Critic Consensus: Bela Lugosi's timeless portrayal of Dracula in this creepy and atmospheric 1931 film has set the standard for major vampiric roles since.
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as Count Dracula
as Van Helsing
as Briggs, Maid
as English Nurse
as Coach Passenger
as English-Woman Passenger
as Transylvanian Passenger
as Girl in Coach
as Dracula's Vampire Wife
as Dracula's Vampire Wife
as Dracula's Vampire Wife
as Van Helsing's Assistant
as Operating Room Doctor
Critic Reviews for Dracula
An exciting melodrama, not as good as it ought to be but a cut above the ordinary trapdoor-and-winding-sheet type of mystery film.
A sublimated ghost story related with all surface seriousness and above all with a remarkably effective background of creepy atmosphere.
The opening scenes, set in Dracula's castle, are magnificent -- grave, stately, and severe. But the film becomes unbearably static once the action moves to England.
Not by any means the masterpiece of fond memory or reputation, although the first twenty minutes are astonishingly fluid and brilliantly shot by Karl Freund.
With Mr. Browning's imaginative direction and Mr. Lugosi's makeup and weird gestures, this picture succeeds to some extent in its grand guignol intentions.
Audience Reviews for Dracula
This version of Dracula is the first widely released film of the tale since the German Nosferatu. It does not take directly from the novel, written by Bram Stoker, and instead uses the stage play, which actor Bela Lugosi performed in before being cast in this MGM classic. Dracula here has never been so seminal, suave, and adamantly foreign. Unlike the hideous incarnation of the famed monster in Nosferatu, here Dracula wears beautiful black capes, has a legion of wives, and travels great distances only to appear in London under an assumed name to find his next victim. In attendance to the dark lord is an entranced lawyer named Renfield, played by the insanely creepy Dwight Frye, giving a performance that leaves an everlasting impression. Most of the film is made up of interesting performances, most notably of Lugosi himself, who took a criminally low wage in order to take on the role he first performed on stage. He even negotiated the rights for the play and book for the MGM. Lugosi is certainly enigmatic, many scenes showing penlights being shone into those dark orbs, brows lowered in mock irritation and sensuality. The way Lugosi uses his hands, his aura permeating every scene, whether flanked by fake spider webs, the foggy docks of the London harbor, the box at the theater, or one hand moving out of his wooden coffin, ready to strike. The two leads who portrayed victim Mina and her beau John were slightly annoying. Mina was susceptible to fainting spells, high pitched screams, and expressions of lost innocence while John's face only held the expressions of concern and horror. The atmosphere of the film was quite interesting, the vampire running throughout the cityscape, his influence over his victims and accomplice evident from the fear they showcased. The chase between the vampire and the famous Van Helsing wasn't as thrilling, years later, and the lack of sound was less off-putting than empty. This was one of two performances Lugosi had as Dracula, while also portraying characters like the vampire in other MGM films. His performance is one of the best in history, and there's no one else who can carry that heavy Hungarian drawl so many years later.
Dracula released in 1931 is probably the most famous version of Bram Stoker's classic work ever put on-screen. This is a brilliant piece of cinema in the early year's of the silver screen. Universal cemented itself as a leader in the horror genre, and released many classic films that set the standards for many years to come. Dracula made Bela Lugosi a star and ultimately a horror icon of the classic era of film. Although often overshadowed by Boris Karloff, his performance here definitely is a much more in depth performance, as Lugosi brings charisma to the title character that Karloff didn't seem to have. I'm not saying that one is better than the other, all I'm saying is that Lugosi had a bit more screen presence and on-screen demeanor due to his larger speaking role. The film itself has a strong sense of atmosphere, which is key to build effective chills and suspense. This a flawless horror picture that stands out even today because the idea issi simple, yet due to Lugosi you are just captivated and mesmerized by his performance. There has been countless films based on Dracula, however this version along with Francis Ford Coppola's 1992 film really stand out because they bring a great cast to tell the Bram Stoker classic which have made vampires such an integral part of the horror genre. Bela Lugosi is wonderful here and his hypnotic performance is among the greatest ever filmed. Dracula remains one of the best vampire films, and its influence on the genre is still apparent today. A definite must see for horror fans.
Now this is what you call a classic! It's a film that you can watch over and over again, as long as you have patience, and become incredibly immersed in the acting, since there was absolutely no score, which kind of takes e out of it at times, and there seems to be a missing element of suspense. Still, the story is fantastic and it's definitely one that has inspired the entire horror genre, and for that, I am totally in it's debt. The edited may be choppy for it's time, but the camerawork is far superior to even some of the films shot in todays day and age. I honesty commend the cinematographers of this film. "Dracula" is definitely one of the best horror classics out there!
|Count Dracula:||Listen to them. Children of the night. What music they make.|
|Dr. Van Helsing:||We Know Why The Wolves Talk, Do We Not, Mr. Renfield?|
|Dr. Van Helsing:||We know why the wolves talk, do we not, Mr Renfield?|
|John Harker:||I Say Driver, What Do You Mean By Going By This?|
|John Harker:||I say, driver, what do you mean by going at this.|
|John Harker:||Well, I'm Sorry, But There's A Carriage Meeting Me At Borgo Pass At Midnight.|
|John Harker:||Well, I'm sorry, but there's a carriage meeting me at Borgo Pass at midnight.|