Budd Wilkins
Budd Wilkins's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Scars of Dracula (1970)
67%
EDIT
“Roy Ward Baker’s Scars of Dracula marked a turning point in Hammer’s Dracula series.” –
Slant Magazine
Dec 19, 2025
Full Review
O.C. and Stiggs (1987)
57%
EDIT
“This is one of Robert Altman’s most doggedly intertextual films.” –
Slant Magazine
Dec 17, 2025
Full Review
Dust Devil (1992)
50%
EDIT
“Richard Stanley’s Dust Devil is a dark fable about souls in extremis who are half in love with easeful death.” –
Slant Magazine
Nov 6, 2025
Full Review
The Pied Piper (1985)
EDIT
“The Pied Piper is a pitch-black fairy tale of greed, corruption, duplicity, and betrayal.” –
Slant Magazine
Sep 24, 2025
Full Review
Frankenstein's Bloody Terror (1967)
EDIT
“The film eventually morphs into something of a monster rally.” –
Slant Magazine
Aug 25, 2025
Full Review
Danger: Diabolik (1968)
65%
EDIT
“The plot of the film is almost secondary to its fabulous set pieces.” –
Slant Magazine
Jul 30, 2025
Full Review
The Stuff (1985)
68%
EDIT
“Larry Cohen’s film is a barbed satire of 1980s consumer culture.” –
Slant Magazine
Jul 29, 2025
Full Review
The Glass Ceiling (1971)
EDIT
“The film is a stylish and sexy exemplar of the Euro-thriller.” –
Slant Magazine
May 26, 2025
Full Review
The Savage Eye (1960)
86%
EDIT
“The Savage Eye is a New Yorker’s vision of the City of Angels, unflattering and unforgiving. ” –
Slant Magazine
May 26, 2025
Full Review
Morgiana (1972)
EDIT
“Throughout Morgiana, Juraj Herz makes generous use of fisheye lenses, giving almost every scene an off-kilter, disorienting quality” –
Slant Magazine
May 26, 2025
Full Review
Butterfly Kiss (1995)
75%
EDIT
“The film is brutal and uncompromising.” –
Slant Magazine
May 26, 2025
Full Review
Up! (1976)
78%
EDIT
“Motorpsycho and Up! represent two very different tendencies within the Meyer filmography.” –
Slant Magazine
Apr 23, 2025
Full Review
Motorpsycho (1965)
80%
EDIT
“Motorpsycho and Up! represent two very different tendencies within the Meyer filmography.” –
Slant Magazine
Apr 23, 2025
Full Review
Don't Torture a Duckling (1972)
88%
EDIT
“Lucio Fulci’s 1972 film is a haunting examination of guilt, innocence, and repression.” –
Slant Magazine
Apr 21, 2025
Full Review
Supervixens (1975)
49%
EDIT
“Supervixens pushes past the absurd and straight into the realm of pure surrealism.” –
Slant Magazine
Apr 10, 2025
Full Review
Night Moves (1975)
78%
EDIT
“Arthur Penn’s Night Moves is one of the great revisionist noirs, taking its place alongside Robert Altman’s The Long Goodbye and Roman Polanski’s Chinatown. ” –
Slant Magazine
Mar 25, 2025
Full Review
The Mysterious Castle in the Carpathians (1981)
EDIT
“Beneath all the japery, there are some serious matters that are being sent up.” –
Slant Magazine
Mar 18, 2025
Full Review
The Golden Fern (1963)
EDIT
“Jiří Weiss’s film is a haunting fable about arrogance and infidelity.” –
Slant Magazine
Mar 13, 2025
Full Review
Performance (1970)
81%
EDIT
“The film remains a beguiling time capsule—sensual, cerebral, both ode to and threnody for a very specific time and place.” –
Slant Magazine
Mar 4, 2025
Full Review
Felidae (1994)
EDIT
“Gorgeous, gruesome, and slightly surreal, the German animated feature Felidae examines hefty sociopolitical issues through the lens of familiar genre tropes.” –
Slant Magazine
Feb 11, 2025
Full Review
Torso (1973)
60%
EDIT
“Torso is a top-shelf giallo that also clearly paved the way for the rise of the slasher film.” –
Slant Magazine
Sep 11, 2024
Full Review
Long Live Death (1971)
EDIT
“Fernando Arrabal’s Viva la Muerte embodies the surrealist desire to meld the real and the dreamlike in the filmmaker’s recollections of his youth during the Spanish Civil War.
” –
Slant Magazine
Sep 4, 2024
Full Review
Five Minutes to Live (1961)
EDIT
“Bill Karn’s Door-to-Door Maniac is a fever dream of a heist film that features a ferocious turn from country music icon Johnny Cash.” –
Slant Magazine
Aug 28, 2024
Full Review
Squirm (1976)
31%
EDIT
“Striking a delicate balance between funny and truly creepy, Jeff Lieberman’s Squirm is an engaging entry in the animal-attack subgenre that was all the rage in the mid-1970s.
” –
Slant Magazine
Aug 21, 2024
Full Review
Bad Company (1972)
84%
EDIT
“Robert Benton’s Bad Company is a downbeat revisionist western that deflates generic mythmaking while also saying a few choice things about its own day.” –
Slant Magazine
Aug 15, 2024
Full Review
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