoning one’s tastes or skill set.” – Film Freak Central Jun 13, 2025 Full Review Caught by the Tides (2024) 99% 3.5/4 EDIT “As confusing as this cross-stitching of characters and actors across decades and projects might sound, Caught by the Tides is an amiably free-floating experience.” – Film Freak Central May 19, 2025 Full Review A Complete Unknown (2024) 82% 2/4 EDIT “The film, before long, becomes yet another bit of pat Dylanography, praising the artist’s capacity for change and sighing at the spurned loved ones and collaborators he left behind in order to become himself.” – Film Freak Central Jan 7, 2025 Full Review Gladiator II (2024) 70% 1.5/4 EDIT “Thanks to the actors who play them, Lucius and Marcus are affable chaps, but you can’t imagine why anyone would follow either of them into the ring.” – Film Freak Central Nov 25, 2024 Full Review Megalopolis (2024) 46% 3/4 EDIT “Whether Megalopolis has the kind of critical afterlife its filmmaker clearly hopes it will, there’s a sweet quality to its hopefulness in the face of things trending down in every direction, and a gentleness to its commitment to the family...” – Film Freak Central Nov 11, 2024 Full Review A Different Man (2024) 93% 3.5/4 EDIT “If its last act feels a bit thinly sketched, the film is never dull, its productive busyness largely the result of Schimberg–and Edward–having so many complex problems to disentangle.” – Film Freak Central Oct 21, 2024 Full Review The Brutalist (2024) 93% 2.5/4 EDIT “An impressive project, with technical effort and scope more or less deserving of the comparisons...yet the film feels like the framing matter of an ambitious work of literary fiction–with the core of the text filled in somewhat dutifully after the fact.” – Film Freak Central Sep 24, 2024 Full Review The Room Next Door (2024) 80% 3/4 EDIT “Both actors slip into the type of roles you’d expect of them with ease.” – Film Freak Central Sep 24, 2024 Full Review Anora (2024) 93% 3.5/4 EDIT “What is clear, and what Baker is so good at capturing as a result of his evident respect for the work of sex workers.” – Film Freak Central Sep 24, 2024 Full Review The Shrouds (2024) 75% 3.5/4 EDIT “A weirdly moving and singular late work that’s pitched somewhere between the eroticism of Crash and the swooning romanticism of M. Butterfly and The Fly, but that is also distinctly its own thing–a tragicomic romance about sex, dying, and cinema...” – Film Freak Central Sep 24, 2024 Full Review Oh Canada (2024) 66% 3/4 EDIT “Still, one would be remiss to refuse another bitter pill from Schrader at this stage in his career, and by the end, Leonard’s self-retrospective is moving and illuminating because of rather in spite of the fact that he’s a scoundrel.” – Film Freak Central Sep 24, 2024 Full Review Emilia Pérez (2024) 71% 1/4 EDIT “This genre-defying crime melodrama musical nominally exists to be an actors’ showcase, even as it strands its cast with hackneyed characterizations and implausible reactions to improbable events that don’t develop so much as pile up.” – Film Freak Central Sep 24, 2024 Full Review Conclave (2024) 93% 2/4 EDIT “Conclave drops the ball in a series of clumsy late developments that turn the conclave into a referendum on the wider world outside the Cardinals' front door, with no real thematic development to justify it.” – Film Freak Central Sep 24, 2024 Full Review Occupied City (2023) 72% 3/4 EDIT “The deeper structural vulnerability to Occupied City is that for all its efforts to keep both yesterday and today alive and in dialogue, much of which is absorbing and successful, the contemporary it depicts already feels vacuum-sealed.” – Film Freak Central Apr 27, 2024 Full Review
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