Matthew Nestel
Matthew Nestel's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Daylight (2010)
91%
3.5/5
EDIT
“Daylight is a caper full of lechery and unforced twists with strong characters and no pretense.” –
Boxoffice Magazine
Jul 22, 2011
Full Review
Sholem Aleichem: Laughing in the Darkness (2011)
100%
3/5
EDIT
“Ddon't let the tongue-tying title deter you: this doc's a grabber. Filmmaker Joseph Dorman strikes Aleichem's story with gusto.” –
Boxoffice Magazine
Jul 19, 2011
Full Review
The Arbor (2010)
96%
4/5
EDIT
“The peanut gallery might say Clio Barnard's genre-bending The Arbor is a mixed-up moving target, but it's strikingly honed in on its subject: the lauded writer and loathed matriarch Andrea Dunbar.” –
Boxoffice Magazine
May 3, 2011
Full Review
Loveless (2011)
80%
3.5/5
EDIT
“The clever windups and nimble writing put this romcom a nose ahead of the pack.” –
Boxoffice Magazine
Apr 4, 2011
Full Review
Zenith (2010)
55%
2/5
EDIT
“Zenith is a genre-bending experiment that needs an extended beta phase before going operational.” –
Boxoffice Magazine
Jan 25, 2011
Full Review
Every Day (2010)
35%
2/5
EDIT
“Auds will be wise to the contrived metaphors and realize there's not much going on below the surface except stock discourse.” –
Boxoffice Magazine
Jan 15, 2011
Full Review
Beijing Taxi (2010)
80%
3.5/5
EDIT
“Shadowing the ups and bunny-hill downs of three cabbies, Wang's documentary will entreat loads of audiences to get first hand-to-mouth evidence that a nation's prosperity doesn't turn every bean into magical stalk.” –
Boxoffice Magazine
Dec 21, 2010
Full Review
Urville (2009)
71%
3.5/5
EDIT
“Fuel for the imagination.” –
Boxoffice Magazine
Dec 21, 2010
Full Review
Robert J. Lifton: Nazi Doctors (2010)
38%
3/5
EDIT
“You learn a great deal about the thinker and storyteller in Lifton, but you'll learn so little when it comes to where he truly stands.” –
Boxoffice Magazine
Oct 22, 2010
Full Review
Kings of Pastry (2009)
86%
3/5
EDIT
“The work is a brutal rite of passage that will click with anybody who has put it all out there and lost once, twice or thrice. And still got up to face the music again.” –
Boxoffice Magazine
Sep 18, 2010
Full Review
Clear Blue Tuesday (2009)
20%
3/5
EDIT
“Though naive in execution, the story gingerly bypasses loaded drama to pluck bushels of hope from obvious blight.” –
Boxoffice Magazine
Sep 4, 2010
Full Review
Finding Bliss (2009)
30%
2/5
EDIT
“” –
Boxoffice Magazine
Aug 31, 2010
Full Review
Long Knives Night (1999)
3/5
EDIT
“” –
Boxoffice Magazine
Aug 27, 2010
Full Review
Neshoba: The Price of Freedom (2008)
88%
2.5/5
EDIT
“A misguided edit shortchanges audiences of what could have been a doc that capitalized on its exclusive sit-downs and reportage.” –
Boxoffice Magazine
Aug 18, 2010
Full Review
Red Birds (2010)
20%
3/5
EDIT
“You fly with these birds, nibble on berries and blossom and feed off of the each artist's incision. All of it inches closer to vivid listening and thinking” –
Boxoffice Magazine
May 26, 2010
Full Review
Pornography (2009)
29%
0.5/5
EDIT
“” –
Boxoffice Magazine
Apr 16, 2010
Full Review
It Came From Kuchar (2009)
89%
3.5/5
EDIT
“Kuchar disciples will swarm after selling-out small movie houses to enjoy the loaded array of titillating clips and heavyweight filmmakers dishing catnip praise.” –
Boxoffice Magazine
Apr 9, 2010
Full Review
The Sun Behind the Clouds: Tibet's Struggle for Freedom (2010)
88%
3/5
EDIT
“The filmmakers do bang-up job expanding the frontline perspectives, aiming to subvert a ruling regime's course and expose its cloudy human rights record.” –
Boxoffice Magazine
Apr 2, 2010
Full Review
Shutterbug (2009)
33%
1.5/5
EDIT
“Its drowsy work and parlor tricks suck the life out of what's supposed to be a sleepless city” –
Boxoffice Magazine
Mar 24, 2010
Full Review
The Good Soldier (2009)
75%
3/5
EDIT
“Their wars differ but their tales are eerily identical. Their material is arresting, with troves of detailed memories pouring out for the first time.” –
Boxoffice Magazine
Nov 16, 2009
Full Review
Four Seasons Lodge (2008)
82%
3.5/5
EDIT
“The collective's flame burns bright and disrupts the darkness of a time that too many would soon rather forget. Luckily, we still care to remember.” –
Boxoffice Magazine
Nov 13, 2009
Full Review
Act of God (2009)
63%
3/5
EDIT
“Interlaces spectacular visuals with meaty chatter by various luminaries and laymen talking about life after being struck by lightning.” –
Boxoffice Magazine
Nov 5, 2009
Full Review
Labor Day (2009)
13%
2/5
EDIT
“. No opinion seems to stray from the talking points. Everybody's giddy to stump. Everyday. This makes the film feel padded and rinsed. Is the director solely trying to please his subjects?” –
Boxoffice Magazine
Oct 30, 2009
Full Review
Adventures of Power (2008)
32%
3/5
EDIT
“The playful plot with go-figure ending is bubbly, and the mechanics of the film are on-point for the most part.” –
Boxoffice Magazine
Oct 9, 2009
Full Review
Visual Acoustics: The Modernism of Julius Shulman (2008)
95%
3/5
EDIT
“Schulman's passion to be present in the here and now and "stop time" with his photographs is indicative of a mortal who has channeled the powers that be to make something that wasn't there before: Art in its greatest sense.” –
Boxoffice Magazine
Oct 9, 2009
Full Review
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