Mabel Salinas
Tomatometer-approved critic
Movies reviews only
| Rating | T-Meter | Title | Year | Review |
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A Beautiful Day in the Neighborhood (2019) |
Through an absence of sound, the director gives power to dialogue, reflections, discomforts and emotional needs. [Full review in spanish] - Cine Premiere
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| Posted Jan 30, 2020
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Familia sumergida (2018) |
A Submerged Family is a phantasmagorical story inserted in an esthetically realistic and minimalist narrative. [Full Review in Spanish] - Cine Premiere
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| Posted Dec 27, 2019
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Jexi (2019) |
Jexi is not really a funny critique nor is it sufficiently terrifying. [Full Review in Spanish] - Cine Premiere
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| Posted Dec 27, 2019
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Official Secrets (2019) |
Despite falling into some cliches, Official Secrets succeeds due to its unique structure. [Full Review in Spanish] - Cine Premiere
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| Posted Dec 18, 2019
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Esto no es Berlín (2019) |
The subtext is enriched by certain camera and aesthetic decisions. [Full review in Spanish] - Cine Premiere
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| Posted Dec 16, 2019
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By the Grace of God (2018) |
It treats brittle facts with visual delicacy and suggestions that, although we do not see them, are forceful, unforgettable and graceless. [Full review in Spanish] - Cine Premiere
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| Posted Dec 16, 2019
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Killerman (2019) |
Killerman is the story of how an antihero is created, but without the mysticism or emotion of his cousin by profession, John Wick. [Full review in Spanish] - Cine Premiere
Read More
| Posted Dec 10, 2019
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Knives Out (2019) |
The most fascinating thing about Knives Out is not the accumulation of unfolding events, but their characters. [Full review in Spanish] - Cine Premiere
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| Posted Dec 10, 2019
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21 Bridges (2019) |
The script is based on the cliche of the thieves from obscure pasts and opposing personalities. [Full review in Spanish] - Cine Premiere
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| Posted Dec 10, 2019
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Abigail (2019) |
It is affected by clumsy dialogues, uneven performances and special effects of minimal visual quality. [Full review in Spanish] - Cine Premiere
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| Posted Dec 10, 2019
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Missing Link (2019) |
Its (Laika Studios) most recent stop-motion feature is a proof of creative mastery and visual honesty. [Full review in Spanish] - Cine Premiere
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| Posted Nov 13, 2019
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(undefined) |
Polvo is a movie enriched by its colloquial tone and the naturalness of its cast. [Full Review in Spanish] - Cine Premiere
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| Posted Nov 09, 2019
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Downton Abbey (2019) |
Downton Abbey is like a long - and good - episode, true to the essence of the series in tone, structure and adventures. [Full review in Spanish] - Cine Premiere
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| Posted Nov 07, 2019
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Thunder Road (2018) |
Thunder Road approaches serious, profound and even dangerous themes with comic elegance. [Full review in Spanish] - Cine Premiere
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| Posted Nov 06, 2019
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The Package (2018) |
Although it has good intentions and hunger for originality, the tangled script helps little to the development of the story. [Full review in Spanish] - Cine Premiere
Read More
| Posted Nov 06, 2019
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Late Night (2019) |
Even though there are plenty of cliches here, the film tells a story rarely told in Hollywood about the behind-the-scenes. [Full Review in Spanish] - Cine Premiere
Read More
| Posted Oct 20, 2019
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(undefined) |
La boda de la abuela corrects some of the mishaps of the original film, but also abuses anachronisms and stereotypes. [Full Review in Spanish] - Cine Premiere
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| Posted Oct 20, 2019
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47 Meters Down: Uncaged (2019) |
A monotone and repetitive film. [Full Review in Spanish] - Cine Premiere
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| Posted Oct 20, 2019
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Ad Astra (2019) |
Ad Astra is an intimate journey that settles science fiction into terribly human problems; an exploration of loneliness from an existential perspective. [Full Review in Spanish] - Cine Premiere
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| Posted Sep 23, 2019
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Tod@s caen (2019) |
This film is more of a product than an original or risky bet. [Full Review in Spanish] - Cine Premiere
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| Posted Sep 23, 2019
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Blinded by the Light (2019) |
A feel-good film that suggests that some feelings are just universal. [Full Review in Spanish] - Cine Premiere
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| Posted Sep 23, 2019
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Diamantino (2018) |
The cosmic, fantastic elements make this themed roller coaster a very unique adventure. [Full Review in Spanish] - Cine Premiere
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| Posted Aug 28, 2019
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(undefined) |
Alazraki and Rovzar create imaginative visuals and music, but forget to develop their characters. [Full Review in Spanish] - Cine Premiere
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| Posted Aug 19, 2019
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Playmobil: The Movie (2019) |
A simple and generic film with enough charisma to barely entertain the children. [Full Review in Spanish] - Cine Premiere
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| Posted Aug 19, 2019
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Lemonade (2018) |
While Lemonade makes a certain sociopolitical comment about the situation in Romania, its protest is universal and tremendously human. [Full Review in Spanish] - Cine Premiere
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| Posted Aug 09, 2019
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The Chambermaid (2018) |
The aim of La camarista is to undress with the lens the monotonous existence of those who work in invisibility despite the essentiality of their work. [Full Review in Spanish] - Cine Premiere
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| Posted Aug 07, 2019
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The Golem (2018) |
Despite its precarious tension, one never feels imminent danger. [Full Review in Spanish] - Cine Premiere
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| Posted Jul 30, 2019
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Non-Fiction (2018) |
Olivier Assayas creates a scathing and hilarious social critique with Non-Fiction. [Full Review in Spanish] - Cine Premiere
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| Posted Jul 30, 2019
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The Weasel's Tale (2019) |
A fun thriller with dialogue that bites. [Full review in Spanish] - Cine Premiere
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| Posted Jul 22, 2019
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The Image Book (2018) |
In The Image Book, Godard puts the visual appeal before the text or sound in an experimental way. [Full review in Spanish] - Cine Premiere
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| Posted Jul 22, 2019
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The Wild Boys (2017) |
The Wild Boys is a fantastic, avant-garde and rebellious journey that blurs gender identity. [Full review in Spanish] - Cine Premiere
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| Posted Jul 22, 2019
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Leto (2018) |
With an exquisite black and white photograph, Leto uses another edge in the repressive repertory of the Cold War. [Full review in Spanish] - Cine Premiere
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| Posted Jul 14, 2019
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3 Faces (2018) |
Here we see a Panahi in physical freedom, moving through Iran and giving voice to those who, in some way, are co-prisoners. [Full review in Spanish] - Cine Premiere
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| Posted Jul 01, 2019
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Girls of the Sun (2018) |
Girls of the Sun offers a great war narrative with a feminine point of view. [Full review in Spanish] - Cine Premiere
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| Posted Jul 01, 2019
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The Hustle (2019) |
An uneven comedy. [Full review in Spanish] - Cine Premiere
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| Posted Jul 01, 2019
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Gloria Bell (2018) |
Gloria Bell is more jovial and modern than the original version, which means that some relevant themes are lost in translation. [Full Review in Spanish] - Cine Premiere
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| Posted Jun 21, 2019
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Hotel Mumbai (2018) |
Hotel Mumbai generates a stampede of emotions in recreating the story of the 2008 attacks. [Full Review in Spanish] - Cine Premiere
Read More
| Posted Jun 21, 2019
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Greta (2018) |
Despite counting with a great cast led by Isabelle Huppert, Greta is a fraudulent thriller that shows its cards too soon. [Full Review in Spanish] - Cine Premiere
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| Posted Jun 17, 2019
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Claire Darling (La dernière folie de Claire Darling) (2018) |
With all its hyperbolic fantastic touches, and its transitions between reality-hallucination, the film is a mausoleum of memory, and a cult of the object. [Full Review in Spanish] - Cine Premiere
Read More
| Posted Jun 10, 2019
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One Last Deal (2018) |
One Last Deal emerges as a tribute to the forgotten or disdained artists in a new world of unlimited technologies and self-imposed masks. [Full Review in Spanish] - Cine Premiere
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| Posted May 26, 2019
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Buy Me a Gun (2018) |
Buy Me a Gun is a desperate song, a prayer so that the outcome of its narrative does not coincide with reality. [Full Review in Spanish] - Cine Premiere
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| Posted May 12, 2019
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Sunset (2018) |
Lázló Nemes's mastery of making a particular story a global recount is evident in Sunset. [Full Review in Spanish] - Cine Premiere
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| Posted May 12, 2019
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Maria by Callas: In Her Own Words (2017) |
Despite incurring certain thematic conventions of biographical and idolatrous documentaries, Maria by Callas is a testament of humanity. [Full Review in Spanish] - Cine Premiere
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| Posted May 12, 2019
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The Wild Pear Tree (2018) |
True to the style of Nuri Bilge Ceylan, The Wild Pear Tree is a discursive setting with philosophical-existentialist intentions. [Full Review in Spanish] - Cine Premiere
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| Posted May 12, 2019
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Sink or Swim (2018) |
A feel good film. [Full Review in Spanish] - Cine Premiere
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| Posted May 06, 2019
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Gauguin: Voyage to Tahiti (2017) |
An epiphany with no exclamation marks. [Full Review in Spanish] - Cine Premiere
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| Posted Apr 18, 2019
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Naked Normandy (2018) |
Normandie nue sustains a joyful tone throughout. [Full Review in Spanish] - Cine Premiere
Read More
| Posted Apr 18, 2019
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The Curse of La Llorona (2019) |
The Curse of La Llorona strays far from the folklore despite attempts to try to incorporate and translate it into the American fold. [Full Review in Spanish] - Cine Premiere
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| Posted Apr 18, 2019
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Miss Bala (2019) |
Catherine Hardwicke distorts the main objectives of Gerardo Naranjo's original film. [Full Review in Spanish] - Cine Premiere
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| Posted Mar 29, 2019
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Backtrace (2018) |
After the first act, Backtrace turns into a needlessly complicated story where the characters are like carton. [Full Review in Spanish] - Cine Premiere
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| Posted Mar 22, 2019
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