Hagan Osborne
Hagan Osborne's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Luck (2022)
48%
11/20
EDIT
“… somewhere between the lovechild of Monsters Inc (2001) and Inside Out (2015) only without the required emotional crescendo. ” –
FILMINK (Australia)
Aug 15, 2022
Full Review
The Phantom of the Open (2021)
86%
12/20
EDIT
“For those who can subscribe to Roberts’ fish-out-of-water tale of chasing your dreams and rising above class struggles, The Phantom of the Open offers pleasant viewing.” –
FILMINK (Australia)
Jul 11, 2022
Full Review
Lightyear (2022)
74%
14/20
EDIT
“… dialled down complexity for the sake of broader appeal.” –
FILMINK (Australia)
Jun 15, 2022
Full Review
Chip 'n' Dale: Rescue Rangers (2022)
81%
16/20
EDIT
“… an engrossing spectacle charged with playful action sequences and a humour that never feels inappropriate, particularly for the littlies in the room.” –
FILMINK (Australia)
May 24, 2022
Full Review
The Innocents (2021)
97%
15/20
EDIT
“… impressively crafted …” –
FILMINK (Australia)
May 16, 2022
Full Review
Official Competition (2021)
96%
18/20
EDIT
“... a sharp satire that doesnt feel like an in-joke amongst filmmakers, exploring the underlying commercial aspects that dictate the creative process and the double standards they involve.” –
FILMINK (Australia)
Apr 26, 2022
Full Review
Sonic the Hedgehog 2 (2022)
69%
10/20
EDIT
“ goes nowhere fast.” –
FILMINK (Australia)
Mar 31, 2022
Full Review
X (2022)
94%
15/20
EDIT
“If there is pleasure in pain, then X hits the spot.” –
FILMINK (Australia)
Mar 21, 2022
Full Review
Turning Red (2022)
95%
17/20
EDIT
“ one of the years most heartfelt stories.” –
FILMINK (Australia)
Mar 15, 2022
Full Review
In Corpore (2020)
80%
EDIT
“However chalky, merit is present in the film’s casting of a talented and diverse array of actors; all of whom remain committed to the filmmakers’ improvised vision.” –
FILMINK (Australia)
Mar 1, 2022
Full Review
House of Gucci (2021)
61%
16/20
EDIT
“... as captivating as it is gloriously campy.” –
FILMINK (Australia)
Dec 21, 2021
Full Review
King Richard (2021)
90%
17/20
EDIT
“Smith inhabits his character with a masterful poise...” –
FILMINK (Australia)
Dec 14, 2021
Full Review
The Protégé (2021)
64%
10/20
EDIT
“...close-up brawls pack much-needed heat in a film that otherwise lacks zest and self-awareness.” –
FILMINK (Australia)
Nov 30, 2021
Full Review
Encanto (2021)
92%
16/20
EDIT
“There is enough heart and spirit to distinguish Encanto from the [Disney] catalogue, with the animated adventure setting itself up to be a rich appreciation of the perseverance and significance of Latino culture.” –
FILMINK (Australia)
Nov 30, 2021
Full Review
Hating Peter Tatchell (2021)
100%
16/20
EDIT
“Where Hating Peter Tatchell bites hardest is in its dissection of provocation as a tool for awareness.” –
FILMINK (Australia)
Oct 19, 2021
Full Review
Becoming Cousteau (2021)
98%
17/20
EDIT
“...beguiling...” –
FILMINK (Australia)
Oct 15, 2021
Full Review
DASHCAM (2021)
47%
15/20
EDIT
“...an affective horror whose subtext is the toxicity of internet culture and the side-effects of extreme political leanings.” –
FILMINK (Australia)
Sep 13, 2021
Full Review
Shiva Baby (2020)
96%
16/20
EDIT
“...a progressive comedy... unfurls a world of delightful chaos.” –
FILMINK (Australia)
Jul 9, 2021
Full Review
Space Jam: A New Legacy (2021)
25%
16/20
EDIT
“What is most thrilling about A New Legacy is the liveliness of the worlds created, with each destination carrying with it a varying style of animation that brings with it added freshness.” –
FILMINK (Australia)
Jul 8, 2021
Full Review
Spirit Untamed (2021)
48%
11/20
EDIT
“...doll-like animation and well-trodden themes of girl-power "you-can-do-it-isms" that rival Barbie in terms of corporate pep.” –
FILMINK (Australia)
Jun 6, 2021
Full Review
Carmilla (2019)
77%
16/20
EDIT
“...effectively composed... unsettling production design and an appreciation for atmosphere that does not indulge in horror-movie parlour tricks.” –
FILMINK (Australia)
Apr 30, 2021
Full Review
Land (2021)
69%
12/20
EDIT
“A film of feminist moxie and self-discovery, Land does exactly what the title states, albeit with some wobbly footing.” –
FILMINK (Australia)
Apr 30, 2021
Full Review
The Addams Family (2019)
46%
16/20
EDIT
“...modestly grim and surprisingly sweet...” –
FILMINK (Australia)
Apr 2, 2021
Full Review
Cats (2019)
19%
11/20
EDIT
“...unable to claw itself away from its detracting visuals.” –
FILMINK (Australia)
Apr 2, 2021
Full Review
A Boy Called Sailboat (2018)
80%
15/20
EDIT
“... charming tale about family, culture, and inclusion.” –
FILMINK (Australia)
Apr 2, 2021
Full Review
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