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      Gabe Leibowitz

      Gabe Leibowitz

      Tomatometer-approved critic
      Biography:

      www.abovegroundrealty.com

      Favorites:

      www.filmandfelt.com

      Publications:
      Critics' Group:
      Location:

      Reclaiming the throne

      Official Website:

      http://www.ecinemacenter.com/SpiritedAway.html

      Movies reviews only

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      Rating T-Meter Title | Year Review
      58/100
      ParaNorman (2012) An extremely strange blend of genres and styles, ParaNorman somehow manages to pull it off...sort of. - Film and Felt
      Read More | Posted Jan 22, 2013
      42/100
      Rise of the Guardians (2012) Alas, a sweet heart and a tender message aren't enough to save Rise of the Guardians from its overly sugary ways. - Film and Felt
      Read More | Posted Jan 12, 2013
      64/100
      The Evil Dead (1981) A cult classic of the highest order, Sam Raimi's The Evil Dead is the rare 80′s movie that actually feels worthy of its lofty reputation; relatively, anyway. - Film and Felt
      Read More | Posted Jan 06, 2013
      76/100
      The Hobbit: An Unexpected Journey (2012) Should more than satisfactorily scratch the itch of those who have waited many long years to see Middle Earth back on screen. - Film and Felt
      Read More | Posted Jan 01, 2013
      60/100
      Wreck-It Ralph (2012) Despite being a perfectly entertaining Disney picture, Wreck-it Ralph leaves that nagging taste in the mouth that it could have been so much more. - Film and Felt
      Read More | Posted Dec 30, 2012
      65/100
      Arbitrage (2012) It's appropriate that Arbitrage gets its American release while our country is knee-deep in the fight over the fiscal cliff and the future of our financial institutions. - Film and Felt
      Read More | Posted Dec 30, 2012
      80/100
      Skyfall (2012) Skyfall epitomizes what a Bond movie should be, and its director, for once, justifiably deserves much of the credit. - Film and Felt
      Read More | Posted Dec 30, 2012
      72/100
      Senna (2010) ...a surprisingly deft examination of the power of faith... - Film and Felt
      Read More | Posted Feb 05, 2012
      39/100
      The Ides of March (2011) A rehash of a recent political phenomenon dressed up to seem more daring than it actually is. - Film and Felt
      Read More | Posted Jan 20, 2012
      65/100
      The Phantom Tollbooth (1969) The animation is clean, with enough pop to do Dictionopolis-and-company justice. - Film and Felt
      Read More | Posted Jan 20, 2012
      65/100
      Win Win (2011) There's a real earnestness to the proceedings: if someone had relayed the setup to me via email or over cocktails, I would have bet heavily that we'd be looking at a sappy mess of clichs. - Film and Felt
      Read More | Posted Jan 13, 2012
      57/100
      Bridesmaids (2011) I like that Bridesmaids aspires to be more than just a dumb comedy, but that doesn't mean it needs to belabor its point for what feels like eons. - Film and Felt
      Read More | Posted Jan 13, 2012
      70/100
      Harry Potter and the Deathly Hallows: Part 2 (2011) For the most part, Harry Potter and the Deathly Hallows: Part II picks up right where Part I, the franchise's shining beacon on a hill, leaves off. - Film and Felt
      Read More | Posted Jan 13, 2012
      60/100
      Black Death (2010) An entertaining, if by-the-numbers, entry to the sword-and-shield genre, Black Death features lots of blood, disease, and the seemingly requisite Sean Bean. - Film and Felt
      Read More | Posted Jan 02, 2012
      57/100
      Shame (2011) The writing barely scratches the surface of what should have been a fascinating subject. - Film and Felt
      Read More | Posted Dec 31, 2011
      32/100
      A Better Life (2011) Each sequence plays out in mind-numbingly cliched fashion: father-son lectures, chin-up resilience-especially the final shot-and a stern message about the heartless anti-immigration movement are depicted in an infuriatingly shallow manner. - Film and Felt
      Read More | Posted Dec 30, 2011
      40/100
      War Horse (2011) The treacle is unyielding, and that's basically a kiss of death for a picture that's working off a script with such potential for hokey melodrama. - Film and Felt
      Read More | Posted Dec 30, 2011
      37/100
      Young Adult (2011) If Up in the Air had a certain cavalier attitude in its direction, Young Adult is downright lazy. - Film and Felt
      Read More | Posted Dec 30, 2011
      67/100
      Carnage (2011) Embattled filmmaker Roman Polanski has always been drawn to the dark sides of humanity, so it's no surprise he'd be drawn to the play "Carnage." - Film and Felt
      Read More | Posted Dec 30, 2011
      67/100
      Hobo With a Shotgun (2011) A cult picture that's completely comfortable in its own skin. - Film and Felt
      Read More | Posted Nov 30, 2011
      64/100
      The Adventures of Tintin (2011) A brisk, charming, enjoyable romp. - Film and Felt
      Read More | Posted Nov 30, 2011
      53/100
      The Other F Word (2011) We do get to see Flea of Red Hot Chili Peppers cry, though. That gets some bonus points in my book. - Film and Felt
      Read More | Posted Nov 17, 2011
      49/100
      Tucker & Dale vs Evil (2010) This goofy, over-the-top tale of college students on a camping trip warring with two local West Virginia hillbillies lacks a core identity. - Film and Felt
      Read More | Posted Nov 17, 2011
      62/100
      The Lost World: Jurassic Park (1997) I never held The Lost World in such high esteem, but I watched it multiple times and always felt it got a bit of a bum rap. After checking it out again fourteen years later, I still feel the same way. - Film and Felt
      Read More | Posted Oct 13, 2011
      75/100
      The Gay Divorcee (1934) The Gay Divorcee offers a terrific mix of wit, humor, and, of course, song-and-dance. - Film and Felt
      Read More | Posted Oct 13, 2011
      60/100
      Shall We Dance (1937) It's about innuendo and devious plots (though, of course, the stories are always essentially backdrops to showcasing the Astaire-and-Rogers show), and while it has plenty of amusing moments and some good musical numbers, it feels stiff at times, - Film and Felt
      Read More | Posted Oct 13, 2011
      68/100
      The Story of Vernon & Irene Castle (1939) It's not exactly a stretch for Astaire and Rogers, but they do the old rags-to-riches angle seamlessly, and the finale is surprisingly touching. - Film and Felt
      Read More | Posted Oct 13, 2011
      30/100
      The Outsiders (1983) Francis Ford Coppola's cheesy, overblown adaptation of S.E. Hinton's wonderful novel captures none of the book's gritty magic. - Film and Felt
      Read More | Posted Jul 12, 2011
      76/100
      Summer (1986) It's as if we ourselves are observing life, learning and evolving with Delphine. - Film and Felt
      Read More | Posted Jul 09, 2011
      46/100
      X-Men: First Class (2011) Its attributes and weaknesses can be broken down into two categories: the relationship between Professor Charles Xavier (James McAvoy) and Magneto (Michael Fassbender), and everything else - Film and Felt
      Read More | Posted Jul 09, 2011
      78/100
      The Friends of Eddie Coyle (1973) Peter Yates' crime drama is chock-full of wonderful moments, creative framing (especially an intrusion in a bank teller's home early on in the proceedings), and emotional punch. - Film and Felt
      Read More | Posted Jul 09, 2011
      68/100
      Batman: Under the Red Hood (2010) An extremely dark, brisk chapter in the Dark Knight's ever-popular screen sagas. - Film and Felt
      Read More | Posted Jul 09, 2011
      68/100
      Gone With the Wind (1939) The golden standard for classic Hollywood bombast, this one. - Film and Felt
      Read More | Posted Jul 09, 2011
      35/100
      Room Service (1938) With far too many drawn-out chats lacking in any wit or humor, Room Service is close to a total Marx Brothers dud. - Film and Felt
      Read More | Posted Jun 29, 2011
      69/100
      Midnight in Paris (2011) As befits Woody Allen, Midnight in Paris. is chock-full of cultural homages: Hemingway and Stein are just a small sample of the legends Allen parades onscreen. - Film and Felt
      Read More | Posted Jun 29, 2011
      65/100
      The Freshman (1925) My first foray into the comedic world of Harold Lloyd yielded eerily similar results to my initial exposure to W.C. Fields. - Film and Felt
      Read More | Posted Apr 24, 2011
      57/100
      Cave of Forgotten Dreams (2010) In many ways, Cave of Forgotten Dreams perfectly embodies the identity that Werner Herzog v. 2000′s has chosen to take on. - Film and Felt
      Read More | Posted Apr 24, 2011
      76/100
      Smart Money (1931) In many ways, the first half of Alfred E. Green's Smart Money can be seen as a stage-setter for John Dahl's game-changing Rounders. - Film and Felt
      Read More | Posted Apr 24, 2011
      69/100
      The Roaring Twenties (1939) A powerful story of wartime bonds and their staying power through the most adverse of circumstances. - Film and Felt
      Read More | Posted Apr 08, 2011
      55/100
      The Princess of Montpensier (2010) Never dull, but it also never takes that step into truly encompassing like the very best genre entries. - Film and Felt
      Read More | Posted Apr 07, 2011
      68/100
      Meek's Cutoff (2010) Meek's Cutoff may not match Reichardt's previous two works in emotional heft, but it continues to cement her as a young director to watch closely. - Film and Felt
      Read More | Posted Apr 06, 2011
      73/100
      Park Row (1952) Another strong, if lesser-known, depiction of the ruthless, cutthroat newspaper industry. - Film and Felt
      Read More | Posted Apr 05, 2011
      56/100
      Little Caesar (1930) Little Caesar makes two classic LeRoy joints that I've found perfectly solid...and thoroughly underwhelming, especially when viewed through the prism of their reputations. - Film and Felt
      Read More | Posted Apr 05, 2011
      61/100
      The Thing (1951) A solid, workmanlike film that holds up better than one would expect. - Film and Felt
      Read More | Posted Mar 13, 2011
      45/100
      Winter's Bone (2010) Winter's Bone certainly has its redeeming qualities, particularly its cinematography and a superb lead performance by Jennifer Lawrence, but man, does it feel EMPTY until a gripping sequence near the end. - Film and Felt
      Read More | Posted Mar 13, 2011
      70/100
      Hot Fuzz (2007) Hot Fuzz, Edgar Wright's follow-up to his extremely popular zombie satire Shaun of the Dead (2004), improves on the latter's strong points in every conceivable way while drastically tightening up its weakest elements. - Film and Felt
      Read More | Posted Mar 13, 2011
      54/100
      Ministry of Fear (1944) It's certainly fitting that after filling his German years with ballsy, predictive masterpieces about Nazi rule-by-fear, Fritz Lang would finally make a film that directly involves Nazis. - Film and Felt
      Read More | Posted Jan 31, 2011
      58/100
      The Ghost Writer (2010) Polanski's skills are obvious in his compositions and patience, and a nervous energy hovers over much of the picture...yet I consistently felt disengaged, like the pacing was mismanaged. - Film and Felt
      Read More | Posted Jan 30, 2011
      70/100
      The Woman in the Window (1944) For much of its brisk running time, The Woman in the Window plays like another balls-to-the-wall gem from the rarely-less-than-masterful Fritz Lang. - Film and Felt
      Read More | Posted Jan 30, 2011
      31/100
      The Karate Kid (2010) Zwart's adaptation pretty much fails across the board. - Film and Felt
      Read More | Posted Jan 27, 2011
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