David Wood
David Wood's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
The Beast (1975)
68%
2/5
EDIT
“At times the film is also undeniably offensive, pandering to male fantasy, as is the pseudo-rape fantasies the film attributes to its female characters.” –
BBC.com
Jan 16, 2002
Full Review
Aimée & Jaguar (1999)
90%
3/5
EDIT
“Rewarding viewing, evocatively re-creating a narrative milieu and war-time Berlin rarely seen on screen.” –
BBC.com
Jul 3, 2001
Full Review
Code Unknown (2000)
75%
4/5
EDIT
“European cinema at its very best.” –
BBC.com
Jul 3, 2001
Full Review
Psycho (1960)
97%
5/5
EDIT
“Gripping and irrevocably gruesome fare played to perfection by a top notch cast.” –
BBC.com
Jun 13, 2001
Full Review
Invasion of the Body Snatchers (1956)
97%
5/5
EDIT
“Wonderfully performed and imbued with a genuine sense of trepidation and unease.” –
BBC.com
Jun 13, 2001
Full Review
Band of Outsiders (1964)
94%
4/5
EDIT
“Emphatically entertaining, provocatively self-assured.” –
BBC.com
Jun 13, 2001
Full Review
Blackboards (2000)
74%
4/5
EDIT
“An intelligent, multi-layered and profoundly humanist (not to mention gently political) meditation on the values of knowledge, education, and the affects of cultural and geographical displacement.” –
BBC.com
May 30, 2001
Full Review
The Captive (2000)
79%
4/5
EDIT
“A gently captivating, deceptively austere work.” –
BBC.com
May 7, 2001
Full Review
Don't Look Now (1973)
93%
5/5
EDIT
“With Sutherland and Christie in fine form it all adds up to one of Roeg's finest films and an undeniably key work in British cinema.” –
BBC.com
Apr 17, 2001
Full Review
Diva (1981)
97%
4/5
EDIT
“A witty, playful intelligent film as enjoyable as it is influential.” –
BBC.com
Apr 17, 2001
Full Review
Diner (1982)
92%
4/5
EDIT
“Barry Levinson's directorial debut from his own Oscar-nominated script remains his most perfectly realised and charming movie and is a fitting eulogy to his home town of Baltimore.” –
BBC.com
Apr 17, 2001
Full Review
Citizen Kane (1941)
99%
5/5
EDIT
“A potent metaphor for the betrayal of principles, the souring of the American Dream, and an intelligent mediation on the corrupting nature of power.” –
BBC.com
Apr 17, 2001
Full Review
Touch of Evil (1958)
96%
5/5
EDIT
“one of [Welles'] richest and most rewarding pictures” –
BBC.com
Apr 17, 2001
Full Review
The Philadelphia Story (1940)
100%
4/5
EDIT
“Grant, Stewart, and Hepburn deliver impeccable performances.” –
BBC.com
Apr 17, 2001
Full Review
National Velvet (1944)
98%
3/5
EDIT
“Both Taylor and Rooney give without doubt the best performances of their pre-adult years but there's also much pleasure to be had from a stellar supporting cast.” –
BBC.com
Apr 17, 2001
Full Review
The Long Good Friday (1980)
97%
4/5
EDIT
“A touchstone for many of the sub-standard gangster films Britain mercilessly churns out today, The Long Good Friday is classy fare and superior viewing to its modern counterparts in every way.” –
BBC.com
Apr 17, 2001
Full Review
Last House on the Left (1972)
64%
4/5
EDIT
“The film, to its credit, details both the initial acts of violation and the revenge that ensues as similarly de-humanising and reprehensible.” –
BBC.com
Apr 17, 2001
Full Review
Klute (1971)
94%
5/5
EDIT
“Informed in part by the conventions of film noir...Klute manages to distil them all into something highly original and distinctly unsettling.” –
BBC.com
Apr 17, 2001
Full Review
Tim Burton's The Nightmare Before Christmas (1993)
95%
4/5
EDIT
“Likely to appeal to grown-ups of all ages--while putting the fear of God into kids--it's a perfect antidote to standard festive fare and evidence of the rich and varied possibilities of stop-motion animation. In a word, wonderful.” –
BBC.com
Apr 17, 2001
Full Review
High Noon (1952)
94%
5/5
EDIT
“A film about what it means to be a man that manages to avoid the musk of machismo, High Noon is truly a film that improves with each and every viewing.” –
BBC.com
Apr 17, 2001
Full Review
The Sweet Hereafter (1997)
98%
4/5
EDIT
“...Egoyan looks at the essence of guilt and the complexity of human relationships in all their rich variety.” –
BBC.com
Apr 17, 2001
Full Review
Flawless (1999)
40%
3/5
EDIT
“The involvement of several real-life drag queens contributes to both the exhuberence, authenticity, and sheer panache to mark something of a return to form for the idiosyncratic director.” –
BBC.com
Apr 17, 2001
Full Review
Dark Days (2000)
94%
4/5
EDIT
“Mark Singer's astonishing debut is a stylishly shot black and white 16mm documentary which focuses on the homeless who inhabit the subway tunnels beneath Manhattan.” –
BBC.com
Apr 17, 2001
Full Review
Yi Yi (2000)
97%
4/5
EDIT
“Intricately nuanced, lovingly crafted ... and decidedly wry in tone.” –
BBC.com
Apr 16, 2001
Full Review
Bread and Roses (2000)
67%
3/5
EDIT
“An impassioned work of integrity and a human drama of observation, insight, and great import.” –
BBC.com
Apr 16, 2001
Full Review
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