Rotten Tomatoes
Movies Tv shows RT App News Showtimes
Critics list

Megan Turner

Megan Turner's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Publications:

Reviews

Movies TV Shows
Facing the Music (2001) 80% 2.5/4 EDIT “” – New York Post Jun 5, 2004 Full Review 0/4 EDIT “” – New York Post May 7, 2003 Full Review 7 Days in September (2002) 100% 2.5/4 EDIT “A worthwhile addition to the reams of footage of the day the earth stood still.” – New York Post Mar 22, 2003 Full Review Pulse: A Stomp Odyssey (2002) 93% 3.5/4 EDIT “The camera soars above the globe in dazzling panoramic shots that make the most of the large-screen format, before swooping down on a string of exotic locales, scooping the whole world up in a joyous communal festival of rhythm.” – New York Post Feb 20, 2003 Full Review Lost in La Mancha (2002) 94% 3/4 EDIT “When Gilliam is finally forced to admit defeat, it is nothing short of heartbreaking -- for audiences, too, as the few shots that made it into the can hold such promise.” – New York Post Jan 31, 2003 Full Review Chaos (2001) 84% 3/4 EDIT “Energetic pastiche of social commentary, revenge thriller and broad farce.” – New York Post Jan 29, 2003 Full Review City of God (2002) 91% 4/4 EDIT “That rare film that manages to be seductively entertaining without ever compromising its authenticity and power.” – New York Post Jan 17, 2003 Full Review The Slaughter Rule (2002) 77% 2.5/4 EDIT “Its focus on the complex relationship between an emotionally wounded youth and the sexually ambiguous older man who mentors him is a welcome detour from genre routine.” – New York Post Jan 8, 2003 Full Review Adam Sandler's Eight Crazy Nights (2002) 13% 1.5/4 EDIT “There are a handful of genuinely comical moments in Eight Crazy Nights, but the whole thing reeks of a super-indulgent, cobbled-together vanity trip by a star whose ego obviously leads him to believe he can put anything on screen.” – New York Post Nov 27, 2002 Full Review Phantom (2000) 29% 2/4 EDIT “Arty gay film.” – New York Post Nov 25, 2002 Full Review Die Another Day (2002) 56% 3/4 EDIT “The first installment of the new millennium, maintains the franchise's standing as the ultimate cinematic guilty pleasure.” – New York Post Nov 22, 2002 Full Review Personal Velocity: Three Portraits (2002) 69% 3/4 EDIT “Intelligent chick flick.” – New York Post Nov 22, 2002 Full Review The Crime of Father Amaro (2002) 63% 3/4 EDIT “Bernal's transformation from naive priest to tortured adulterer to hard-nosed careerist is riveting.” – New York Post Nov 15, 2002 Full Review Revolution No. 9 (2001) 74% 2.5/4 EDIT “A smart little indie.” – New York Post Nov 15, 2002 Full Review God Is Great, I'm Not (2001) 28% 2/4 EDIT “Simplistic fluff-ball of whimsy.” – New York Post Nov 8, 2002 Full Review Femme Fatale (2002) 49% 1.5/4 EDIT “De Palma fools around with split screens and slo-mo, but no amount of cinematic artifice can varnish over the fact that this is simply a bad film.” – New York Post Nov 6, 2002 Full Review The Weight of Water (2000) 34% 2/4 EDIT “The action switches between past and present, but the material link is too tenuous to anchor the emotional connections that purport to span a 125-year divide.” – New York Post Nov 1, 2002 Full Review Love in the Time of Money (2002) 18% 1/4 EDIT “An exercise in cynicism every bit as ugly as the shabby digital photography and muddy sound.” – New York Post Nov 1, 2002 Full Review Besotted (2001) 11% .5/4 EDIT “The whole thing comes off like a particularly amateurish episode of Bewitched that takes place during Spring Break.” – New York Post Nov 1, 2002 Full Review Food of Love (2002) 48% 1.5/4 EDIT “There's a whole heap of nothing at the core of this slight coming-of-age/coming-out tale.” – New York Post Oct 25, 2002 Full Review The Bank (2001) 63% 1.5/4 EDIT “Despite a crafty premise and a clever kink in the tale that almost saves it, Connolly isn't dexterous enough to achieve the Hitchockian level of suspense the movie needs.” – New York Post Oct 25, 2002 Full Review All or Nothing (2002) 82% 3/4 EDIT “It's easy to succumb to the rhythms of this melancholic but humanistic rumination on the meaning of life.” – New York Post Oct 25, 2002 Full Review Paid in Full (2002) 53% 2.5/4 EDIT “Rings true, from the smooth dialogue to the unaffected performances of the central actors.” – New York Post Oct 25, 2002 Full Review The Business of Fancydancing (2002) 59% 1.5/4 EDIT “Pretentious when it should be penetrating, spasmodic when it means to be lyrical.” – New York Post Oct 18, 2002 Full Review The Grey Zone (2001) 70% 2/4 EDIT “Nelson's brutally unsentimental approach ... sucks the humanity from the film, leaving behind an horrific but weirdly unemotional spectacle.” – New York Post Oct 18, 2002 Full Review
No Reviews Yet
Load More