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Michael Glover Smith

Michael Glover Smith's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies TV Shows
Elizabeth Harvest (2018) 52% 7.5/10 EDIT “Elizabeth Harvest isn't going to blow you away, and while Ex Machina is always lurking in the shadows, it still has plenty going for it on its own. The superb cast sell the sci-fi well even when it loses moments of credibility.” – Cultured Vultures Oct 29, 2019 Full Review Izzy Gets the F... Across Town (2017) 56% 7/10 EDIT “Izzy Gets The F*ck Across Town is an almost great film. After starting out well it loses steam in its final third and threatens to become forgettable.” – Cultured Vultures Oct 29, 2019 Full Review Walk Like a Panther (2018) 8% 7.5/10 EDIT “When it's this damn likeable and just wants to simply please you, with the added joy of just seeing so many high quality working class actors together in a big British film, it's impossible not to like.” – Cultured Vultures Oct 24, 2019 Full Review Bushwick (2017) 49% 7/10 EDIT “Bushwick isn't going to go down as one of the films of the year, but is a solid, well-made indie actioner with two great central performances and a different approach to your standard thriller fare. Well worth a watch.” – Cultured Vultures Oct 10, 2019 Full Review Spider-Man: Homecoming (2017) 92% 8/10 EDIT “The performances are great, and the direction of Jon Watts gives us time for our titular character to breathe and still gives us coherent action set pieces for us to marvel at. The script is funny and zips along at a wonderful pace.” – Cultured Vultures Oct 10, 2019 Full Review Love Island (2014) EDIT “In this painfully unfunny sex farce, a Bosnian man (Ermin Bravo) and his pregnant French bride (Ariane Labed) flirt with infidelity while vacationing at a cheesy "all-inclusive" resort on a Croatian island.” – Chicago Reader Mar 3, 2016 Full Review The Camera Obscura (2008) EDIT “This is competently made but inconsequential; the period sets and costumes are ultimately more convincing than the characters inhabiting them.” – Chicago Reader Feb 18, 2016 Full Review Within Our Gates (1920) 100% EDIT “The clever intercutting of this climax intentionally unpacks the racist ideology of D.W. Griffith's similarly constructed The Birth of a Nation.” – Time Out Chicago Jun 27, 2001 Full Review
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