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Eddie Falvey
Eddie Falvey's reviews only count toward the Tomatometer® when published at the following Tomatometer-approved publication(s):
One Room With A View
Movies reviews only
| Rating | T-Meter | Title | Year | Review |
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All the Bright Places (2020) |
[T]here is an undeniable warmth and tenderness to Fanning and Smith's performances that makes this a worthy, if not particularly memorable, addition to a thriving sub-genre. - One Room With A View
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| Posted Mar 02, 2020
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Song of the Sea (2014) |
Aided by stellar voice work from the inimitable Brendan Gleeson, among others, Moore's gorgeous sophomore feature is steeped in a transformative sense of sadness and longing. - One Room With A View
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| Posted May 07, 2019
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Midnight Special (2016) |
Midnight Special comes close to greatness is undeniable - its first hour is a deliriously inventive, utterly arresting cosmic thriller that keeps its cards very close to its chest. If only the final act didn't reveal its bluff. - One Room With A View
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| Posted Apr 16, 2019
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Indignation (2016) |
Even if the bookending sequences thematically overstretch, the film remains an alluring, moving tapestry of a nation unfolding. - One Room With A View
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| Posted Apr 16, 2019
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24 Weeks (2016) |
Berrached's 24 Weeks is without question a bleak affair, excruciating even; it is an unflinching account of a impossible decision, a film that punishes its audience's judgement of a situation that is never black and white... - One Room With A View
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| Posted Apr 16, 2019
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Things to Come (1936) |
Things to Come (L'avenir) is a masterclass in restraint that proves that a film does not need to be ostentatious in order to be powerful. - One Room With A View
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| Posted Apr 15, 2019
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Dirty Cops - War on Everyone (2016) |
Although outwardly disappointing, it's not the case that War on Everyone is a total write-off. - One Room With A View
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| Posted Apr 15, 2019
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Alone in Berlin (2016) |
What Vincent Perez's plodding, predictable, utterly perfunctory WWII drama fails to recognise is that it doesn't even have a particularly good story on its hands. - One Room With A View
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| Posted Apr 15, 2019
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Death in Sarajevo (2016) |
Tanović's highly literate, complex satire seeks to interrogate its audience, unafraid to look it in the eye as if down the barrel of a gun. - One Room With A View
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| Posted Apr 15, 2019
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A Quiet Passion (2016) |
Cynthia Nixon shines in a film that finds poetry in the everyday, grounding the elusive icon with wit, warmth, and humanity. - One Room With A View
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| Posted Apr 15, 2019
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Crosscurrent (2016) |
Yang Chao's film is stunning to look at but ultimately confuses profundity with incomprehensible philosophical gesturing. - One Room With A View
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| Posted Apr 15, 2019
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Soy Nero (2016) |
While occasionally meandering, there is no denying that Soy Nero persists as an effective indictment of the hypocritical institutions, both political and personal, that mediate local and national categorisation. - One Room With A View
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| Posted Apr 15, 2019
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Where to Invade Next (2015) |
Idealism is admirable, but Moore's simplification of the potential solutions to complex national crises is ultimately naive; challenging hegemonic infrastructure and national discourse requires a little more than a few nice ideas haphazardly presented. - One Room With A View
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| Posted Apr 15, 2019
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Genius (2016) |
While the film fails to live up to its namesake, it's a starry, solid account of a literary icon and the man who brought him to the world. - One Room With A View
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| Posted Apr 15, 2019
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News from Planet Mars (2016) |
An outwardly odd if quietly clever existential drama that trades in satire and biting black humour. - One Room With A View
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| Posted Apr 12, 2019
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A Lullaby to the Sorrowful Mystery (2016) |
Lullaby boasts Diaz's typically impressive visuals, deep sense of time and place, and enigmatic approach to storytelling, but it feels loose, unfocused in places, and, again, too long. - One Room With A View
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| Posted Apr 12, 2019
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Creepy (2016) |
Creepy is a sterile bore that, at 130 gruelling minutes, considerably outstays its welcome. - One Room With A View
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| Posted Apr 12, 2019
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A Dragon Arrives! (2016) |
Mani Haghighi interweaves various narratives and timelines to blend history, allegory, and magical realism into a spellbinding film... - One Room With A View
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| Posted Apr 12, 2019
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Saint-Amour (2016) |
At heart Saint Amour is a simple, likeable comedy... - One Room With A View
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| Posted Apr 12, 2019
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Loev (2015) |
Loev is vital filmmaking from a powerful new voice. - One Room With A View
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| Posted Apr 04, 2019
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Miles Ahead (2016) |
Jazz is about cadences, rhythm, and daring; everything that this dry biopic seems to lack. - One Room With A View
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| Posted Apr 04, 2019
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Tale of Tales (2015) |
A wildly imaginative, erotic, and at times nightmarish slice of adult high fantasy. - One Room With A View
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| Posted Apr 01, 2019
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The BFG (2016) |
For the millions who owe the breadth of their childhood imaginations to Dahl, there's plenty to love, if only it could offer a little more depth. - One Room With A View
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| Posted Mar 29, 2019
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The Commune (2016) |
If The Commune was entirely Anna's story then perhaps the film would have fared better. It falls down almost entirely on the strength of her husband Erik's character. - One Room With A View
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| Posted Mar 29, 2019
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Chi-Raq (2015) |
Utterly unafraid to point its finger, Chi-Raq is nothing less than a rousing success. - One Room With A View
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| Posted Mar 14, 2019
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Zero Days (2016) |
A potent reminder of the unseen threats that face the world today. You'll need a stiff drink after, but that shouldn't discourage you from seeking out this sobering, powerful, and absolutely vital film. - One Room With A View
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| Posted Mar 09, 2019
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