Dwayne E. Leslie
Dwayne E. Leslie's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Sleepover (1994)
1/5
EDIT
“Ordinary to the point of inciting audience boredom.” –
Boxoffice Magazine
Dec 21, 2003
Full Review
Carried Away (1995)
65%
3/5
EDIT
“The performances are captivating, so much so that the film's sometimes slow pace is never a real problem.” –
Boxoffice Magazine
May 11, 2003
Full Review
Rugrats in Paris: The Movie (2000)
76%
3.5/5
EDIT
“The Rugrats are back for an all-new adventure, and one that is by far much funnier and more entertaining for both youngsters and their guardians than the first bigscreen outing.” –
Boxoffice Magazine
Jun 10, 2002
Full Review
Ivans Xtc (2002)
77%
3.5/5
EDIT
“This indie drama resonantly demonstrates how a person's worth is weighed in a town where you're only as good as your last game.” –
Boxoffice Magazine
Jun 7, 2002
Full Review
In Too Deep (1999)
39%
1/5
EDIT
“Although it is based on a true story, the subject matter has been covered too many times to care, and the by-the-book plot plods along to an anti-climatic finish.” –
Boxoffice Magazine
Jun 5, 2002
Full Review
George of the Jungle (1997)
56%
EDIT
“The only resemblances to the classic cartoon are that trees still get in George's way, Shep the elephant still thinks he is a doggie, the ape named Ape still talks, and his girlfriend's name is still Ursula.” –
Boxoffice Magazine
Jun 5, 2002
Full Review
Meet the Deedles (1998)
11%
2.5/5
EDIT
“Will adults enjoy this film? Some might be amused by the crazy situations and verbal and visual outrageousness--though they probably won't admit it.” –
Boxoffice Magazine
Jun 5, 2002
Full Review
White Squall (1996)
57%
2/5
EDIT
“If the focus had been on the characters' experiences instead of the white squall, much more of the movie would have made a lasting impression.” –
Boxoffice Magazine
Jun 5, 2002
Full Review
Simon Sez (1999)
0%
1.5/5
EDIT
“The film's feeble attempts at humor are tedious; like the character of Nick, the film quickly goes from being funny to silly to annoying.” –
Boxoffice Magazine
Jun 5, 2002
Full Review
House on Haunted Hill (1999)
31%
2/5
EDIT
“All the visual bravura doesn't fill in the gaping plot holes or generate any real frights.” –
Boxoffice Magazine
Jun 5, 2002
Full Review
Tales From the Crypt Presents Bordello of Blood (1996)
14%
2.5/5
EDIT
“... the series' die-hard fans will be left wanting.” –
Boxoffice Magazine
Jun 5, 2002
Full Review
The Forsaken (2001)
9%
1/5
EDIT
“The only true forsaken are the disillusioned patrons seeking a good vampire movie.” –
Boxoffice Magazine
Jun 5, 2002
Full Review
Air Bud: Golden Receiver (1998)
21%
EDIT
“In addition to good-hearted humor, Air Bud: Golden Receiver offers up moral lessons and affirmative messages.” –
Boxoffice Magazine
Jun 5, 2002
Full Review
The Pest (1997)
4%
1/5
EDIT
“The script and Leguizamo's talents don't mesh, so the actor comes off as more offensive than funny.” –
Boxoffice Magazine
Jun 5, 2002
Full Review
Original Gangstas (1996)
53%
1.5/5
EDIT
“Although the leads are intended to be cool and menacing, the result resembles parody; scenes of drugs, guns and fights are likely to make audiences burst out in laughter.” –
Boxoffice Magazine
Jun 5, 2002
Full Review
Double Take (2001)
12%
2.5/5
EDIT
“Suffers from a scattershot approach to rapid-fire jokes that usually miss their mark, though Griffin's comedic talents brighten the proceedings and Jones does his part to add his own flavor to the mix.” –
Boxoffice Magazine
Jun 5, 2002
Full Review
Bats (1999)
19%
3/5
EDIT
“The film skillfully mixes in humor (thanks in great part to the straight-faced clichd phrases and no-nonsense lines delivered by Leon) without undermining the tension.” –
Boxoffice Magazine
Jun 5, 2002
Full Review
Very Bad Things (1998)
40%
3.5/5
EDIT
“...the film wages a war against one's moral senses in a story that's unforgettable.” –
Boxoffice Magazine
Jun 5, 2002
Full Review
Baby Geniuses (1999)
2%
3/5
EDIT
“With the recent popularity of baby-themed shows, this film has perfect timing. Younger patrons will be drawn into the fantasy, while the humor is sufficient to keep adults interested.” –
Boxoffice Magazine
Jun 5, 2002
Full Review
Michael Jordan: To the Max (2000)
65%
3.5/5
EDIT
“This triumphant story of an extremely positive role model is a rewarding treat.” –
Boxoffice Magazine
Jun 5, 2002
Full Review
Whiteboys (1999)
13%
3/5
EDIT
“The fish-out-of-water scenario is frequently hilarious, and the linguistic prowess of the actors is impressive.” –
Boxoffice Magazine
Jun 5, 2002
Full Review
I Still Know What You Did Last Summer (1998)
10%
3/5
EDIT
“The film does effectively pump the audience to the point of being ravenous for the hook-handed villain to start his spree.” –
Boxoffice Magazine
Jun 5, 2002
Full Review
Recess: School's Out (2001)
60%
3.5/5
EDIT
“This is a smart story and well paced.” –
Boxoffice Magazine
Jun 5, 2002
Full Review
Wes Craven Presents: Dracula 2000 (2000)
19%
2.5/5
EDIT
“The film concentrates more on the gore and less on fright and suspense.” –
Boxoffice Magazine
Jun 5, 2002
Full Review
Virus (1999)
14%
2.5/5
EDIT
“When the automated robotic lab starts using dead bodies as biological material to create killing machines programmed to believe man is harmful and must be destroyed.” –
Boxoffice Magazine
Jun 5, 2002
Full Review
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