Miranda de Viernes a Lunes (2024)
3/5
EDIT
“There is palpable freedom in Miranda, de Viernes a Lunes... [Full review in Spanish]” –
La Nación (Argentina)
Jun 13, 2024
Full Review
Two Tickets to Greece (2022)
81%
3/5
EDIT
“While there are not many surprises on a visual or narrative level, Two Tickets to Greece candidly registers the outcome of rethinking life when it was believed that everything was lost. [Full review in Spanish]” –
La Nación (Argentina)
Apr 26, 2024
Full Review
10 Lives (2024)
62%
3/5
EDIT
“The script by Karen Wengrod and Ken Cinnamon is simple, but moving. [Full review in Spanish]” –
La Nación (Argentina)
Apr 22, 2024
Full Review
Vladimir (2024)
2/5
EDIT
“When the film works, it is thanks to Daniel Aráoz, who has in his hands the difficult task of conveying the hopelessness of his character and, at the same time, the ferocity with which he dedicates himself to art... [Full review in Spanish]” –
La Nación (Argentina)
Apr 12, 2024
Full Review
Como el Mar (2024)
3/5
EDIT
“At times, Como el Mar relies on the beauty of its locations and deprives us of richer scenes between its protagonists, still, the movie's strength also lies in the unsaid, what's transmitted in a look, suppressed tears... [Full review in Spanish]” –
La Nación (Argentina)
Mar 28, 2024
Full Review
A Ravaging Wind (2023)
4/5
EDIT
“... An intimate film that captures the essence of a novel in which the sensorial elements prevail without neglecting the different modes of a pilgrimage. [Full review in Spanish]” –
La Nación (Argentina)
Mar 21, 2024
Full Review
All of Us Strangers (2023)
96%
5/5
EDIT
“The biggest risk Haigh takes, remaining faithful to the fantastical component of the story, is what elevates the film... [Full review in Spanish]” –
La Nación (Argentina)
Mar 7, 2024
Full Review
The Jester (2023)
25%
2/5
EDIT
“While it attempts to explore a relationship that strengthens amid panic, The Jester is a superfluous record of a figure who, far from frightening, is a lackluster copy of infinitely superior characters of the genre. [Full review in Spanish]” –
La Nación (Argentina)
Feb 28, 2024
Full Review
Baghead (2023)
31%
2/5
EDIT
“Although some scenes work, everything is crafted with a superficiality that does not do justice to a premise that had potential beyond the clichés. [Full review in Spanish]” –
La Nación (Argentina)
Feb 8, 2024
Full Review
Alice in Terrorland (2023)
1/5
EDIT
“Instead of fully delving into the universe of mirrors where there seems to be no logic, the director limits himself to using Carroll's text more as a marketing gimmick than genuine inspiration. [Full review in Spanish]” –
La Nación (Argentina)
Jan 11, 2024
Full Review
The Three Musketeers: Part II - Milady (2023)
87%
3/5
EDIT
“... the energy declines when the characters intersect, their tête-à-tête scenes are less inspired than the brutal battles. [Full review in Spanish]” –
La Nación (Argentina)
Dec 27, 2023
Full Review
I Trust You (2023)
3/5
EDIT
“Everyday life in prison is portrayed with an operatic tone that adds breadth to the tragedy and the uncertainties that arise from it. [Full review in Spanish]” –
La Nación (Argentina)
Dec 1, 2023
Full Review
TAYLOR SWIFT | THE ERAS TOUR (2023)
98%
EDIT
“[The Eras Tour] registers with great pulse and effervescence what happens during this tour that covers all the stages of the artist... [Full review in Spanish]” –
La Nación (Argentina)
Oct 24, 2023
Full Review
Since the Last Time We Met (2023)
2/5
EDIT
“Since The Last Time We Met seeks to be a powerful story about second chances... but forgets several plot points along the way, among them, the real motive that keeps its protagonists apart. [Full review in Spanish]” –
La Nación (Argentina)
Oct 24, 2023
Full Review
Kandisha (2020)
79%
2/5
EDIT
“[Kandisha] is another misstep by the French filmmakers within a genre that, at this point, they should already feel comfortable enough to create their own world, detached from an endless number of influences that lead to pastiche. [Full review in Spanish]” –
La Nación (Argentina)
Oct 12, 2023
Full Review
How To Save The Immortal (2022)
2/5
EDIT
“... A noble narrative wasted in order to emphasize uncreative secondary characters. [Full review in Spanish]” –
La Nación (Argentina)
Sep 21, 2023
Full Review
Love at First Sight (2023)
76%
3/5
EDIT
“Love at First Sight doesn't revolutionize the genre but it also doesn't intend to; it's a neat movie with the right amount of sentimentality. [Full review in Spanish]” –
La Nación (Argentina)
Sep 15, 2023
Full Review
My Fairy Troublemaker (2022)
3/5
EDIT
“Caroline Origer's movie doesn't hide its references, most of which come from Pixar studios, especially when it uses one of its best exponents as fuel for its narrative: Inside Out. [Full review in Spanish]” –
La Nación (Argentina)
Sep 15, 2023
Full Review
Julio, Felices por Siempre (2022)
2/5
EDIT
“... Vulgar jokes that are dissonant with the premise and characters that enter the story in dreamlike vignettes that, while trying to contribute something new, divert the film from its promising start. [Full review in Spanish]” –
La Nación (Argentina)
Aug 29, 2023
Full Review
The Woman from Uruguay (2022)
100%
3/5
EDIT
“Fiorella Bottaioli's performance exudes spontaneity, an enchanting magnetism, and she stands out as a great partner for Arzeno... [Full review in Spanish]” –
La Nación (Argentina)
Aug 17, 2023
Full Review
The Hummingbird (2022)
63%
4/5
EDIT
“El Colibrí is moving from the simplicity with which approaches mundane situations... [Full review in Spanish]” –
La Nación (Argentina)
Aug 10, 2023
Full Review
Happiness for Beginners (2023)
35%
3/5
EDIT
“... A noble movie that allows Kemper to trek dramatic territory and command a story with solvency and charisma. [Full review in Spanish]” –
La Nación (Argentina)
Aug 8, 2023
Full Review
Broken (2023)
3/5
EDIT
“When the detective story focuses on the sacrifices that come with motherhood over the case to solve, the movie acquires autonomy and distances itself from similar works. [Full review in Spanish]” –
La Nación (Argentina)
Aug 3, 2023
Full Review
Doble Discurso (2023)
2/5
EDIT
“In wanting to cover all the bases, Doble Discurso quickly loses focus... [Full review in Spanish]” –
La Nación (Argentina)
Jul 28, 2023
Full Review
Arab Blues (2020)
92%
3/5
EDIT
“A tonal imbalance plays against a premise that's warm but not entirely memorable; a lost opportunity to dig into the contradictions of a woman exposed to the quandaries of a country in the midst of change. [Full review in Spanish]” –
La Nación (Argentina)
Jul 20, 2023
Full Review
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