Fernanda Solórzano
Movies reviews only
Rating | T-Meter | Title | Year | Review |
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Tár (2022) |
A film that swims against the current. [Full review in Spanish] - Letras Libres
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| Posted Feb 02, 2023
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Triangle of Sadness (2022) |
Östlund's new order... showcasing people appearing sophisticated (and failing). [Full review in Spanish] - Letras Libres
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| Posted Jan 03, 2023
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Huesera: The Bone Woman (2022) |
Huesera is the most proactive Mexican film of 2022. [Full review in Spanish] - Letras Libres
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| Posted Oct 04, 2022
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Turn Your Body to the Sun (2021) |
Turn Your Body To The Sun proposes not only to honor the memory of soviet prisoners… but also question the nationalist myth of a soldier always ready to die. [Full review in Spanish] - Letras Libres
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| Posted Sep 08, 2022
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Nope (2022) |
Nope is a movie about aliens in which fear comes too late, and collective survival is not a priority. That self-absorption is the allegory of the times. [Ful. review in Spanish] - Letras Libres
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| Posted Sep 01, 2022
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Crimes of the Future (2022) |
The environmental film subgenre often has better intentions than representatives. Crimes of the future is one of the few honorable examples, and an atypical film in a filmography of cold characters. [Full review in Spanish] - Letras Libres
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| Posted Aug 02, 2022
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The Hole in the Fence (2021) |
The Hole in the Fence manages to build a sinister universe that, on the one hand, is close to us and, on the other, is inserted into a vein of horror mythology. [Full review in Spanish] - Letras Libres
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| Posted Jun 01, 2022
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Lamb (2021) |
Lamb could be ridiculous... Crucial to preventing this from happening is Rapace's immersion in a character that would seem impossible to perform with conviction and honesty. [Full review in Spanish] - Letras Libres
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| Posted Dec 02, 2021
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Drive My Car (2021) |
Defying common notions of cinematic dynamism, the most powerful sequence takes place in a back seat, showing just two men talking. [Full review in Spanish] - Letras Libres
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| Posted Nov 02, 2021
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Întregalde (2021) |
Like good Romanian filmmaker, Muntean brings the viewer back to witness the stages of desperation that his characters go through. [Full review in Spanish] - Letras Libres
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| Posted Nov 02, 2021
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Medusa (2021) |
There is a lot of vindictiveness in having the story told through vigorous female characters - for better and for worse, as it happens in reality. [Full review in Spanish] - Letras Libres
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| Posted Nov 02, 2021
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Aloners (2021) |
[Gong Seung-yeon's] brilliant performance, expressionless except for key moments, allows the viewer to glimpse the emotions of a character who has struggled to suppress them. [Full review in Spanish] - Letras Libres
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| Posted Nov 02, 2021
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The Daughter (2021) |
With his most recent film, Cuenca confirms that he is one of the most consistent and interesting Spanish directors alive. [Full review in Spanish] - Letras Libres
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| Posted Nov 02, 2021
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The Rescue (2021) |
Equally fascinating is the portrait of the volunteer divers who led the search. [Full review in Spanish] - Letras Libres
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| Posted Nov 02, 2021
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You Are Not My Mother (2021) |
A perfect mix of folk tale and allegory about the discordance caused by the symptoms of mental illness. [Full review in Spanish] - Letras Libres
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| Posted Nov 02, 2021
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Lo Invisible (2021) |
Avoids a sentimental tone... A story of loneliness and madness, not so much of social scourging. [Full review in Spanish] - Letras Libres
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| Posted Nov 02, 2021
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Never Rarely Sometimes Always (2020) |
The effect is cumulative... this other plot that unfolds in scenes and in isolated moments [Full review in Spanish] - Letras Libres
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| Posted Oct 29, 2021
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Song Without a Name (2019) |
Visually speaking, it's very beautiful. [Full review in Spanish] - Letras Libres
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| Posted Oct 26, 2021
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The Invisible Man (2020) |
Small details... give weight to a story about an immaterial person. [Full review in Spanish] - Letras Libres
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| Posted Oct 26, 2021
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The Assistant (2019) |
The only work of fiction made thus far about this issue that has managed to address it with the complexity it deserves. [Full review in Spanish] - Letras Libres
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| Posted Oct 26, 2021
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Crazy, Not Insane (2020) |
Crazy, Not Insane approaches the topic of serial killers from what I believe is a quite necessary angle. [Full review in Spanish] - Letras Libres
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| Posted Oct 26, 2021
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Let It Be Law (2019) |
I think the most valuable thing about Let it be Law is that it contains testimonies of some medical legislators and even Catholic priests who... acknowledge that decriminalization is a health issue. [Full review in Spanish] - Letras Libres
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| Posted Oct 26, 2021
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Mank (2020) |
Mank is a production that's faithful to its protagonist, but this inevitably puts distance between it and the spectator. [Full review in Spanish] - Letras Libres
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| Posted Oct 26, 2021
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Buñuel in the Labyrinth of the Turtles (2018) |
The medium of animation lends itself well to weaving these dream-like visions because Land Without Bread was not in the strictest sense a documentary. [Full review in Spanish] - Letras Libres
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| Posted Oct 25, 2021
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Danyka (2020) |
One of Demián Bichir's best roles. [Full review in Spanishi] - Letras Libres
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| Posted Oct 25, 2021
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Malcolm & Marie (2021) |
[Sam Levinson] makes tangible many ideas that would have otherwise remained trapped in the characters' dialogues, and it's because of details like this that I believe the film works. [Full review in Spanish] - Letras Libres
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| Posted Oct 22, 2021
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The Mole Agent (2020) |
A very particular and ingenious mix of reality and invention. [Full review in Spanish] - Letras Libres
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| Posted Oct 22, 2021
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His House (2020) |
A very interesting and original reworking of this subgenre. [Full review in Spanish] - Letras Libres
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| Posted Oct 21, 2021
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Relic (2020) |
Although it may not sound like it the movie is moving and the scenes are beautiful. [Full review in Spanish] - Letras Libres
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| Posted Oct 21, 2021
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Coven of Sisters (2020) |
It's very well written and acted. [Full review in Spanish] - Letras Libres
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| Posted Oct 21, 2021
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La llorona (2019) |
Beautiful... poetic. [Full review in Spanish] - Letras Libres
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| Posted Oct 21, 2021
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Saint Maud (2019) |
[One of] the best horror films in recent years... a fable about the danger of inhabiting false realities. [Full review in Spanish] - Letras Libres
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| Posted Oct 13, 2021
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And Then We Danced (2019) |
The last sequence is truly hypnotic. [Full review in Spanish] - Letras Libres
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| Posted Oct 13, 2021
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Cry Macho (2021) |
[The film] has several layers that are worth it. [Full review in Spanish] - Letras Libres
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| Posted Oct 01, 2021
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The Father (2020) |
It's a film that's worth more for its conception and execution than its ideological discourse or social agenda. [Full review in Spanish] - Letras Libres
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| Posted Sep 29, 2021
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Another Round (2020) |
Mads Mikkelsen carries the film. [Full review in Spanish] - Letras Libres
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| Posted Sep 29, 2021
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Nomadland (2020) |
Beautiful cinematography in an alienating film doesn't have much value... [Nomadland] ends up idealizing an unideal situation. [Full review in Spanish] - Letras Libres
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| Posted Sep 28, 2021
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Ayer Maravilla Fui (2017) |
Gabriel Mariño has ventured into [the genre] as the director in a way that's creative enough... to dispense with big budgets. [Full review in Spanish] - Letras Libres
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| Posted Sep 28, 2021
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Malignant (2021) |
[Director James Wan] has such mastery and knowledge of the genre... that audiences await each new film as if they'd never seen a possession movie before. [Full review in Spanish] - Letras Libres
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| Posted Sep 27, 2021
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Prayers for the Stolen (2021) |
This form of storytelling by Tatiana Huezo has a very interesting paradoxical effect. [Full review in Spanish] - Letras Libres
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| Posted Sep 21, 2021
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Leona (2018) |
The lightness of its tone adds to the appeal of this film and is and this is something that should not be confused with banality. [Isaac Cherem and Naian González Norvind's] script doesn't avoid difficult issues. [Full review in Spanish] - Letras Libres
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| Posted Sep 14, 2021
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The Souvenir (2019) |
Joanna Hogg uses a very effective visual code to describe a character who's enigmatic from the beginning. [Full review in Spanish] - Letras Libres
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| Posted Sep 07, 2021
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The Disciple (2020) |
It's very valuable that a director trusts the sensitivity of their audience to know what is the meaning of a sequence. [Full review in Spanish] - Letras Libres
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| Posted Aug 31, 2021
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My Tender Matador (2020) |
A very fine adaptation of a treasured book. [Full review in Spanish] - Letras Libres
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| Posted Aug 31, 2021
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A Sun (2019) |
A brilliantly colored film with high contrasts... but the filming is not strictly ornamental. [Full review in Spanish] - Letras Libres
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| Posted Aug 27, 2021
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Stray (2021) |
A photo album of life in Instanbul. [Full review in Spanish] - Letras Libres
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| Posted Aug 27, 2021
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The Mauritanian (2021) |
Taher Rahim is a fine actor. [Full review in Spanish] - Letras Libres
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| Posted Aug 27, 2021
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Bo Burnham: Inside (2021) |
Of all the shorts and movies filmed during quarantine... Inside is without a doubt the best of all of them. [Full review in Spanish] - Letras Libres
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| Posted Aug 26, 2021
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Wrath of Man (2021) |
I think it serves as a good reminder... that art in general operates on a different level and can be therapeutic even if that's not its function or obligation. [Full review in Spanish] - Letras Libres
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| Posted Aug 26, 2021
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Shiva Baby (2020) |
Shiva Baby's great success is it's awkward comedic tone. [Full review in Spanish] - Letras Libres
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| Posted Aug 26, 2021
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