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Caden Mark Gardner

Caden Mark Gardner's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Movies TV Shows
A Bread Factory, Part One: For the Sake of Gold (2018) 100% EDIT “A smart film that showcases Wang's willingness to experiment and take risks, it is also incredibly personal to him.” – Hyperallergic Feb 28, 2020 Full Review A Bread Factory, Part Two: Walk with Me a While (2018) 100% EDIT “In Part II, called "Walk With Me a While," the film becomes far more experimental, deconstructive, and unpredictable.” – Hyperallergic Feb 28, 2020 Full Review Olivia (1951) 100% EDIT “Olivia's lovestruck, aching experience and self-realization are made vivid by Jacqueline Audry. Exceptional in more ways than one, Olivia proves to be ripe for rediscovery.” – Hyperallergic Feb 27, 2020 Full Review The Gospel of Eureka (2018) 82% EDIT “The Gospel of Eureka subverts the outsider gaze by using Eureka Spring's local color to demonstrate how its Christian and queer populations are more intertwined than divided.” – Hyperallergic Feb 26, 2020 Full Review Gay Chorus Deep South (2019) 100% EDIT “Gay Chorus Deep South feels like a self-serious PSA designed by the Human Rights Campaign than challenging cinema.” – Hyperallergic Feb 26, 2020 Full Review The Hours and Times (1991) 81% EDIT “A dynamic and frank depiction of friendship and same-sex attraction that's well worth revisiting.” – Hyperallergic Feb 26, 2020 Full Review Bisbee '17 (2018) 93% EDIT “Divisions, collaboration, dreams, nightmares, paranoia, land, facades, and capital have always been key cogs in the darkness of the American experiment, and Bisbee '17 won't let you forget that.” – Hyperallergic Feb 25, 2020 Full Review Chained for Life (2018) 100% EDIT “Often funny, consistently bizarre, surprisingly sweet, and resolutely provocative, there is perhaps no other American film released this year that meditates this intensely on what it means to feel seen in film.” – MUBI Oct 21, 2019 Full Review Girl (2018) 84% EDIT “It employs cheap moments of trauma and body horror that evince its director and co-writer's narrow vision of his lead character and, alongside that, extremely narrow view of transness.” – Reverse Shot Mar 15, 2019 Full Review
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