Stephen Puddicombe
Stephen Puddicombe's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Judy & Punch (2019)
77%
EDIT
“Judy and Punch gives mixed messages as to whether the film wants us to consider its violence as a slapstick laughing matter or as an earnest critique.” –
Seventh Row
Aug 29, 2020
Full Review
Babyteeth (2019)
94%
EDIT
“Babyteeth is a quirky, surprising, and ultimately very moving film about teenage terminal illness that is less a wistful tearjerker than it is a coming-of-age drama.” –
Seventh Row
Aug 29, 2020
Full Review
Menashe (2017)
95%
4/5
EDIT
“Performed in Yiddish and shot in Brooklyn's Borough Park, this is a rare insight into Orthodox Jewish culture.” –
Total Film
Dec 7, 2017
Full Review
Unrest (2017)
100%
4/5
EDIT
“Researching others' experiences as well as recording her own, Brea turns an unflinching eye on the distressing details of those left bed-ridden.” –
Total Film
Oct 23, 2017
Full Review
The Shack (2017)
20%
1/5
EDIT
“Not even Octavia Spencer can redeem this one.” –
Total Film
Jun 5, 2017
Full Review
A Moving Image (2016)
83%
3/5
EDIT
“The complexity of the topic is well handled, and Brixton itself is full of vibrancy, but the film prompts more questions than it manages to answer.” –
Total Film
Apr 25, 2017
Full Review
Another Mother's Son (2017)
53%
4/5
EDIT
“The solemn score, plucky Brits and nasty Nazis are all familiar, but there's a lived-in feel that transcends clich.” –
Total Film
Mar 20, 2017
Full Review
Arsenal (2017)
3%
2/5
EDIT
“The kind of film that serves only to add to YouTube supercuts of Cage freaking out.” –
Total Film
Feb 20, 2017
Full Review
Love of My Life (2017)
17%
3/5
EDIT
“This comedy-drama elicits chortles aplenty with its gently caustic humour despite the dark subject matter.” –
Total Film
Feb 13, 2017
Full Review
Lost in France (2016)
93%
3/5
EDIT
“Likeable, but low-stakes.” –
Total Film
Feb 13, 2017
Full Review
Summertime (2015)
91%
3/5
EDIT
“Catherine Corsini's film highlights the successes of second-wave feminism, but it's when the lovers move to the countryside that the film really finds its theme: the difficulties of growing up gay in a conservative community.” –
Total Film
Jan 2, 2017
Full Review
The Darkness (2016)
3%
2/5
EDIT
“[The Darkness] favours generic mumbo-jumbo about inter-dimensional demons.” –
Total Film
Jan 2, 2017
Full Review
Uzumasa Limelight (2014)
91%
3/5
EDIT
“The film struggles to flesh out its running time, but such is its sincerity in honouring Fukumotos profession that witnessing him perform his samurai sword skills is genuinely touching.” –
Total Film
Jan 2, 2017
Full Review
Noble (2014)
82%
2/5
EDIT
“It moves from one traumatic event to another with the swiftness of a biopic thats trying to squeeze in all the major events of its subjects life so much so that none carry the weight they ought to.” –
Total Film
Jan 2, 2017
Full Review
Notes on Blindness (2016)
95%
3/5
EDIT
“Hull's observations -- an audio diary -- provide plenty of insight and engagement.” –
Total Film
Jan 2, 2017
Full Review
Songs for Amy (2012)
17%
2/5
EDIT
“There's an undeniable sweetness to the songs our hero pens in an attempt to win Amy (Lorna Anderson) back -- but his cause isn't helped by stock characters, leisurely pacing and crude contrivances.” –
Total Film
Jan 1, 2017
Full Review
The Son of Joseph (2016)
93%
3/5
EDIT
“Earns its uplifting ending.” –
Total Film
Dec 14, 2016
Full Review
Patience, Patience, You'll Go to Paradise! (2015)
4/5
EDIT
“A group of middle-Aged Belgian Muslim women of north African descent form a friendship attending a French writing class in this gently heartwarming doc.” –
Total Film
Dec 12, 2016
Full Review
The Ardennes (2015)
58%
3/5
EDIT
“A bleak crime drama.” –
Total Film
Dec 5, 2016
Full Review
The Weekend (2016)
3/5
EDIT
“The jokes frequently land and Wade and his co-stars (Percelle Ascott, Dee Kaate) are amusingly hyperactive.” –
Total Film
Dec 1, 2016
Full Review
The Messenger (2015)
33%
3/5
EDIT
“Everything's held together by an authoritative performance from Sheehan, who does fine work keeping open the question of whether the ghosts are really there or just figments of his troubled imagination.” –
Total Film
Oct 31, 2016
Full Review
The First Monday in May (2016)
77%
3/5
EDIT
“Aesthetics go out the window with the opening night's self-absorbed celebrity fundraiser.” –
Total Film
Sep 27, 2016
Full Review
Baden Baden (2016)
95%
3/5
EDIT
“It feels somewhat apt that the story is as directionless as its protagonist. On the other hand, writer/director Rachel Lang's film lacks cumulative dramatic punch, its appeal rooted mainly in its easy humour.” –
Total Film
Sep 27, 2016
Full Review
Tickled (2016)
94%
4/5
EDIT
“Farrier doesn't overlook the amusing oddness of such a strange corner of the internet, but treats the subjects of the videos respectfully.” –
Total Film
Aug 18, 2016
Full Review
A Haunting in Cawdor (2015)
13%
2/5
EDIT
“Protagonist Vivian (Shelby Young) may evoke memories of Natalie Portman in Black Swan or Suspirias Jessica harper. But shes a comparatively underwritten character, failing to convince as a trauma victim.” –
Total Film
Mar 8, 2016
Full Review
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